4,319 research outputs found
Lesbian Cinema after Queer Theory
The unprecedented increase in lesbian representation over the past two decades has coincided with queer theory’s radical transformation of the study of sexuality. This paradoxical context has yielded new kinds of cinematic language and radically altered desire’s visual form. Lesbian Cinema after Queer Theory provokes new ways of understanding this changing field of representation.It offers close readings of key contemporary films such as Blue Is the Warmest Colour, Water Lilies and Carol alongside a broader filmography encompassing over three hundred films released between 1927 and 2018. Clara Bradbury-Rance resists charting a narrative of representational progress or shoring up lesbian categorisation in the newly available terms of the visible. Instead, she argues for a feminist framework that can understand lesbianism’s queerness. Drawing on a provocative theoretical and visual corpus, Lesbian Cinema after Queer Theory reveals the conditions of lesbian legibility in the twenty-first century
Prospectus of Santa Clara College
Prospectus of Santa Clara College, written around June 1855; author could have been Fr. Nobili or Peter Burnett
Prospectus of Santa Clara College
Prospectus of Santa Clara College, written around June 1855; author could have been Fr. Nobili or Peter Burnett
Tratado Theorico Practico de materia medica, Que explica los medicamentos naturales o simples, assi como las preparaciones chimicas, y galenicas, las mas usuales,; sus doses, su modo de obrar; los casos donde conviene, y sus formulas: con un suplemento a lo ultimo.
Composed for the use of the real schools by Don Juan Rance, First Assistant Consortor of the Exercitos, Cathedratico of the Royal College of Surgery of Barcelona, ??and Doctor of Medicine of the University of Montpelier. Dedicated to His Majesty. With license of the council. In Barcelona: By Francisco Suria, and Burgada Printer. Year M.DCC.LXXIII. 1773Composed for the use of the real schools by Don Juan Rance, First Assistant Consortor of the Exercitos, Cathedratico of the Royal College of Surgery of Barcelona, ??and Doctor of Medicine of the University of Montpelier. Dedicated to His Majesty. With license of the council. In Barcelona: By Francisco Suria, and Burgada Printer. Year M.DCC.LXXIII. 177
Twist, Revolt, Survive:My Mother Laughs by Chantal Akerman
A write-up of my contribution to a roundtable panel that took place at King’s College London on 26th September 2019 to celebrate the English translation of Chantal Akerman’s My Mother Laughs. The speakers were Ros Murray (KCL), Jenny Chamarette (QMUL), Albertine Fox (Bristol), Frances Morgan (author of the Afterword, My Mother Laughs), Sarah Shin (Silver Press) and it was chaired by Clara Bradbury-Rance (KCL). The discussion followed a screening of Saute ma ville (1968)
The end but not the end: twist, revolt, survive
A write-up of my contribution to a roundtable panel that took place at King’s College London on 26th September 2019 to celebrate the English translation of Chantal Akerman’s My Mother Laughs. The speakers were Ros Murray (KCL), Jenny Chamarette (QMUL), Albertine Fox (Bristol), Frances Morgan (author of the Afterword, My Mother Laughs), Sarah Shin (Silver Press) and it was chaired by Clara Bradbury-Rance (KCL). The discussion followed a screening of Saute ma ville (1968)
Appropriate Feminisms: Ambivalence and Citational Practice in <i>Appropriate Behavior</i>
Across her body of work in film, television, and digital media, Desiree Akhavan has captured the awkward politics of cultural production for female filmmakers and media-makers. Yet she has also refused to straightforwardly align her work with feminist critiques of dominant cultural production practices, however much she is interpellated by them. Akhavan, a queer woman of color in a racist, sexist, and homophobic industry, negotiates both contemporary feminism's potentials for solidarity and its intersectional shortcomings. Akhavan's autobiographical characters wrestle with the need for social justice while questioning the “appropriate behaviors” demanded by serious commitments to the cause. Her work reveals the ambivalence of feminist attachments. This article reads the queer feminist politics of Akhavan's work, with a particular focus on her debut feature Appropriate Behavior (UK/US, 2014), through the lens of citational practice. The author argues that Akhavan employs citational codes that function in Clare Hemmings's words as a “storytelling tactic,” sustaining normative narratives about feminism's recent past. By employing an ambivalent trope that the author calls citation→disavowal, Akhavan troubles both the dominant cultures she is excluded from and the viability and legibility of her place within the movements that resist them
Santa Clara Magazine, Volume 30 Number 2, Winter 1988
10 - UNDERSTANDING THE NEW SOVIETS A first-person account of the Soviet Union today by the author of two books on Russia. By Jim Garrison
16 - HOW TO GET INTO ADVERTISING An English graduate goes from waiting tables to a senior vice presidency on Madison Avenue. By Barbara Boyle
20 - 1988 ECONOMIC FORECAST For 15 years, Mario Belotti\u27s been making forecasts that are amazingly accurate. By Mario Belotti
22 - SANTA CLARA AND THE POPES Reviewing historic links with Rome shows how it affected SCU. By Gerald McKevitt, S.J.
26 - SCU\u27S ETERNAL FLAIM Biology professor Frank Flaim is in his 50th year at Santa Clara. By Patricia Fowlerhttps://scholarcommons.scu.edu/sc_mag/1078/thumbnail.jp
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