10,093 research outputs found
Marriage record of Williams, Benjamin W. and Lee, Sarah
No full textMarriage license for Benjamin W. Williams and Sarah Lee. F. James Williams was the officiant
Oral History Interview with Roy Williams, October 6, 2011
No full textInterview with Roy Williams, an activist and author from Longview, Texas. The interview discusses when Williams first came to Dallas, the assassination of John F. Kennedy, Williams' upbringing, how he got into activism, his time in the military, his activism against police brutality, and a lawsuit against the city of Dallas
The International Trade Center Curacao
No full textThesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.Includes bibliographical references.by Bejamin F. Williams, Jr.M.S
Public worship and practical theology in the work of Benjamin Keach (1640-1704)
No full textThe late seventeenth century was a critical and fruitful period
for the Particular Baptists of England. Severely persecuted following
the Restoration, toleration in 1689 brought its own perils.
Particular Baptists were fortunate in having several strong leaders,
especially the London trio of Hanserd Knollys, William Kiffin, and
Benjamin Keach. Such a small and severely persecuted group as the
Baptists could afford little time for academic pursuits, thus of
necessity most of their theology was practical in nature.
Benjamin Keach (1640-1704) was the most outstanding practical
theologian among the English Particular Baptists of the late
seventeenth century. This dissertation is a study of Keach, in
particular his writings on public worship and practical theology.
Although Keach was a prolific author, he has been almost completely
neglected by scholars.
After a biographical sketch of Keach, this study considers his
writings on public worship and practical theology. In the area of
worship, Keach made two outstanding contributions: First, he was the
most vocal apologist for Baptist views on Baptism of his period.
Secondly, and more importantly, his hymn writing and defense of hymn
singing broke new ground, not just for Baptists, but for English
Protestantism, in general. In addition to his contributions in these
areas, he also dealt with the laying on of hands and the sabbath day
worship controversy.
Keach's contributions to practical theology fall into two main
groups: his writings that concern religious education and those that
deal with polity. In addition to these, Keach's vigorous advocacy of
a high Calvinist soteriology are also considered under the rubric of
practical theology. Keach's most important (although not his most
positive) contribution in this area were his soteriological writings.
Although well within the bounds of orthodoxy, some of the tendencies
in Keach's soteriology were taken up by the following generation of
Baptist leaders and developed into a stultifying hyper-Calvinism that
handicapped Baptist evangelism and missions.
In the conclusion, Keach's contributions to a theory of practical
theology are considered
Criticality of Regular Formulas
No full textWe define the criticality of a boolean function f : {0,1}^n -> {0,1} as the minimum real number lambda >= 1 such that Pr [DT_{depth}(f|R_p) >= t] = k.
In an unpublished manuscript [Rossmann, 2018], the author showed that a combination of Håstad’s switching and multi-switching lemmas [Håstad, 1986; Håstad, 2014] implies that AC^0 circuits of depth d+1 and size s have criticality at most O(log s)^d. In the present paper, we establish a stronger O(1/d log s)^d bound for regular formulas: the class of AC^0 formulas in which all gates at any given depth have the same fan-in. This result is based on
(i) a novel switching lemma for bounded size (unbounded width) DNF formulas, and
(ii) an extension of (i) which analyzes a canonical decision tree associated with an entire depth-d formula.
As corollaries of our criticality bound, we obtain an improved #SAT algorithm and tight Linial-Mansour-Nisan Theorem for regular formulas, strengthening previous results for AC^0 circuits due to Impagliazzo, Matthews, Paturi [Impagliazzo et al., 2012] and Tal [Tal, 2017]. As a further corollary, we increase from o(log n /(log log n)) to o(log n) the number of quantifier alternations for which the QBF-SAT (quantified boolean formula satisfiability) algorithm of Santhanam and Williams [Santhanam and Williams, 2014] beats exhaustive search
Raymond Williams and the limits of cultural materialism
No full textCultural materialism has become an influential discipline in recent
years, particularly so in 'Renaissance' studies, but also more generally in
'English', as well as departments defined as practising 'cultural' or
'communications' studies. The phrase is usually linked with the name of
Raymond Williams, but a cursory examination of Williams's own work
quickly establishes that it is a phrase he rarely uses, and only schematically
attempts to define. The thesis therefore takes the form of an investigation into
the way cultural materialism has come to be understood, by examining in
detail the trajectory of Raymond Williams's theoretical development, and how
his own engagement with various theoretical positions has helped to set
'limits' on the meaning of cultural materialism.
Chapters 1 and 2 deal with some of Williams's earliest work,
particularly Reading and Criticism, as a way of investigating how reasonable
it is to tag him as a 'Left-Leavisite', arguing that Leavis's undoubted
influence is resisted (though not entirely rejected) from a very early stage. The
first chapter considers in detail Leavis's work at Cambridge, the influence of
Eliot, and the significance of the 'Organic Community'. Chapter 2, which is
based around a comparative analysis of Williams's and Leavis's readings of
Dickens, argues that Williams rejects the 'organic community' in favour of his
'knowable community'. Chapters 4 and 5 deal with specific 'theoretical'
issues: the first, based around a reading of Terry Eagleton's critique of
Williams's use of the Marxist metaphor of 'base and superstructure', shows
some of the problems which arise from Williams's cultural model, as well as
suggesting refinements; the second deals with the influence of Volosinov's
theories on Williams. Chapter 6 comes out of Williams's readings of the
'Country-House' poems in The Country and the City, showing how his
practice of literary criticism relies on an acceptance of 'ideology' apparently
denied in his more 'theoretical' writings. This analysis is extended as a result
of investigations into the 'De L'Isle' manuscripts relating to the Penshurst
estate. Chapter 7 argues that it is possible to see the work of Fredric Jameson
as developing Williams's cultural materialism into Jameson's debates on
postmodernism.
