1,720,974 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Emotion Communication Under Conditions of Partial Face Occlusion
Diese kumulative Dissertation umfasst zwei Veröffentlichungen zu drei Bereichen der Emotionskommunikation. Ziel war es, zu untersuchen, ob OP-Masken die Emotionswahrnehmung, die Affiliation und die emotionale Mimikry (d.h. die automatische, aber zielabhängige Imitation des emotionalen Ausdrucks von Interaktionspartner:innen) reduzieren. In zwei Online-Experimenten (Studie 1: N=200, britische Stichprobe; Studie 2: N=235, deutsche Stichprobe) wurden subjektive Bewertungen und die emotionale Mimikry als Reaktion auf maskierte und unmaskierte Gesichter untersucht. Die wahrgenommene Emotionsintensität und die Genauigkeit der Emotionserkennung dienten als Indikatoren für die Emotionswahrnehmung. Die wahrgenommene zwischenmenschliche Nähe diente als Indikator für die Affiliation. Die emotionale Mimikry wurde mit Hilfe einer Gesichtsaktivitätserkennungstechnologie gemessen. In der ersten Studie sahen erwachsene Proband:innen erwachsene Zielpersonen, die Freude und Trauer ausdrückten, eingebettet in Innen- und Außenszenen. In der zweiten Studie sahen erwachsene Proband:innen Erwachsene und Kinder, die Freude, Trauer oder Ärger ausdrückten. Die Freudemimikry wurde durch Masken reduziert, insbesondere wenn die Zielpersonen Kinder waren. Im Gegensatz dazu war die Trauermimikry bei Kindergesichtern stärker und wurde, wie auch die Ärgermimikry, durch Masken nicht beeinträchtigt. Wir konnten auch zeigen, dass durch Gesichtsmasken verringerte Freudewahrnehmung und Nähe mit einer verringerten Freudemimikry verbunden waren. Die Studien zeigen somit, wie erwartet wurde, eine maskenbedingte Verringerung der Emotionswahrnehmung, der Affiliation, und der emotionalen Mimikry. Insgesamt trägt die vorliegende Arbeit zu unserem Verständnis der sozio-affektiven Auswirkungen der partiellen Gesichtsverdeckung bei und stützt die Theorie der emotionalen Mimikry im sozialen Kontext
von Hess und Fischer, nach der Emotionswahrnehmung und Affiliation die emotionale Mimikry beeinflussen.This cumulative doctoral dissertation encompasses two publications on three domains of emotion communication. The goal of the dissertation was to assess if surgical face masks reduce emotion perception, affiliation, and emotional mimicry (i.e., automatic but goal-dependent imitation of an interaction partner's emotional display). We conducted two online experiments (Study 1: N=200, U.K. sample; Study 2: N=235, German sample) that assessed subjective ratings and emotional mimicry in response to masked and unmasked faces. Perceived emotion intensity and emotion recognition accuracy served as indicators of emotion perception. Perceived interpersonal closeness (via the Inclusion of Other in the Self Scale) served as an indicator of affiliation. Emotional mimicry was measured using facial activity recognition technology. We also took into account socio-spatial context effects. In the first study, adult perceivers saw adult targets who expressed happiness and sadness embedded into indoor and outdoor scenes. In the second study, adult perceivers saw adult and child targets who expressed happiness, sadness, and anger. We found that happiness mimicry was reduced by masks, particularly when expressers were children. In contrast, sadness mimicry was stronger for children and, like anger mimicry, unaffected by masks. We also found that reduced emotion perception and closeness due to masks were associated with reduced happiness mimicry. The studies support evidence from before and during the COVID-19 pandemic for mask-related reductions of emotion perception and affiliation. Moreover, the studies provide unprecedented evidence on reductions of emotional mimicry in response to masked faces and child targets. Overall, the present work contributes to our understanding of the socio-affective effects of partial face occlusion and supports emotional mimicry in social context theory by Hess and Fischer, according to which emotion perception and affiliation influence emotional mimicry
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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