89 research outputs found
The scheme of the "Church House" :
No full textProvenance: Inscribed on t.p. "From the author Lord Phillimore".Cover title."Two letters, reprinted from the Guardian, 1865."Mode of access: Internet.Talbot collection of British pamphlets
Memoir of Edward Lord Bishop of Salisbury.
No full textInscribed on t.p. "By Robert Phillimore Chancellor of the Diocese of Farmoor."Provenance: Inscribed on t.p. "From the Author""Privately printed from the Annual register for 1854."Mode of access: Internet.Talbot collection of British pamphlets
The clergy of the deaneries of Rochester and mailing in the diocese of Rochester, c. 1770 – 1870
No full textThis is a study of the concerns and life - style of the clergy of the established Church in two Kent Deaneries throughout the hundred year period, 1770 -1870. How far, it is considered, were episcopal hopes, which were expressed in the Charges of Bishop and Archdeacon, fulfilled in the parishes, especially in the matters of residence and education. The extent of non-residence is deduced from. such evidence as is available for the earlier part of the period and after 1830 from Visitation and other returns. The provision of Sunday Schools is used as an example of clerical response to a diocesan policy in the field of education. The exercise of patronage, residence, plurality, the length ofincumbencies, the employment of curates and their prospects, are looked at throughout the period. The provision of new churches, agrarian unrest, tithe and clerical emoluments, church rate, relationship with dissent, worship provision , the visitation process, the clergyman's role in society, the differing demands of town ministry and rural ministry are examined as events bring them to the fore . The priorities of successive bishops are noted and the lives of sample clergymen are taken for each period, both to flesh-out the statistics and to illustrate the evolving pattern of ministry
A letter on the article entitled "Robert Phillimore's Lyttleton," : in the Quarterly Review, June, 1846, to the Right Hon. J.W. Croker /
No full textProvenance: Inscribed on t.p. "From the Author"Mode of access: Internet.Talbot collection of British pamphlets
Music and elite identity in the English country house, c.1790-1840
No full textIn this thesis I investigate two untapped music book collections that belonged to two women. Elizabeth Sykes Egerton (1777-1853) and Lydia Hoare Acland (1786-1856) lived at Tatton Park, Cheshire, and Killerton House, Devon, respectively. Upon their marriage in the early nineteenth century, they brought with them the music books they had compiled so far to their new homes, and they continued to collect and play music after marriage. I examine the vocal music in Elizabeth’s and Lydia’s collections, and I aim to show how selected vocal music repertoires contributed toward the construction of landed elite identity in these women and their husbands, concentrating on gender, class, national identity and religion.In chapter one, I concentrate on songs that depict destitute and suffering individuals to move both listeners and performers to compassion. The songs are topical and provide insights into contemporary understandings of sympathy and landed elite responsibility for the distressed. In chapter two, I focus on the ingoing and outgoing movements of music in the country house, and the consumption of foreign music in the home. I divide the chapter into two sections, first examining Elizabeth’s Italian vocal music that she collected during her girlhood years in London and York in the 1790s. The Italian music that Elizabeth brought to Tatton complemented other Italian objects and items in the home. Italian culture appealed to the Egerton family both before and after Elizabeth and Wilbraham married. In the second section, I investigate Lydia and her family’s journey to Vienna for the Congress in 1814-1815. Lydia took away with her a book of vocal music to remind her of home in a foreign environment. While away in Vienna, the Aclands attended concerts and music salons, and they purchased music books to bring back home to add to their collection. In the final chapter, I concentrate on the man of the house at music and I consider the social expectations, duties and responsibilities that had befallen our landed elite men, Thomas Dyke Acland and Wilbraham Egerton. I discuss Thomas’s and Wilbraham’s musical engagements and occasions for performing music, and how men’s music-making contributed to a masculine identity.By placing the vocal music in broader social and cultural contexts, reading personal correspondence, newspaper articles, account books and diaries, we can begin to understand what our families thought about music, and how they used and experienced music in and around their homes, forming an important part of their lifestyle
Victorian values and the Victorian theatre
No full textI contend that 'morality, respectability, and decorum', were Victorian values trumpeted particularly loudly in Birmingham because of the local dominance of Nonconformism. Nonconformists had materially delayed the granting of a licence to Birmingham's playhouse, and continued actively hostile to its existence. Their influence on the prevailing 'official' moral climate is apparent in the reluctance of the local magistracy to grant music hall licence applications. Theatre managers here, then, laboured under an added imperative to maintain tranquil, well-conducted houses, presenting wholesome fare, and with strong community links.
