3,808 research outputs found
Oral history interview with Bryan Bell
No full textAbstract provided by interviewer Drew Bell.
Bryan Bell attended Abilene Christian University in Abilene, Texas from 1992-1996 and received a B.S. Biology degree from the university. As a Church of Christ-affiliated private college, ACU was and still is known for providing a world-class Christ-centered education, and it has never wavered from this commitment. In this interview, Bryan provides insight into his experiences as a student, as well as the gender expectations and norms of the day, including dormitory regulations, expectations for dating and marriage, the dress code, and how these expectations were enforced. Bryan also talks about how discussions about gender and sexuality differ today versus the time when he was attending, and what ACU can do to better adjust for these changes. He explains the different roles men and women played in chapel, in classes, and in the local church congregations. He talks about what Christians can do to be more welcoming to members of the LGBTQ community, and how ACU can continue to love them and care for them, as well as offer the same world class education everyone else is expected to receive
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COVID-19 Interview with Bryan Caplan
No full textA discussion on the COVID-19 pandemic with Bryan Caplan, an economist from George Mason University as well as the author of "The Case Against Education" and "Open Borders."Salem Cente
Sharon Bryan 03-15-1990
No full textReading List
"Breaking and Entering" from "Objects of Affection" (0:35)
"Viewing the Body" "from Salt Air" (16:08)
"Theory" from "Flying Blind: Poems" (38:27)
"Trimmings" from "Flying Blind: Poems" (39:47)
Abstract
Sharon Bryan Reads "Breaking and Entering" from "Objects of Affection" (0:35). Stan Saville Rubin interviews Sharon Bryan. Bryan was born in Salt Lake City, Utah and educated at the University of Utah where she studied philosophy, Cornell University where she received an MA in anthropology, and The University of Iowa Writers Workshop where she earned her MFA. She's the author of two collections of poetry, "Salt Air" published in 1983, and "Objects of Affection" published in 1987 by Wesleyan University Press. She has received awards including The Academy of American Poets Prize, the Discovery the Nation Award, and the Governor's Award from the State of Washington, and has held NEA fellowships. At the time of filming Bryan is a Professor of English at the Memphis State University and editor of the literary magazine River City. Stan opens the conversation with an invitation to discuss the origin and nature of the opening poem. Bryan outlines the story and the influences that aided her creation of the poem. Expanding further into the content of "Objects of Affection", they discuss the heavy handed artistic and literary influences that are found in a number of the collected poems. Bryan talks about why the unaddressed epitaph is at the beginning of "Objects of Affection" and what informed her decision to put it there. Stan asks her about the careful organization of the collection but Bryan reveals that the organization wasn't as deeply considered as it appears. They talk about the style of her poems and how she tends not to use prose. Stan moves the conversation to "Salt Air" which was written 6 years after leaving Iowa. Bryan talks about how so much of her life was leaving behind Salt Lake. Bryan reads "Viewing the Body" "from Salt Air" (16:08). Bryan speaks on when she first knew she wanted to write and how she meandered through her education because, as far as she was aware, creative writing as an occupation wasn't available until she had arrived at Cornell and then why she chose to go to the Iowa Writers Workshop. Stan asks Bryan to speak at length about her role as Editor of the River City literary magazine and how she looks at poetry through that editor's lens. They discuss the social significance of poetry and address critiques about poetry's place for speaking on difficult issues of the time. Bryan talks about the major influences on her writing and her push to publish her poetry for public consumption and how she found out her first collection was going to be printed. Bryan reads "Theory" from her upcoming collection of poems "Flying Blind: Poems" (38:27) and "Trimmings" also from "Flying Blind: Poems" (39:47).Archived web conten
JCCC Hosts \u27Public Enemies\u27 Author, Bryan Burrough
No full textBest-selling author Bryan Burrough will present \u27Public Enemies: The True Story\u27 at 11 a.m. Monday, November 2, in Craig Community Auditorium
John Neeley Bryan Cabin
No full textPhotograph of John Neely Bryan Cabin reproduction in the Dallas County Historical Plaza
Image theatre: Transforming perspectives through embodied responses to refugee drawings in Yesterday/Today/Tomorrow (Traceability is Credibility) at the 2017 Venice Biennale
No full textThis paper documents the drawings, installations, video works, and performances that were produced as part of Bryan McCormack’s Yesterday/Today/Tomorrow (Traceability is Credibility) conceptual work at the 2017 Venice Biennale in collaboration with Henry Bell and undergraduate students at Sheffield Hallam University. It also includes two videos: the first of which was part of McCormack’s installation, and illustrates the application of performance methods inspired by Augusto Boal’s Image Theatre techniques. The second video gives a brief impression of how these methods functioned in a live performance in Venice in May 2017
The Charles Faulkner Bryan Collection Finding Aid
No full textFinding aid for a collection. Collection description: This collection is .42 linear feet, one Hollinger box, of materials relating to Charles Faulkner Bryan and it includes photocopies of correspondence between Bryan and Donald Davidson, with whom he collaborated on the musical Singin' Billy.
Also in this collection is sheet music of pieces by Bryan and includes the Songs for Children Series, the Bell Witch Secular Folk Cantata, Tennessee Folk Songs and other music by Bryan. There are two 8 x 10 photographs of Bryan in this small collection.http://www.library.vanderbilt.edu/speccol/bryancf.shtm
John Neeley Bryan Cabin
No full textPhotograph of the John Neely Bryan Cabin, a reproduction, and Dallas County Historical Plaza. A portion of the fountain is in the foreground and the "Records Building" is on the left
Employment and housing problems of migratory workers in New York and New Jersey canning industries, 1943
No full textBased on a survey conducted by Helen Bryan Sater and Caroline Manning, this report presents issues involving the employment and housing of migrant laborers in the New York and New Jersey canning industries (especially the tomato-canning industry in producing food for armed services) during World War II. The issues discussed include false promises to migrant workers concerning wages, available facilities and housing costs. Another issue discussed is the low standard of living and working conditions that government agencies uphold for migrant laborers. At this time there was an influx of African American and West Indian migrants to the area to occupy positions within the canning industry. Also, a great number of laborers were women and children. Polish, Italian, and white migrants from the South are also mentioned as significant populations within the industry. This report was issued by the United States Women's Bureau of the United States Department of Labor in 1943
Rick Bell Family
No full textThe Rick and Jennifer Bell family are pictured with their exchange student, Mari Nishio. Pictured front row are, Brett, Bryan, Marcey and Blake. Back row, Jennifer, Rick, Janette, Maria Nishio and Kristi
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