8,700 research outputs found
Artizein Journal Launch Part 1
Part 1 of 2 Journal Launches, Vol. V, Iss I
75 minutes of author-artists from the issue presenting on their articles.
Co-editors & Hosts: Dr. Barbara Bickel & Dr. Darlene St. GeorgesPresenting Author-Artists: Being With Letting Go. A found poem in honour of Carl Leggo-Contemplative Arts Collective - Susan Walsh, Robyn Trail, Ashwani Kumar, Jennifer Markides, Celeste Snowber, Barbara, Yoriko Gillard, Arianna Cuculiza-Brunke, & Janice Valdez Paying it Forward: A gift economy of poetry and visual art images-Susan Gerofsky and Dan Barney Walking and Dwelling: Creating an atelier in nature-Misty aka Kwan Dae ChungA Contemplative and Artful Mettisage of Inquiry and Response.-Susan Walsh, Robin Trail, Nik Phillips, Jackie Mitchell, Medwyn McConachy, Wendalyn Bartley, Barbara Bickel Co-Creation with Youth: Teaching artistry and art outreach programs-Hallie Morison An Unlikely Correspondence: GPS and body in place-Patti PenteTo purchase a hard copy: https://www.magcloud.com/browse/search?m=a&q=artizein
Recorded on Zoom by co-host the University of LethbridgeEdited by Barbara Bicke
Full Issue Artizein October 2020
Full PDF of the 2020 issue edited by Barbara Bickel with Guest Assistant Editor & Design by Darlene St. George
An Art-Based Contemplative Pause: Introduction to Part 1: Sharing Radical Creative Possibilities
Contained here is the Introduction for Part One of the special issue An Arts-Based Contemplative Pause. Co-written by Barbara Bickel, Susan Walsh and Diane Conrad
Ettingerian Matrixial Theory Glossary for this Artizein Issue
A glossary to assist the navigation and learning of Matrixial Theory especially for those new to it. It is based on the Ettingerian Matrixial terms found in this special issue. Definitions are in process and are a combination of different Artizein authors understandings of the terms as referred to in this issue as compiled by co-editors R. Michael Fisher and Barbara Bickel
Artizein Exposé: Launch of Ettingerian Matrixial Theory, Education & the Arts_2025
This video recording is the launch of the Special issue on Ettingerian Matrixial Theory, Education & the Arts for Artizein: Arts & Teaching Journal 9(1), 2024. The journal and this video are co-edited by R. Michael Fisher & Barbara Bickel. The Exposé took place on Feb. 7, 2025. The video length is 2:21:58
Video times stamps for the contributing presenting Artists/Scholars/Authors are:
Bracha L. Ettinger [3:30-33:40 & 1:42:21-1:57:46 & 2:15:04-2:21:30]
R. Michael Fisher & Barbara Bickel [33:40- 45:30]
Nike Romano [45:38-52:50]
Kate L. Wurtzel & Laura Lee McCartney [52:55-59:20]
Shiran Greenberg [59:25-1:05:06]
Darlene St. Georges [1:05:06-1:12:35]
Valerie Oved Giovanini [1:12:37-1:20:29]
Barbara Bickel [1:20:31-1:26:21]
Misty Paterson [1:26:29-1:34:02]
R. Michael Fisher [1:34:06-1:42:11]
Q&A [1:58:03-2:22:31
Barbara James
Date:1943Barbara was born in Holdredge, Nebraska in the United States of America in 1943. In 1960 she arrived in Darwin working in a variety of occupations such as a journalist, historian, author, activist, advocate and editor. Barbara wrote 13 books including "No Man's Land" which explored the contributions of women in the Northern Territory. She also received a number of awards including 2001 NT Heritage Award, the 2000 NT Literary Essay Awards and the Chief Minister's Women's Achievement Award in 1999.JournalistHistorianAuthorActivistEditorAmerica
Barbara Ras - Sowell Conference 2017
Barbara Ras, San Antonio, Poet, author of "Bite Every Sorrow" and "The Last Skin
Exclusive interview with author Barbara Kingsolver
Exclusive interview with author Barbara Kingsolver for her 2018 novel *Unsheltered
Dataset for publication: Post‐war architecture and urban planning as means of reinventing Opole’s past and identity
The collection includes files related to the publication: Barbara Szczepańska, Post‐War Architecture and Urban Planning as Means of Reinventing Opole’s Past and Identity, „Urban Planning”, Vol 8, No 1 (2023): Bombed Cities: Legacies of Post-War Planning on the Contemporary Urban and Social Fabric, pp. 266-278, https://doi.org/10.17645/up.v8i1.6079. The collection includes figures used in the publication:Opole_plan A plan of Opole, with areas of Ostrówek (left), Market Square (center) and Central Square (right) highlighted in red. Originally published in: "Guidebook to the city of Opole" ("Przewodnik po mieście Opolu", Opole: Księgarnia Opolska, 1948, https://polona.pl/preview/2f383a4a-5e9e-444d-9e94-366b8ac8610d). Author: Z. Streer. Licence: CC0Opole_Monument to the Opole Silesian Fighters for Freedom A photograph depicting Monument to the Opole Silesian Fighters for Freedom (Pomnik Bojownikom o Wolność Śląska Opolskiego) in Opole. Author: Barbara Szczepańska. Licence: CC0Opole_monument of Kazimierz I Opolczyk A photograph depicting the monument of Kazimierz I Opolczyk in the Market Square in Opole. Author: Barbara Szczepańska. Licence: CC0Opole_Market Square_eastern frontage A photograph depicting eastern frontage of the Market Square in Opole. Author: Barbara Szczepańska. Licence: CC0Opole_Market Square_eastern frontage_before 1945 A photograph depicting eastern frontage of the Market Square in Opole before 1945. Originally published on Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Market_Square_in_Opole,_eastern_frontage.jpg. Author: unknown. Licence: CC0Opole_monument of Frederick the Great A photograph depicting monument of Frederick the Great in Opole, before 1945. Originally published on Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Opole_Oppeln_Denkmal_Friedrich_der_Große.jpg. Author: unknown. Licence: CC0</ul
'A date with Barbara': paracosms of the self in biographies of Barbara Newhall Follett
In 1927, 13-year-old Barbara Newhall Follett published her first book, the critically acclaimed novel, The House Without Windows and Eepersip's Life There.
Twelve years later, on December 7, 1939, 25-year-old Barbara quarrelled with her husband and left her apartment in Boston with $30 in her pocket, and a notebook. She was never seen again.
The House Without Windows is set in a paracosm (Farksolia) she invented, and ends with the metamorphosis of the titular character into a 'fairy-a wood nymph … invisible for ever to all mortals, save those few who have minds to believe, eyes to see'.
In Barbara's (auto)biography, The Unconscious Autobiography of a Child Genius (1966), written by Harold Grier McCurdy 'in collaboration with Helen Follett' (Barbara's mother), the authors wonder: 'Can we be far wrong in substituting Barbara's name for Eepersip's in the closing scenes of [House Without Windows]?
In this paper, I grapple with the formal and ethical challenges of writing about Barbara Newhall Follett, and the ways her family and others have approached the problem of writing her unresolved life story: a child raised and educated in solitude, a celebrated 'natural' child author, a young woman whose disappearance remains unsolved. The paper will explore the ways in which adults write the stories of children's lives, as nostalgia and fable, as fairytale and paracosmic narrative, and the ways in which Barbara's biographers have, consciously and unconsciously, created biographical concordances, or paracosms of the self, in seeking to make meaning of her life's story
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