2,634 research outputs found
Kyle Woodley
View down Smith Street from Bennett Street, Bank of New South Wales and Coleman's on the right, and Victoria Hotel on the left.Woodley, Colleen.Date:1958
Film Studies
Lost in the Stacks podcast #2Podcast version of February 21st, 2010, broadcast of Lost in the Stacks. Hosted by Ameet Doshi and Charlie Bennett. Produced by Kyle Tait. Includes interviews with Shannon Dobranski (LCC instructor and coordinator), Sidarth Kantamneni & Nic Vasconcellos (Georgia Tech students and filmmakers), and Tom Fisher (Acquisitions librarian at the Georgia Tech Library).Podcast version of February 21st, 2010, broadcast of Lost in the Stacks. Hosted by Ameet Doshi and Charlie Bennett. Produced by Kyle Tait. Includes interviews with Shannon Dobranski (LCC instructor and coordinator), Sidarth Kantamneni & Nic Vasconcellos (Georgia Tech students and filmmakers), and Tom Fisher (Acquisitions librarian at the Georgia Tech Library)
Library on the Radio
Lost in the Stacks podcast #1.Podcast version of January 24th, 2010, broadcast of Lost in the Stacks. Hosted by Ameet Doshi and Charlie Bennett. Produced by Kyle Tait. Includes interviews with Amaris Gutierrez-Ray (Georgia Tech student and Editor of "Erato"), Kirk Henderson (Georgia Tech Library Archives), and Dr. Karen Head (Georgia Tech Faculty Member and Poet).Podcast version of January 24th, 2010, broadcast of Lost in the Stacks. Hosted by Ameet Doshi and Charlie Bennett. Produced by Kyle Tait. Includes interviews with Amaris Gutierrez-Ray (Georgia Tech student and Editor of "Erato"), Kirk Henderson (Georgia Tech Library Archives), and Dr. Karen Head (Georgia Tech Faculty Member and Poet)
Women's History Month
Lost in the Stacks podcast #4Podcast version of March 12th, 2010, broadcast of Lost in the Stacks. Hosted by Ameet Doshi and Charlie Bennett. Produced by Kyle Tait. Includes interviews with Kathy Tomajko (Georgia Tech librarian), Joy Guan (Georgia Tech student), and Colleen Riggle (Acting Head of the Georgia Tech Women's Resource Center).Podcast version of March 12th, 2010, broadcast of Lost in the Stacks. Hosted by Ameet Doshi and Charlie Bennett. Produced by Kyle Tait. Includes interviews with Kathy Tomajko (Georgia Tech librarian), Joy Guan (Georgia Tech student), and Colleen Riggle (Acting Head of the Georgia Tech Women's Resource Center)
Genetic and morphological discrimination of species within the nominal Brachidontes exustus (Mollusca: bivalvia) cryptic species complex from the Florida Keys:
The discovery of sibling and cryptic species complexes in the oceans has dramatically increased the estimated number of extant marine species. However, most cryptic species complexes remain taxonomically obscure, lacking descriptions of the morphological or
ecological differences defining the species. The distributions and morphologies of species in the nominal Brachidontes exustus complex in the Florida Keys were investigated utilizing molecular and multivariate statistical techniques.
DNA barcoding, a method of comparing newly generated sequences of the mitochondrial cytocrome c oxidase I gene (COI) from specimens of unknown species to a database of known sequences from voucher specimens, identified two cryptic species on Long Key, Florida Keys. Two differing habitats, which were <5 km apart, had single-species populations, even though both locations were within the dispersal range of larval recruits from the other location. This was the first record from the Florida Keys for these species
to be encountered as single species populations.
Tests for pseudo-crypsis among three species of the B. exustus morphospecies complex collected throughout the Florida Keys were performed with multivariate morphometics. Specimens were assigned to species using RFLP-based molecular methods. A discriminant function was constructed that, based on shell morphology, assigns individual mussels to a certain species with a high confidence (95%). Morphological differences among the species were sufficient to create robust statistical methods of resolving species using shell morphology alone. The suite of functions will facilitate future manipulation experiments with live specimens. The morphologies of the two most common species, provisionally called Bahamian and Gulf, were more similar in locations of coexistence than in locations of exclusivity.
