26,713 research outputs found
Receipt for Benjamin Jones, October 15, 1826
This document is a receipt dated January 2, 1827, issued in St. Louis, detailing a total payment of 20 per month, plus the provision of a saddle, bridle, and blanket.
Benjamin Robinson: Compensation for the services of Jones\u27s step-son, Benjamin Robinson, who worked as a wagoner and laborer. The receipt notes that Robinson died in New Mexico after serving from June 1, 1825, to November 26, 1825
Land Grant Application- Jones, Benjamin (New York)
Land grant application submitted to the Maine Land Office for Benjamin Jones for service in the Revolutionary War.https://digitalmaine.com/revolutionary_war_mass/1204/thumbnail.jp
Summons for Benjamin Jones
To the Sheriff of Hampshire County. Summons for Benjamin Jones to answer the petition of Henry Bresser [Presser?]. Signed by Gabriel Jones, Clerk of Courts. December 26, 1764
The meaning of a republic
Jones, BT ORCiD: 0000-0002-4312-6995Australia is a country that has already embraced so many of
the finest features of republican philosophy. We believe in freedom,
equality, civic duty and the common good. Cicero claimed
that a republic is not just a group of people collected together in
any old way but a community of people committed to justice and the common good. When the Australian states federated in 1901, a
commitment was made to look beyond narrow individual interests
and to serve the common good. The hand of republicanism has
been on Australia's shoulder from colonial times to the present
day. As the renowned English republican Algernon Sidney put it,
the crew does not exist for the ship but the ship exists to serve the
people. Australia is destined to grow and prosper as a free and
independent republic, the champion of democracy and the home
of freedom
A Carbon County Musician\u27s Journey: An Oral History with Benjamin Ambrose Jones, January 22, 2025
The oral history interview with Benjamin Ambrose Jones, a resident of Price, Utah, conducted on January 22, 2025, details his life and extensive musical career in Carbon and Emery Counties. Jones recounts his adoption and upbringing in Spring Glen, attending local schools, and the pivotal influence of high school choir teacher Claudia Bigler and college director Russ Wilson, the latter of whom he describes as a key mentor who could draw music out of people. His musical journey began with the trumpet in sixth grade, eventually leading him to vocal music, participation in various plays including Man of La Mancha and a lead role in Les Misérables, and a memorable performance of the Haydn Mass in D at Carnegie Hall in 1990. Jones also discusses establishing the first Drumline at USU Eastern and his decades-long commitment to performing Handel\u27s Messiah, emphasizing the importance of local music education and the undiscovered talent in the area
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Sign placed on the fence surrounding the driveway of Cynthia Jones' property in Lake Isle, Alberta. 2011
Interview with Wilbur D. Jones Jr.
In this interview, author and Wilmington notable Wilbur Jones discusses his childhood and adolescence in Wilmington, his experiences in the U.S. Navy, and his long political career, which includes doing advance work for the White House under the Nixon and Ford Administrations
Connecting Research with Communities through Performative Social Science
A pioneer in Performative Social Science, Kip Jones makes a case for the potential of arts-based social science to reach audiences and engage communities. Jones contextualises both the use of the arts in Social Science, as well as the utility of Social Science in the Arts and Humanities. The discussion turns next to examples from his own work and what happens when Art talks to Social Science and Social Science responds to Art. The benefits of such interaction and interdisciplinarity are outlined in relation to a recently completed project using multi-methods, which resulted in the production of a professional short film. In conclusion, Performative Social Science is redefined in terms of synthesis that can break down old boundaries, open up channels of communication and empower communities through engagement
“A Conversation Between Kip Jones and Patricia Leavy: Arts-Based Research, Performative Social Science and Working on the Margins.”
This paper reports a conversation between international pioneers in Arts-Based Research and Performative Social Science, Patricia Leavy and Kip Jones. They begin by delineating the differences between research and/or dissemination that use tools from the Arts in their production. Leavy turns to her fiction writing as an example, while Jones discusses the making of his research-based short film, Rufus Stone. The conversation then turns to how these novel approaches have changed the way in which they work and these efforts in relation to the academy. The concept of “audience” is raised. Both then give examples of taking alternative routes in their career paths and funding for this kind of work. Jones specifically talks about using creativity in all our approaches, including small-scale projects that rely on creativity rather than money. He suggests being creative in the ways in which we write for publication and present our work to other academics. Leavy ends the conversation by discussing taking risks and walking through fear. Jones recommends not working in silos, but letting all parts of our lives influence our outputs
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