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[Photograph of Dick Beane]
No full textPhotograph of Dick Beane, Yucca staff member. Beane is curled up on a desk and resting his head on a pillow as he takes a nap
Personal Papers (MS 80-0002)
No full textLetter from A. H. Blackshear, Jr. to Mr. Kendall at Merrill Lynch, Pierce, Fenner & Beane discussing Fannie Adoue's account
Antitrust
No full textThis article provides a comprehensive analysis of antitrust law, focusing on its fundamental principles and the economic theories underlying competition regulation. Beane examines significant case law and legislative developments that have shaped antitrust policy in the United States. The discussion highlights the balance between promoting market competition and preventing monopolistic practices, while also addressing contemporary challenges posed by emerging technologies and global markets. Through critical evaluation, the author argues for a nuanced approach to antitrust enforcement that considers both consumer welfare and innovation. Ultimately, Beane advocates for adaptive regulatory frameworks to effectively address the complexities of modern economic landscapes
Personal Papers (MS 80-0002)
No full textLetter from A. H. Blackshear, Jr. to Merrill Lynch, Pierce, Fenner & Beane requesting for the third time that the purchased shares of Electric Bond & Share Co. be sent to Miss Lilly McCarthy Barry
Letter from A. H. Woodward to A. C. Beane, New York City, New York, July 26, 1927
No full textThis item is from the Woodward Family Papers, an extensive collection, including business and personal correspondence, financial records, photographs, and other materials of this Birmingham, Alabama family which operated the Woodward Iron Company
Letter from A. C. Beane, Fenner and Beane, New York City, New York, to A. H. Woodward, Woodward, Alabama, July 23, 1927
No full textThis item is from the Woodward Family Papers, an extensive collection, including business and personal correspondence, financial records, photographs, and other materials of this Birmingham, Alabama family which operated the Woodward Iron Company
Personal Papers (MS 80-0002)
No full textLetter from I. H. Kempner to Merrill Lynch, Pierce, Fenner & Beane discussing a notice from the New York office and inquiring if any amount is owed
Personal Papers (MS 80-0002)
No full textLetter from Harris L. Kempner to Merrill Lynch, Pierce, Fenner & Beane enclosing a certificate representing shares in the W. L. Maxson Corporation
The Performance of Sawney Beane at the Texas Renaissance Festival
No full textThe research presented here explores how authentic performances are created and experienced by performers by answering the following questions: (1) What performance methods are used at renaissance festivals and why are these methods chosen? (2) How do performers use these performance methods to engage themselves with history and develop personal meaning through their performances? (3) How do performers combine historical representation with self-expression? (4) How does the performance of Sawney Beane connect to general renaissance festival performance methods and festival culture? (5) How does the performance of Sawney Beane allow performers to engage with history and personal meaning? Through participant observation and informal interviews, the research presented here explores the performance methods used at the Texas Renaissance Festival and how these performance methods allow participants to engage authentically with the past, with themselves, and with each other. Comparisons are made between general renaissance performance methods and those used in the performance of Sawney Beane, revealing the connections between these performances and the subculture that permeates the festival. By focusing on the performers��� own views about their participation in these performances, the methods used here elucidate the personal benefits of participating in the renaissance festival.
The primary performance methods used at renaissance festivals developed out of those used at living history museums and include immersive theater environment, audience participation, improvisation, and second-person performances. These methods work together to encourage visitors to engage personally with history by becoming physically involved in performances. While second-person performances have a limited use at living history museums, they are very prevalent at renaissance festivals, where visitors are encouraged to wear costumes and portray characters. It is argued here that this prevalence is mainly due to loosened restrictions on historical accuracy that allow participants to create second-person performances that are both personally meaningful and allow for engagement with history and community. Using the concept of embodied memorials, this research concludes that through the use of physical performances, these renaissance festival performers are able to personally engage with history and with each other in ways that allow for self-expression and define their community
Antitrust
No full textBeane provides a detailed analysis of the application of antitrust laws in the United States, with a focus on the regulatory framework designed to promote competition and prevent monopolistic practices. The article examines key antitrust statutes, including the Sherman Act, Clayton Act, and Federal Trade Commission Act, and how courts have interpreted and enforced these laws. Beane explores significant case law and regulatory decisions that have shaped modern antitrust doctrine, particularly in relation to mergers, price-fixing, and anticompetitive conduct. The article also discusses the challenges of balancing effective antitrust enforcement with fostering innovation and market efficiency. Beane concludes by offering insights into the future of antitrust policy in an increasingly globalized economy
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