An improved molecular-based technique for determining species, a multiplex PCR with species-specific forward oligonucleotides, was designed and tested. The method discriminates species by visualization of PCR products after electrophoresis on an agarose gel stained with ethidium brominde. This is a low cost, high throughput method that can effectively screen large numbers of specimens from the entire geographic range of the nominal species. This method can be used to identify species using larvae or juveniles which are unlikely to have the shell differences that can be used in the multivariate morphometric approach.Ph.D.Includes bibliographical references (p. 130-143)by Kyle Francis Bennet
Commonwealth Bank
Commonwealth Bank, corner of Bennett Street and Smith Street. Date circa 1958?Woodley, Colleen
sj-docx-1-esj-10.1177_17461979221103779 – Supplemental material for Engaging youth for positive change: A quantitative analysis of participant outcomes
Supplemental material, sj-docx-1-esj-10.1177_17461979221103779 for Engaging youth for positive change: A quantitative analysis of participant outcomes by Kyle M Bennett and Scott P Hays in Education, Citizenship and Social Justice</p
Kyle Haselden
Kyle Emerson Haselden, D.D., Class of 1934, was a distinguished Baptist minister, author and editor. He authored three books, including 'The Racial Problem in Christian Perspective' published in 1959. He was also the editor of 'The Christian Century.' He is a Charter Member of the Furman University Hall of Fame
First person – Kyle Wegner
First Person is a series of interviews with the first authors of a selection of papers published in Biology Open, helping early-career researchers promote themselves alongside their papers. Kyle Wegner is first author on ‘Edar is a downstream target of beta-catenin and drives collagen accumulation in the mouse prostate’, published in BIO. Kyle is a PhD candidate in the lab of Chad M. Vezina at the University of Wisconsin-Madison, investigating principles of toxicology and urology to evaluate mechanisms of urinary dysfunction in aging men
005 - Kyle Singer
I highlight the importance of flaws, trauma, and repression by evoking concepts of “the unconscious” through surrealist methodologies. Considering all that is suppressed/repressed within my psyche to form the culturally accepted version of myself, and by examining the distance between my identity, and the repressed self. Engaging the viewers through superabundance, tackling issues of consumerism with construction that grapples with the excess of daily life. I question aesthetic value, moral responsibility, and political agency in my efforts to sublimate the abject. The abject touches on the fragility of our boundaries and the spatial distinction between our interiority and exteriority. My art stems from an insatiable appetite for new materials and compulsive ways I can explore new methods and processes. The impetus for my work is a cultural and political critique imbued with my own flavor of cynicism and disillusionment. I endeavor to destabilize perceptions by creating overwhelming masses of matter and meaning; meant to be all-consuming. This non-hierarchical kind of making causes a slow unraveling of my work allowing for an unpredictable composition and use of materials.The abject deals with a vast array of issues such as marginalized people, mortality, boundaries, and repulsion. It is usually used to describe the human reaction to horror and threatens to breakdown meaning by causing the loss of distinction between subject and object; between self and other. In an era of mass displacement due to natural and political disasters, this conceptually interest me and seem particularly relevant. The abject calls into question hierarchical values that allows for the dispersion and displacement of people: whether it be refugees, or low in-come families pushed out by gentrification. In the age of information, we have become incredibly efficient at codifying people and separating them from their personhood and seeing them only as replaceable objects with a set value; as a cluster of information to be used and exploited for profits. I plan to continue exploring the possibilities of media combination and new technologies. I am currently working with laser cutting, 3D printing, 3D scanning and the CNC machine. I am trying to explore new ways of misusing the machinery as a chance operation that allows the ebbs, flows, and limitations of the process itself to become a way of making. These new processes drastically change the way we think about construction and the possibilities of form. It blurs the boundaries between the hand-made and the mass-produced, dovetailing nicely with my ideas of consumerist cultural critique.College of Liberal Arts - Highest Achievement - Visual and Performing Arts
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