In the Introduction and Conclusion, I have taken the opportunity to
look briefly at the activity of cultural materialism as it has developed since
Raymond Williams's death in 1988. The Introduction emphasizes what I see
to be important methodological differences between 'cultural materialism'
and 'new historicism'; the Conclusion deals with the continuing debate over
the value of a cultural materialist approach by considering the 'appropriation'
of Shakespeare
Benjamin W. Beery House
No full textItalianate style house built for Benjamin Washington Beery (1822-1892), partner in Cassidey & Beery Shipyard; and wife, Ann Eliza Williams (1827-1865). Served as school and convent of Sisters of Our Lady of Mercy, 1869-1870. Double piazzas added by James F. Post, architect, when purchased by Col. William Parker Canady (1843-1892), Republican politician who served as Sergeant-at-Arms of the U.S. Senate
Lines of beauty: propaganda, the poster, and the pictorial trope
No full textPropaganda conceived for distribution via the medium of the pictorial poster creates artwork that can be productively examined from an aesthetic as well as political perspective. When this artwork is primarily restricted to conflict propaganda from the second decade of the twentieth century, the temporal and contextual considerations assist in focussing the poster’s role as a functional object, not only within a propaganda campaign but also within the wider visual ecology of an era.For the poster to operate as an effective means of propaganda distribution, the propagandist requires composition that incorporates constructs capable of attracting the viewer. In isolating a particular construct, its manifestation has the potential to be utilised as a tool in the unpacking of the imagery; consequently the concept of a propagandist promotion of an alternate reality as a challenge to a current real, and the prospective movement from one to the other, can be literally and figuratively conveyed via its employment as a pictorial trope. In this regard, the construct deemed to represent not only movement, but movement at its most beautiful thereby forming a focus for attraction, is the serpentine curve that in 1745 William Hogarth scribed and titled the line of beauty (Hogarth, 1997 p6).In concentrating on the poster within the wider genre of early twentieth century visual conflict propaganda, and creating new associations with aesthetic and metaphoric concepts pertaining to the line of beauty, this research becomes the articulation of how each contributory element within the artwork’s construction ‘respectively influences the identity and the economies of the other’, thereby providing ‘a model by which to focus and rethink’ these relationships (Ostrow, 2005 p226). The line of beauty serves as both cause and effect of the process by which the relationships are reconsidered, thus provoking an innovative discourse as to the potential impact of the whole upon the visual culture field
Saving Rutgers Camden
No full textIn January 2012, Chris Christie, Governor of New Jersey, announced that the Camden campus of Rutgers, the State University, was to be severed from Rutgers and taken over by Rowan University. Every major political force in the state, Democratic and Republican, elected and behind the scenes, lined up in support of the plan. Nevertheless, Rutgers-Camden faculty, students, administrators, alumni, and trustees, and their allies, vigorously fought the plan, convinced that it made no sense and would be devastating to the campus and higher education in the State more generally. The campaign opposing the merger with Rowan was popular and political, but it ultimately depended on powerful legal arguments grounded in Rutgers’ distinct and complex history. By the end of June, the merger idea had been defeated. As one assistant professor put it, “The bad guys got outmaneuvered by a bunch of nerds.”
This article is a scholarly effort by three faculty participants to make sense of the struggle to save Rutgers-Camden and put it in theoretical context. The article narrates the story of the fight over the proposed merger and carefully analyzes the legal constraints on the plan. It also links the story to important broader questions about legal pluralism, the public/private divide, the relationship between state universities and state governments, and competing visions of the modern university faculty. Through this combination of case study, legal argument, and conceptual inquiry, the article provides a cautionary but hopeful tale about the importance of academic communities defending sound public policy and their own historical rights to self determination against the machinations that can infect our political culture and legislative process.Please direct any questions about this deposit to Charlotte Schneider ([email protected])
Embeddedness as Condition and Strategy in Contemporary Art and Cultural Production
No full textThis thesis examines the concept of ‘embeddedness’ as condition and strategy in contemporary art and cultural production. Identifying embeddedness as a motif of contextual proximity and a strategy in contemporary art, the thesis proposes immediacy to be the result of intrinsic mediation. The project’s main concern is how embeddedness is contextualised by the current conditions that authors and cultural producers engage with. The primary question is whether and how embeddedness can convey a critical relation to the mediation that it undertakes. These concerns inform and arise from my work as an artist, and my participation in events, some of which I organise. The project claims that embeddedness in art is a critical condition and an editorial concept or a strategic plan that can be set up by the artist.
The investigation begins by looking at conditions of embeddedness by focusing on concepts of subjectivity and by elaborating strategies that I call ‘auto-direction’. For example, concepts of subjectivity are taken up in relation to Richard Serra’s video Boomerang (1974), in which the performer Nancy Holt reflects on her own spoken words, which are fed back with a short delay via microphone and headphones into her ears. Auto-direction, introduced with the example of Steven Spielberg’s initiative of a video diary exchange project between Israeli and Palestinian children, describes the activity of the producer, who self-directs his situated presence. Taking up idioms of embeddedness from artists like Phil Collins, Christian Jankowski and Erik van Lieshout the project examines embeddedness through a comparative analysis between contemporary art, visual culture, media theory, sociology, art theory, psychoanalysis and philosophy. These practices lead to an identification of embeddedness as an author’s immanent exposure, a claim taken up through analysis of theoretical texts and literature by Rosalind Krauss, Jacques Lacan, Jacques Derrida, Gregory Bateson, Hal Foster, Bernard Williams and Alfred North Whitehead
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