1,548 research outputs found
La licence de droit d'auteur
No full textThèse, version de soutenance.Référence thèse publiées (LexisNexis 2013) : Alexis Boisson. La licence de droit d'auteur: Préface J. Raynard. LexisNexis, 785 p., 2013, Collection Bibliothèque de droit de l'entreprise, 978-2-7110-1869-7. 〈hal-01967284〉In the field of the author’s right (a concept with a controversial identity), the nature and regime of many contracts is a subject for debate.A traditional but somehow uncertain terminology has often led to infer the originality of most of these contracts. However, this peculiarity is only apparent. From literary publishing to audiovisual contracts through creations published on networks, not only can the author of a work « assign » it – as stated by the law – but also rent it, or in other words license it – even though the law does not state it. This observation rests on a renewed reading method applied to the author’s right contracts.Focusing on some of these contracts (e. g. books publishing, audiovisual production, etc.), mandatory copyright law hindered the study of license itself, i. e. the act by which an author authorizes the exploitation of his work for a fixed time. License is a special contract in the field of author’s right ; it is also a basis element in a complex agreement designed to organize an exploitation. These two objects should therefore be distinguished and their interactions thoroughly analysed.A « special » right, the author’s right nevertheless proves able to host (to a certain extent) the typical process of contract right – a « common » right. The present study aims to attain a better understanding of a complex matter, the author’s right contracts, not forgetting the main purpose of the law itself : the protection of the author.Le droit d’auteur – dont l’identité reste controversée – n’échappe pas à la discussion quant à la nature et au régime des contrats qui le mettent en oeuvre. D'une terminologie légale ancrée dans une certaine tradition, mais hasardeuse, on infère l’originalité de l’ensemble des contrats de la matière. Or, la spécificité n’est sur ce point qu’apparente. De l’édition littéraire aux contrats de l’audiovisuel et aux oeuvres diffusées sur les réseaux, l’analyse démontre que si l’auteur peut « céder » son oeuvre – ce que dit la loi – il peut aussi la louer, c'est-à-dire en concéder la licence – ce qu’elle ne dit pas.Ce constat s’appuie sur une méthode de lecture renouvelée des contrats du droit d’auteur. L’attention portée par la loi impérative à certains contrats (édition, production audiovisuelle, etc.), a pu perturber l’étude de la licence, l’acte par lequel l’auteur se borne à autoriser l’exploitation de son oeuvre pour un temps. Or, si la licence apparaît dans un premier temps en contrat spécial du droit d’auteur, elle sera également amenée à devenir la composante élémentaire d’un contrat complexe organisant une exploitation. Il importe donc de distinguer ces deux objets pour mieux en apprécier ensuite les interactions. Le droit d’auteur, droit « spécial », fait ainsi la preuve de son aptitude à accueillir – autant que de raison – les mécanismes du droit des contrats, droit « commun ». Cette étude a pour ambition une meilleure compréhension de la matière complexe des contrats du droit d’auteur, sans omettre le principal objectif de notre loi : la protection de l’auteur. [NDLA : la version présentée ici est la version "de soutenance", telle que soutenue devant le jury de thèse le 9 décembre 2011 et telle que présentée au CNU (874 p.) - Pour la version éditée, réduite et mise à jour : Alexis Boisson. La licence de droit d'auteur: Préface J. Raynard. LexisNexis, 785 p., 2013, Collection Bibliothèque de droit de l'entreprise, 978-2-7110-1869-7. ⟨hal-01967284⟩
La licence de droit d'auteur
No full textThèse, version de soutenance.Référence thèse publiées (LexisNexis 2013) : Alexis Boisson. La licence de droit d'auteur: Préface J. Raynard. LexisNexis, 785 p., 2013, Collection Bibliothèque de droit de l'entreprise, 978-2-7110-1869-7. 