1,764,606 research outputs found
Talking to Louise Bourgeois
A narrative text describing a fictive series of events.
The narrator (first person) attempts to interview the celebrated artist Louise Bourgeois in her London studio, and events unfold, leading to his becoming her studio assistant.
The text is interwoven with the narrative of an artist from an unspecified South or Central American country, living in London. There is another text including elements of the first narrative set in a different context, and a further text describing thought processes involved in making a particular painting. The texts serve to problematise the notion of authenticity, identity, originality and the role of the artist. The text is derived from several paintings by the author
Personal Papers (MS 80-0002)
Letter from Harris L. Kempner to Al Bourgeois, from The Roosevelt, requesting that his reservation be moved forward to April 24
Dana Bourgeois Oral History
Interview with Dana Bourgeois of Bourgeois Guitars. Dana discusses the growth and expansion of his Lewiston business and his career trajectory as a guitar maker. Interview conducted by Anna Faherty and Cecile Thornton in Fall 2022.https://digitalcommons.usm.maine.edu/fac-interviews-and-lectures/1090/thumbnail.jp
Book Review: Fantastic Reality: Louise Bourgeois: A Story of Modern Art, by Mignon Nixon
The first image in Mignon Nixon’s new study of Louise Bourgeois is a photograph of the artist taken in
1947 in a New York apartment. She is kneeling on the floor in a gesture of mock homage to Joan Miró
who is enthroned in an armchair and cloaked in a painted robe with each bare foot resting on a pile of
books about Picasso. A note tells us that the photograph was originally published in Artforum on the
occasion of the 1994 Miró retrospective at the Museum of Modern Art, New York. The re-publication
of the photograph, this time at the beginning of an art historical monograph devoted to the work of
Louise Bourgeois, provides a neat visual condensation of the framework that structures this study of
her practice: surrealism, psychoanalysis and feminism
Maggie Bourgeois and grandchildren in delivery truck
Photograph shows Maggie (Mrs. Allen (Eddie) Bourgeois seated in a Melancon Bakery delivery truck. Three of her grandchildren (unidentified) are looking out through wire mesh in the back of the truck
Personal Papers (MS 80-0002)
Letter from Al Bourgeois, from The Roosevelt, to Harris L. Kempner confirming reservation change he requested
Bourgeois
Briefly describes Louise Bourgeois life and background, and shares her comments on her approach to art and the influences on her wor
Personal Papers (MS 80-0002)
Letter from Al Bourgeois, from The Roosevelt, to Harris L. Kempner confirming his April room reservation and the American Cotton Shippers Association meeting. The second page details his reservation
N° 7 — Guy BOURGEOIS
Bourgeois Guy, Bernard Danièle, Lepagnot-Leca Françoise, Mignaval Pierre. N° 7 — Guy BOURGEOIS. In: Témoins et acteurs des politiques de l'éducation depuis la Libération. Tome 2 - Inventaire de soixante-six entretiens. Paris : Institut national de recherche pédagogique, 2000. pp. 29-31. (Témoins et acteurs des politiques de l'éducation, 1
Conversation with Father Roy Bourgeois
Gladys Haddad spoke with Father Roy Bourgeois, founder of the School of Americas Watch who was at Case Western Reserve University as a presenter for the Martin Luther King Celebration. Father Bourgeois is a social activist born in Louisiana, a graduate of the University of Southwestern Louisiana, a Naval Officer serving in Europe and Vietnam, recipient of the Purple Cross, he entered the seminary of the Maryknoll Missionary, was ordained a Catholic priest and served the poor of Bolivia. In 1980, Fr. Roy became involved in issues surrounding US policy in El Salvador after the murders of four US churchwomen by Salvadoran soldiers, one of whom was Jean Donovan. This led to his social activism and creation in 1990 of the School of Americas Watch
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