1,770,088 research outputs found
Sopra la natura, e l'origine delle malattie nervose : dissertazione del cavalier Gio. Battista Zirotti dedicata a Sua Eccellenza il Signor D. Antonio di Salis-Zizers
No full textGio. Battista Zirott
Osservazioni sopra un articolo inserito nella Biblioteca italiana nel quale si parla di due lettere del pre. ab. Gio. Battista Baizini sul musaico di Pompei.
No full textMode of access: Internet.Sloan candidateLibrary's c.2 bound in old green decorated boards; presentation inscription from the author on front pastedown.Library's c.1 bound with: Due lettere sopra il musaico di Pompei / del pre. ab. Gio. Battista Baizini (90-B31630 c.1
Leon Battista Alberti e l'architettura
No full textLe architetture di Leon Battista Alberti documentate attraverso l'esposizione di disegni, pitture, sculture e parti architettoniche originali e rilievi, disegni e modelli realizzati per la mostr
Leon Battista Alberti: <i>On Painting</i>
No full textLeon Battista Alberti was one of the most important humanist scholars of the Italian Renaissance. Active in mid-fifteenth-century Florence, he was an architect, theorist, and author of texts on perspective and painting. Leon Battista Alberti: On Painting is a cardinal work that revolutionized Western art. In this volume Rocco Sinisgalli presents a new English translation and critical examination of Alberti's seminal text. Dr Sinisgalli reverses the received understanding of the relationship between the Italian and Latin versions of Alberti's treatise by demonstrating that Alberti wrote it first in Italian and then translated it into a polished Latin over the course of several decades. This volume is richly illustrated to help demonstrate how Alberti understood optics and art.</jats:p
Leon Battista Alberti e il rinnovamento del palazzo di corte di Ferrara
No full textThe essay discusses the renovation of the palace of the court of Ferrara during the fifteenth century, and the role which played in the occurrence the teaching of Leon Battista Alberti. The essay is divided into two parts: the first is devoted to the base of the equestrian monument of Niccolò III d'Este, traditionally attributed to Leon Battista Alberti, and that the author instead correlates with the pro-Byzantine environments that revolved around the Este court. The second part of the paper focuses on the various phases of the work of radical reorganization of the court palace undertaken by Ercole I d'Este in 1471 and here for the first time reconstructed in detail
Leone Battista Alberti's kleinere kunsttheoretische Schriften
No full textLEONE BATTISTA ALBERTI'S KLEINERE KUNSTTHEORETISCHE SCHRIFTEN
Quellenschriften für Kunstgeschichte und Kunsttechnik des Mittelalters und der Renaissance (-)
Leone Battista Alberti's kleinere kunsttheoretische Schriften ( - )
Cover ( - )
Title page ( - )
INHALT. ( - )
VORREDE. ( - )
EINLEITUNG. ([I])
L. B. ALBERTI'S DREI BÜCHER ÜBER DIE MALEREI. ([45])
LEON BATTISTA ALBERTI AN FILIPPO DI SER BRUNELLESCO. ([46])
A FILIPPO DIE SER BRUNELLESCO LEON BATTISTA ALBERTI. ([47])
LEONE BATTOSTA ALBERTI'S DREI BÜCHER ÜBER DIE MALEREI. ERSTES BUCH. ([50])
DELLA PITTURA DI LEON BATTISTA ALBERTI LIBRI TRE. LIBRO PRIMO. ([51])
LEONE BATTISTA ALBERTI'S DREI BÜCHER ÜBER DIE MALEREI. ZWEITES BUCH. ([88])
DELLA PITTURA DI LEON BATTISTA ALBERTI LIBRI TRE. LIBRO SECONDO. ([89])
LEONE BATTISTA ALBERTI'S DREI BÜCHER ÜBER DIE MALEREI. DRITTES UND LETZTES BUCH. ([142])
DELLA PITTURA DI LEON BATTISTA ALBERTI LIBRI TRE. LIBRO TERZO ED ULTIMO. ([143])
L. B. ALBERTI ÜBER DAS BILDWERK. ([165])
LEONE BATTISTA ALBERTI DEM JOH. ANDREAS, BISCHOF VON ALERIA BESTEN GRUSS. ([166])
LEO BAP. ALBERTUS JOANNI ANDREÆ EPO ALERIEN. S. P. L. ([167])
ÜBER DAS BILDWERK. ([168])
DE STATUA. ([169])
L. B. ALBERTI ÜBER DIE FÜNF SÄULENORDNUNGEN. ([207])
DIE FÜNF SÄULENORDNUNGEN. ([208])
i CINQUE ORDINI ARCHITETTONICI. ([209])
ERLÄUTERUNGEN. ([226])
ANHANG. ([253])
WIDMUNGSSCHREIBEN LEONE BATTISTA ALBERTI'S AN GIOVANNI FRANCESCO MARCHESE VON MANTUA, BEI ÜBERSENDUNG DER DREI BÜCHER "DE PICTURA0". ([254])
MASO DI BARTOLOMEO, GENANNT MASACCIO. ([257])
CODICES MANUSCRITTI UND AUSGABEN DER IN DIESEM BANDE PUBLICIRTEN KUNSTTHEORETISCHEN TRACTATE ALBERTI'S. ([262])
ALPHABETISCHES REGISTER der Personen-Namen, welche in diesem Buche vorkommen. ([265])
SACHREGISTER. ([268])
CORRIGE ERRORES. ( - )
Cover ( -
Giovanni Battista Riccio, Il secondo libro delle divine lodi (Venezia, 1614), edited by Chiara Comparin and Gabriele Taschetti, introductory essay by Marina Toffetti
Full text linkcollana delle opere complete di Giovanni Battista Ricci
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Concinnitas in the architectural theory and practice of Leon Battista Alberti.
Full text linkIn his treatise on architecture, de re aedificatoria,
Leon Battista Alberti (1404 - 72) described Beauty in architecture as concinnitas: a harmony or congruity of the various parts of a building assembled according to principles :summarised
by three categories of numerus, finitio and collocatio .
This term has been interpreted variously and most famously in
recent times by Rudolph Wittkower. Starting with his and other
scholars' interpretations, this dissertation proposes a new
definition for concinnitas based on studies of Alberti's
architectural theory and practice and the work of his contemporaries.
Chapters 1, 3 and 4 of the dissertation focus on the
application of numerus and finitio in Alberti's architectural
practice and observations made here are supported by separate
historical studies of the buildings (be found in the appendices) and survey drawings (bound together at the end of the
dissertation). Chapter two is a study of the symbolic references, traditions and themes which appear to underlie the
design of centralised churches and points raised here are expanded
in later chapters. The third category, collocatio, is
examined in the final chapters when the continuity of tradition
in Alberti's approach to architecture is outlined within the framework of the city and the urban ensemble of church, palace, piazza and loggia
Giovanni Battista Graser poeta
No full textIl pensiero e l'opera del roveretano Giovanni Battista Graser (1718-1786) nel contesto del movimento illuministico europe
The opera omnia of Giovanni Battista Riccio: a project for the valorisation of a forgotten repertoire / Gli opera omnia di Giovanni Battista Riccio: un progetto per la valorizzazione di un repertorio dimenticato,
No full textGli opera omnia di Giovanni Battista Riccio si inseriscono all'interno di un più vasto progetto per lo studio e la valorizzazione del patrimonio musicale pervenutoci in uno stato di conservazione incompleto
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