〈hal-01967284〉In the field of the author’s right (a concept with a controversial identity), the nature and regime of many contracts is a subject for debate.A traditional but somehow uncertain terminology has often led to infer the originality of most of these contracts. However, this peculiarity is only apparent. From literary publishing to audiovisual contracts through creations published on networks, not only can the author of a work « assign » it – as stated by the law – but also rent it, or in other words license it – even though the law does not state it. This observation rests on a renewed reading method applied to the author’s right contracts.Focusing on some of these contracts (e. g. books publishing, audiovisual production, etc.), mandatory copyright law hindered the study of license itself, i. e. the act by which an author authorizes the exploitation of his work for a fixed time. License is a special contract in the field of author’s right ; it is also a basis element in a complex agreement designed to organize an exploitation. These two objects should therefore be distinguished and their interactions thoroughly analysed.A « special » right, the author’s right nevertheless proves able to host (to a certain extent) the typical process of contract right – a « common » right. The present study aims to attain a better understanding of a complex matter, the author’s right contracts, not forgetting the main purpose of the law itself : the protection of the author.Le droit d’auteur – dont l’identité reste controversée – n’échappe pas à la discussion quant à la nature et au régime des contrats qui le mettent en oeuvre. D'une terminologie légale ancrée dans une certaine tradition, mais hasardeuse, on infère l’originalité de l’ensemble des contrats de la matière. Or, la spécificité n’est sur ce point qu’apparente. De l’édition littéraire aux contrats de l’audiovisuel et aux oeuvres diffusées sur les réseaux, l’analyse démontre que si l’auteur peut « céder » son oeuvre – ce que dit la loi – il peut aussi la louer, c'est-à-dire en concéder la licence – ce qu’elle ne dit pas.Ce constat s’appuie sur une méthode de lecture renouvelée des contrats du droit d’auteur. L’attention portée par la loi impérative à certains contrats (édition, production audiovisuelle, etc.), a pu perturber l’étude de la licence, l’acte par lequel l’auteur se borne à autoriser l’exploitation de son oeuvre pour un temps. Or, si la licence apparaît dans un premier temps en contrat spécial du droit d’auteur, elle sera également amenée à devenir la composante élémentaire d’un contrat complexe organisant une exploitation. Il importe donc de distinguer ces deux objets pour mieux en apprécier ensuite les interactions. Le droit d’auteur, droit « spécial », fait ainsi la preuve de son aptitude à accueillir – autant que de raison – les mécanismes du droit des contrats, droit « commun ». Cette étude a pour ambition une meilleure compréhension de la matière complexe des contrats du droit d’auteur, sans omettre le principal objectif de notre loi : la protection de l’auteur. [NDLA : la version présentée ici est la version "de soutenance", telle que soutenue devant le jury de thèse le 9 décembre 2011 et telle que présentée au CNU (874 p.) - Pour la version éditée, réduite et mise à jour : Alexis Boisson. La licence de droit d'auteur: Préface J. Raynard. LexisNexis, 785 p., 2013, Collection Bibliothèque de droit de l'entreprise, 978-2-7110-1869-7. ⟨hal-01967284⟩
Alexis Wright interview
No full textCoincidentally tonight, as governments continue to grapple with the on-going social crisis in Aboriginal communities, Indigenous author Alexis Wright has just been announced as the winner of the Miles Franklin Award, Australia's most prestigious literary prize, for her second novel Carpentaria. An Indigenous member of the Waanyi nation of Queensland's far north, and long-time activist on Aboriginal affairs, Alexis Wright's sweeping, poetic book explores the rich mythology, chequered history and present day drama of her Gulf country homeland, and was praised by judges as the standout in a highly competitive field, which included dual Booker Prize winner, Peter Carey
A brief conversation with Alexis Wright
No full textAn interview with the author Alexis Wright is presented. When asked about her interest in books, she explains that she is reading a series of natural history books. She also comments on her interest in travel and the process of writing another novel. The challenges of the writing process are also explored
Episode 35: Alexis Castellanos, Author of “Isla to Island”, and Her Panel Presentation during the Operación Pedro Pan Two-Day Event
No full textIn Part 1 of “Operación Pedro Pan: The Voices and Stories of Cuba’s Child Exodus—A Knights HistoryCast Mini-Series,” the Department of History’s Sebastian Garcia talked with Alexis Castellanos, an author, illustrator, graphic novelist, and a panelist at the esteemed, conspicuous, and powerful “Operación Pedro Pan: Honoring the Cultural, Historical Legacy of Cuba’s Child Exodus” Two-Day Program that Florida Humanities, UCF’s Department of English and Department of Modern Languages and Literatures sponsored (see https://cah.ucf.edu/pedro-pan/ for more details on sponsors and the program in general).
