4,326 research outputs found
Michael Rodriguez interviews author Paul Clemens
No full textAuthor Paul Clemens talks about his book "Made in Detroit," the genre of memoir, and writing about race. Clemens is interviewed by Michigan State University Librarian Michael Rodriguez for the MSU Libraries' Michigan Writers Series. Held in the MSU Main Library
L’œuvre et les phénomènes. Le Baudelaire de Benjamin
No full textLe titre que j’ai voulu donner à cette contribution sur le Baudelaire de Benjamin – L’œuvre et les phénomènes – peut être compris de plusieurs manières. D’abord, ce titre souligne l’importance des liens entre l’œuvre littéraire de Baudelaire et son époque, comme l’indique expressément le sous-titre que Benjamin aurait voulu donner au livre sur Baudelaire : Ein Lyriker im Zeitalter des Hochkapitalismus (Un poète lyrique à l’apogée du capitalisme). Souvent, notamment dans la section N du Passag..
Author Paul Clemens reads from his book "Made in Detroit" at the Michigan Writers Series
No full textAuthor Paul Clemens reads from his book "Made in Detroit" and answers questions from the audience. The event is convened by Peter Berg, head of the Michigan State University Libraries' Special Collections. Part of the MSU Libraries' Michigan Writers Series. Held in the MSU Main Library
Blogchain – Disruptives Publizieren auf der Blockchain
No full textWir stellen ein neues Konzept als Metamodell für das wissenschaftliche Publikationswesen vor. Unser Konzept ist im Kontext eines dreistufigen Phasenmodells digitaler Disruption von Geschäftsprozessen angesiedelt. Die erste Phase besteht dabei aus Technologie ohne Prozessanpassung. Die zweite Phase umfasst eine Prozessanpassung unter der Kontrolle von Intermediären und führt zu unerwünschter aber schwer vermeidbarer Zentralisierung. Die dritte Phase durchbricht schließlich die Vormachtstellung intermediärer Institutionen und nutzt dazu die disruptiven Möglichkeiten der Blockchain-Technologie
Nascita dello sguardo. A proposito del frammento benjaminiano “Che cos’è laura?”
No full textIl testo presenta un’analisi del frammento Che cos’è l’aura? del 1937, pubblicato per la prima volta in Walter Benjamin: Charles Baudelaire. Un poeta lirico nell’età del capitalismo avanzato, a cura di G. Agamben, B. Chitussi e C.-C. Härle (Neri Pozza, Vicenza 2012). Nel frammento Benjamin elabora quella “definizione materialista” del concetto di aura, annunciata in una lettera ad Alfred Cohn del 17 novembre 1937. L’origine dell’aura, concetto fondamentale dell’estetica benjaminiana, non viene più cercata nella contemplazione del paesaggio, ma nell’incontro degli sguardi, cioè in un ambito intersoggettivo e successivamente sociale. Alla base dell’aura, “singolare intreccio di spazio e di tempo”, c’è uno sguardo che avvolge colui che la contempla. “Avvertire l’aura di una cosa significa dotarla della capacità di guardare”. Nella seconda parte del testo si mostra come nel saggio Su alcuni motivi in Baudelaire (1939) questa intuizione fornisca il quadro per l’interpretazione di alcune poesie di Baudelaire in cui quel gioco degli sguardi, il regard familier, viene meno, lasciando il posto allo sguardo fisso e minaccioso della prostituta. Il declino dell’aura va inteso, dunque, come un evento epocale che sconvolge le strutture dell’immaginario individuale e collettivo. Esso colpisce anche il tessuto delle immagini poetiche ed è all’opera nella riproducibilità tecnica attraverso la quale s’istaura, in virtù della disponibilità ubiquitaria e illimitata di immagini di ogni tipo, una nuova forma di vicinanza in cui si cancella una lontananza, cioè la possibilità stessa del fenomeno dell’aura
Clemens, James (LG 211)
No full textFinding aid and full scan (Click on Additional Files below) for Manuscripts Land Grant 211. Original land grant, 20 August 1812, by which Charles Scott, Governor of the Commonwealth of Kentucky, granted to John Clemens, assignee of Benjamin Hampton, 200 acres in Warren County, Kentucky
Correction: Revealing the Functional Neuroanatomy of Intrinsic Alertness Using fMRI: Methodological Peculiarities
No full textClemens Setz — an Author of Popular Literature?
No full textThis essay show the references to the so-called Popliteratur in the work of the Austrian writer Clemens Setz. Although Setz does not fit into the assumed periodization of this movement, his texts seem to have an aesthetic of pop-literature that corresponds to both the early and later approaches of the trend. The creative handling of archives of folk culture, experimental writing and the media networks have a pop-literature effect. Many texts are reminiscent of language-critical, experimental cut-up texts by the Beat Generation authors. The thematic repertoire also shows characteristic pop literary writing: There is no processing of social, political problems and the Nazi past, but, for example, the processing of generational conflicts, the problems of growing up and sexuality. The media staging of the author intended by the publisher also shows well-recognized mechanisms of pop culture
Native language identification using a meta-classifier ensemble
No full textauthor: Clemens KolbMasterarbeit University of Innsbruck 202
Native language identification using a meta-classifier ensemble
No full textauthor: Clemens KolbMasterarbeit University of Innsbruck 202
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