II
My contention is that the theatre embraced and, occasionally, stimulated technological innovation. I also argue that Birmingham industrialists played a crucial role in materially changing both the functioning and the appearance of playhouses and music halls.
That the revolution in mobility was the overriding factor in the contemporary mushrooming of playhouses and music halls is, I suggest, too apparent to be gainsaid. I focus closely on the transformation of Birmingham's transport links, both externally and within the town, and the readiness of local promoters and managers of theatres to exploit the new opportunities to attract audiences.
III
I suggest that if cultural imperialism operated more subtly than the political brand, imperialism it remained. The relationship with the fledgling United States displayed the classic characteristics of paternalism and condescension, not unmixed with arrogance, on . the part of the metropolitan power, and a general deference, giving way to fits of resentment, pique, and sometimes open rebellion, on the part of the erstwhile colonials. Minstrelsy and the cult of the 'Wild West' represent the beginnings of a reversal of the hitherto one-way cultural traffic, mirroring changes in the transatlantic political balance. I argue that the advent of steam navigation was a key factor in the expanding and vibrant Anglo-American exchange, with Birmingham playing a full role in that exchange
'Meet me at the left lion': encounters within Nottingham's Old Market Square
No full textArchitecture can form the structure for internal or external gathering places, however, geographer Doreen Massey defnes places, not by their physical characteristics, but as the points of interconnecting fows of people, goods, communications, memories, and imagination, positing that all places are meeting places. At the heart of the city centre, Nottingham’s Old Market Square is where the local inhabitants go to work and play; protest, mourn and celebrate. It is a place of formal and informal encounters, where friends and acquaintances meet, by chance or design; where strangers might exchange a glance or a few words; where people watch other people. Originally a shared market place for Saxon and Norman settlements, the earliest maps of the city show that the footprint of the square has remained the same for many hundreds of years, though its design and edge have gone through numerous transformations. The latest remodelling was undertaken by internationally renowned landscape architecture practice Gustafson Porter: unveiled in 2007, it has won a raft of awards including the inaugural RIBA CABE Public Space Award. Drawing on work undertaken with architecture students to explore individual experiences of the square, the paper will outline some of the fows, past and present, as well as the physical elements, which contribute to the square’s success as a place of encounter
Do good health and material circumstances protect older people from the increased risk of death after bereavement?
No full textThis is an open access Article. Copyright @ 2012 The AuthorsAn increased risk of death in persons who have suffered spousal bereavement has been described in many populations. The impact of modifying factors, such as chronic disease and material circumstances, is less well understood. The authors followed 171,120 couples 60 years of age or older in a United Kingdom primary care database between 2005 and 2010 for an average of 4 years. A total of 26,646 (15.5%) couples experienced bereavement, with mean follow up after bereavement of 2 years. In a model adjusted for age, sex, comorbid conditions at baseline, material deprivation based on area of residence, season, and smoking status, the hazard ratio for mortality in the first year after bereavement was 1.25 (95% confidence interval: 1.18, 1.33). Further adjustment for changes in comorbid conditions throughout follow up did not alter the hazard ratio for bereavement (hazard ratio = 1.27, 95% confidence interval: 1.19, 1.35). The association was strongest in individuals with no significant chronic comorbid conditions throughout follow up (hazard ratio = 1.50, 95% confidence interval: 1.28, 1.77) and in more affluent couples (P = 0.035). In the first year after bereavement, the association between bereavement and death is not primarily mediated through worsening or new onset of chronic disease. Good health and material circumstances do not protect individuals from increased mortality rates after bereavement.This study was funded by a grant from the Dunhill Medical Trust
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Lord Lonsdale and his proteges: William Wordsworth and John Hardie
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