Sebastian structured this specific episode on Alexis Castellanos’ Isla to Island, a wordless graphic novel grounded by her personal family history and the history of Operación Pedro Pan (Operation Peter Pan). By analyzing such a historic event through the medium of fiction, Sebastian argued that this is one of the most unique Knights HistoryCast episodes of all time. Naturally, their conversation expanded to what she talked about during her panel presentation in Panel One, Day 1 of the event that featured “internationally renowned scholars that discussed the political, historical, and cultural legacy of Operación Pedro Pan (1960-1962).” (https://cah.ucf.edu/pedro-pan/)
To purchase Isla to Island (strongly recommend), check out: https://islatoisland.com/.
To find out more about Alexis and her professional work, check out her website at https://alexiscastellanos.com/https://stars.library.ucf.edu/knightshistorycast/1034/thumbnail.jp
THE MYSTIC ROAD : SELECTED POEMS - ALEXIS KARPOUZOS
No full text
Alexis karpouzos (born on April 09, 1967) is a philosopher, author, spiritual master and pioneer of higher consciousness. He is author of several books on philosophy, metaphysics, spirituality, modern science. His most famous books are: ‘’Universal consciousness’’, ‘’non-duality’’, ‘’An ocean of souls’’, ‘’Beyond the heaven’’. Alexis Karpouzos is also a recording artist. He has recorded two music albums and twenty-four singles songs. He has also appeared in two documentary films, television and radio productions. He is the pioneer of the post-ontology consciousness and the wisdom of universal wholeness. The global language of poetry of Alexis Karpouzos, by following the paths of wisdom, is a vehicle for transmitting human knowledge and values, history, ancient traditions, and links with nature. It transmits the human values and worldly knowledge that are essential for opening ourselves to the Other. Poetic creation, therefore, forges very strong links between humans -it transcends beyond languages, beliefs and cultures. Each poem appears in its original form, in a vibrant celebration of life, diversity, language, and the enduring power of poetry. At a time when the Humanities are under threat, this book offers a defense of poetry within the context of growing interest in mindfulness in spirituality, in consciousness, in art, in education.</p
Alexis to the Rescue
No full textThe author’s purpose of this children’s story is to document our culture, to add examples of real Louisiana stories for young children. This story can be classified as a personal narrative fiction story, written in a stream of consciousness from the author. The grade level that is most appropriate is 3rd to 5th grade. The overall tone of the author through the story is hopeful
COSMOLOGY, PHILOSOPHY AND PHYSICS: ALEXIS KARPOUZOS
No full textIf physics leads us today to a world view which is essentially holistic, it returns, in a way, to its beginning, 2,500 years ago. It is interesting to follow the evolution of Western science along its spiral path, starting from the mystical philosophies of the early Greeks, rising and unfolding in an impressive development of intellectual thought that increasingly turned away from its mystical origins to develop a world view which is in sharp contrast to that of the Far East In its most recent stages, Western science is finally overcoming this view and coming back to those of the early Greek and the Eastern philosophies. This time, however, it is not only based on intuition, but also on experiments of great precision and sophistication, and on a rigorous and consistent mathematical formalism. The parallels to modem physics appear not only in the Vedas of Hinduism, in the I Ching , or in the Buddhist sutras, but also in the fragments of Heraclitus, Parmenides, Plotinus, African-American philosophy, the eastern negative theology, in the Sufism of lbn Arabi, in the holistic spirit of Giordano Bruno and Meister Eckhart, in monadology of Leibniz, in the Absolute Idea of Hegel and Shelling, e.t.
