3,965 research outputs found
The Carbon Footprint of Household Energy Use in the United States
Supporting data and python scripts for the article, "The Carbon Footprint of Household Energy Use in the United States" by Benjamin Goldstein, Dimitrios Gounaridis, and Joshua P. Newel
Benjamin Robinette's Saxophone Recital 1
Fault Lines (1998), Perry Goldstein
Elegie for viola and piano, Op.44 (1893), Alexander Glazunov
Nafissatou (2011), Duncan Youngerman
24 Caprices, Op.1 - Caprice No.12 (1819) , Niccolo Paganini
Sonate d'Etude (1970), Pierre Max Dubois
24 Caprices, Op.1 - Caprice No.13 (1819) , Niccolo Paganini
Black Anemones (1981), Joseph Schwantner
Ricordo di Napoli, Antonio PasculliRelated performance for this degree -- Benjamin Robinette's Saxophone Recital 2: https://hdl.handle.net/2346/104206
Related performance for this degree -- Benjamin Robinette's Saxophone Recital 3: https://hdl.handle.net/2346/104207
Related performance for this degree -- Benjamin Robinette's Saxophone Recital 4: https://hdl.handle.net/2346/104208Recital recordings are archival copies for educational purposes only. Members of the TTU community may request to listen/view them for educational purposes via the PDF link to the left
Goldstein Stationarity in Lipschitz Constrained Optimization
We prove the first convergence guarantees for a subgradient method minimizing a generic Lipschitz function over generic Lipschitz inequality constraints. No smoothness or convexity (or weak convexity) assumptions are made. Instead, we utilize a sequence of recent advances in Lipschitz unconstrained minimization, which showed convergence rates of towards reaching a Goldstein stationary point, that is, a point where an average of gradients sampled at most distance away has size at most . We generalize these prior techniques to handle functional constraints, proposing a subgradient-type method with similar guarantees on reaching a Goldstein Fritz-John or Goldstein KKT stationary point, depending on whether a certain Goldstein-style generalization of constraint qualification holds
Resume of the life, business and social activities of Mr Samuel Goldstein
The Burnett Archive of Working Class Autobiographies was gathered together by John Burnett, David Vincent and David Mayall whilst compiling their three volumes annotated bibliography, "The Autobiography of the Working Class" (Harvester Press, 1984-1989). This book includes descriptions of unpublished autobiographies and indicates their locations. Excerpts from some of the autobiographies have been published in "Destiny obscure: autobiographies of childhood, education, and family from the1820s to the 1920s", edited by John Burnett (Routledge 1994 and A. Lane, 1982). The authors "sought to identify not only the large numbers of printed works scattered in various local history libraries and record offices, but also extant private memoirs, many of which remain hidden in family attics, known only to the author and a handful of relatives" (Introduction to vol.1, p. xxix). The criteria for inclusion were: the writers were working class for at least part of their lives; they wrote in English; and they lived for some time in England, Scotland or Wales between 1790 and 1945. John Burnett was professor of social history at Brunel University from 1972 to 1990.Brief memoirs of Samuel Goldstein (born Warsaw, Poland 1889). Goldstein outlines his early life and experience working in textiles in London and the United States. Describes periods of unemployment and ill health before setting up a successful business with his brother
Marriage record of Alvarez, Benjamin and Rodriguez, Josepha
Marriage license for Benjamin Alvarez and Josepha Rodriguez. Adolf M. Goldstein was the Notary Public
Waste is "wicked" when we try to solve it. Author's response to Joshua Goldstein's comments
This is the author's response to Dr. Goldstein's response to our recent article The rise and fall of a Waste cityin the construction of an urban circular economic systenif The changing landscape of waste in Beijingin the February 2016 issue of this publication. (C) 2016 Elsevier B.V. All rights reserved.SCI(E)REVIEW175-17611
Tribute to Joseph Goldstein
Joseph Goldstein was a person of truly great public stature in our profession. When he died in March of this year, he left behind a legacy of extraordinary accomplishment. Joe was a superb and devoted teacher, as a professor of law on the Yale Law School faculty for more than forty years. He was also a creative and brilliant scholar and a prolific author
Tribute to Joseph Goldstein
Joseph Goldstein was a person of truly great public stature in our profession. When he died in March of this year, he left behind a legacy of extraordinary accomplishment. Joe was a superb and devoted teacher, as a professor of law on the Yale Law School faculty for more than forty years. He was also a creative and brilliant scholar and a prolific author
The Disordered Spirit: A Portrait of Francisco Amighetti as Seen by Laura Goldstein
“The Disordered Spirit: Francisco Amighetti as seen by Laura Goldstein” addresses the paradox
of the fragment and the whole inherent in the ideas of “essence” or “truth” through the work of
Costa Rican artist and poet Francisco Amighetti, and offers some alternative perspectives to the
anxiety of loss in literary translation. This investigation emphasizes the overuse of discussions on
loss in translation and argues for the value of the fragment, particularly in Amighetti’s work,
which falls in the Modernist period when poets and artists turned to the fragment through style,
technique, and a confrontation with the past, but also more broadly to argue that the fragment has
value through the choices of creative processes, language, and expression, the multiplicity of
subjective experiences, order and disorder, and through the nature of memory and our universe.
The dissertation also analyzes the creative work of Romanian-Brazilian writer Ștefan Baciu, who
wrote poems responding to fragments of Amighetti’s poems, letters, and prose, and finally
includes creative work by the author of the dissertation in the form of original poetry, poetry in
translation, visual art (prints) and memoir, proposing that a translator can reveal the multiplicity
of subjective experiences through the inclusion of their original creative work, especially when
the translated poet is excluded from the canon as Francisco Amighetti and other Costa Rican
poets have been
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