All ancient spiritual traditions suggest that the world is a unity and the multiplicity is only apparent. Modern science claims that the visible world of matter and the multiplicity is only apparent, the reality is unseen and invisible. Since different roads the mysticism and the rationalism lead to the same view, the view of the open totality of the world. The mystical insight of spirituality and the rational mind of science leading to the open thought, the wisdom of life. The spiritual experience of oneness conduces to the same insight as reasoning through science. Both convey the insight of fundamental interconnection between ourselves, other people, other forms of life, the biosphere and, ultimately, the universe. Science and spirituality, far from being mutually exclusive and conflicting elements, are complementary partners in the search for the path that can enable humanity to recover its oneness with the world. Science demonstrates the urgent and objective need for it; and spirituality testifies to its inherent value and supreme desirability. We can reason to our oneness in the world, and we can experience our oneness with the world. The time has come to do both, for they are complementary and mutually reinforcing.
Presents a revolutionary new paradigm of Cosmic Thought that bridges the divide between science and spirituality. Discloses the ramifications of non-localized consciousness and how the physical world and spiritual experience are two aspects of the same Cosmos. What scientists are now finding at the outermost frontiers of every field is overturning all the basic premises concerning the nature of matter and reality.The essays on this book are the notes from the international e – learning courses that were given by the philosopher, and author Alexis Karpouzos during the winter of 2014. Students studying in London, Amsterdam, Berlin and Paris took part in the courses, which were held by the educational and cultural center "Alexis karpouzos community", located in Athens
#991 Alexis Carrel: Thoughts on Living.
No full textParticipants include: Rev. Joseph T. Durkin, S.J., Professor of History, Georgetown University, and author of Hope for Our Times and Alexis Carrel on Man and Society Theodore Malinin, M.D., Assistant Professor, Department of Research Pathology, Georgetown University School of Medicine Lt. Vernon Perry, MSC, USN, Head, Tissue Culture Divsion, Tissue Bank Department, National Medical Cente
The license of author's right (copyright)
No full textLe droit d'auteur – dont l'identité reste controversée – n'échappe pas à la discussion quant à la nature et au régime des contrats qui le mettent en œuvre. D'une terminologie légale ancrée dans une certaine tradition, mais hasardeuse, on infère l'originalité de l'ensemble des contrats de la matière. Or, la spécificité n'est sur ce point qu'apparente. De l'édition littéraire aux contrats de l'audiovisuel et aux œuvres diffusées sur les réseaux, l'analyse démontre que si l'auteur peut "céder" son œuvre – ce que dit la loi – il peut aussi la louer, c'est-à-dire en concéder la licence – ce qu'elle ne dit pas. Ce constat s'appuie sur une méthode de lecture renouvelée des contrats du droit d'auteur. L'attention portée par la loi impérative à certains contrats (édition, production audiovisuelle, etc.), a pu perturber l'étude de la licence, l'acte par lequel l'auteur se borne à autoriser l'exploitation de son œuvre pour un temps. Or, si la licence apparaît dans un premier temps en contrat spécial du droit d'auteur, elle sera également amenée à devenir la composante élémentaire d'un contrat complexe organisant une exploitation. Il importe donc de distinguer ces deux objets pour mieux en apprécier ensuite les interactions. Le droit d'auteur, droit "spécial", fait ainsi la preuve de son aptitude à accueillir - autant que de raison - les mécanismes du droit des contrats, droit "commun". Cette étude a pour ambition une meilleure compréhension de cette matière complexe des contrats du droit d'auteur, sans omettre le principal objectif de notre loi : la protection de l'auteur.In the field of the author's right (a concept with a controversial identity), the nature and regime of many contracts is a subject for debate. A traditional but somehow uncertain terminology has often led to infer the originality of most of these contracts. However, this peculiarity is only apparent. From literary publishing to audiovisual contracts through creations published on networks, not only can the author of a work "assign" it – as stated by the law – but also rent it, or in other words license it – even though the law does not state it. This observation rests on a renewed reading method applied to the author's right contracts. Focusing on some of these contracts (e. g. books publishing, audiovisual production, etc.), mandatory copyright law hindered the study of license itself, i. e. the act by which an author authorizes the exploitation of his work for a fixed time. License is a special contract in the field of author's right ; it is also a basis element in a complex agreement designed to organize an exploitation. These two objects should therefore be distinguished and their interactions thoroughly analysed. A "special" right, the author's right nevertheless proves able to host (to a certain extent) the typical process of contract right – a "common" right. The present study aims to attain a better understanding of a complex matter, the author's right contracts, not forgetting the main purpose of the law itself : the protection of the author
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