103,882 research outputs found
Sea bass, groupers and snappers
No full textStudies on sea bass (Lates calcarifer) broodstock were directed at techniques to maximize egg production. Now known are the: optimum luteinizing hormone releasing hormone analogue (LHRHa) dose range to induce spawning, optimum egg size responsive to LHRHa induction, appropriate time for induction, proper storage conditions for LHRHa, and induction of spermiation in males. Gonadal maturation and spawning are successfully induced by LHRHa and/or 17 alphamethyltestosterone. An experiment on photoperiodic induction of sexual maturation is being conducted to produce seed year round. Increased information on larval morphology and physiology of sea bass led to improvements in feeding strategies and transport techniques. Studies on nutrient requirements and practical diets are currently being undertaken for different stages/sizes of sea bass. An economic assessment found an integrated sea bass production system viable.
Studies on groupers (Epinephelus spp.) have been geared towards broodstock development including induction of sex inversion by hormonal control, intraspecific interaction, and sex control using synthetic anabolic steroids. Spontaneous maturation and successive spawnings of captive Epinephelus suillus were achieved in 1990. Larval rearing techniques used for other marine fish species were tried but with limited success. Culture techniques in ponds and floating cages using SEAFDEC-formulated diets or commercial pellets are being developed.
Studies on snappers (Lutjanus spp.) have been started with the identification of species common in Panay Island
PREFERENCES OF MID-ATLANTIC SEAFOOD BUYERS TOWARD FARM-RAISED HYBRID STRIPED BASS
No full textA market survey of three mid-Atlantic food-fish market levels was conducted to provide information on finfish buyers' market characteristics, finfish attribute preferences, and buyers' attitudes toward farm-raised hybrid striped bass. Results showed that most firms are located in the suburban areas, and they purchased their fish from producers and wholesalers. Quality was rated as the most important finfish attribute; and, aside from restaurants, buyers are generally familiar with hybrid striped bass and indicated that it could easily be substituted for wild striped bass. Most buyers were either not sure or feel hybrid striped bass could not substitute for other fish species although they all expressed a willingness to offer farm-raised hybrid striped bass. Finally, the possibility of fish farmers selling directly to all market levels has great potential if the fish size is around two to three pounds and the form is whole for the wholesaler and retailer and fillet for the restaurants.Consumer/Household Economics,
CONJOINT ANALYSIS OF THE MID-ATLANTIC FOOD-FISH MARKET FOR FARM-RAISED HYBRID STRIPED BASS
No full textConjoint analysis was used to examine buyer preferences toward farm-raised hybrid striped bass at the wholesale, retail, and restaurant levels. Low price and round form were found to be important attributes in the product preference rating for the wholesale and retail markets. The filleted form contributed the most to restaurants' preference rating. Following these, larger fish size was preferred by all markets.Agribusiness,
IAN HALLAS Double Bass SENIOR RECITAL Assisted by Charlie Tauber, piano Wednesday, March 20, 2013 8:00 p.m. Lillian H. Duncan Recital Hall
No full textPROGRAM: Concerto for Double Bass, OP. 3 / Serge Koussevitzky -- Seven Double Bass Duets / Dave Anderson -- Sonata for Double Bass in F Major, Op. 7This recital is given in partial fulfillment of the requirements for the degree Bachelor of Music
CHAMBER MUSIC CONCERT BASS INSTINCTS Monday, November 4, 2002 8:00 p.m. Lillian H. Duncan Recital Hall
No full textPROGRAM: String Quintet in F major, G.338 / Luigi Boccherini -- Passacaglia for Violin and Double Bass / G.F. Handel/Johan Halvorsen -- P-Ray-Lude / John Clayton -- Lil'Darlin / Neal Hefty -- Suite for Violin and Double Bass / Reinhold Gliere -- String Quartet No.8, Op.110 / Dmitri Shostakovic
Broodstock management and seed production of the rabbitfish Siganus guttatus (Bloch) and the sea bass Lates calcarifer (Bloch)
No full textThis paper reviews results of studies conducted on the rabbitfish, Siganus guttatus (Bloch) and the sea bass Lates calcarifer (Bloch) at the Aquaculture Department of the Southeast Asian Fisheries Development Center. Studies include broodstock development and management, induced breeding, effect of handling stress and diet on egg quality, early life history, food, feeding strategy, weaning to artificial diets, effect of stocking density and salinity on egg development, larval growth and survival, and advancement of metamorphosis in sea bass by using thyroxine.
A seed production technique had been developed for rabbitfish with survival rates ranging from 5-35% while the seed production technique for sea bass developed in Thailand had been modified to suit local conditions. Based on results from recent morphological and physiological studies, the stocking density, water management, and feeding scheme for the production of rabbitfish and sea bass fry had been modified to reduce cannibalism and improve survival
Philosophy and Psychoanalysis. Questions and Answers
No full textPhilosophy and Psychoanalysis. Twelve Questions and Answers to A. Zupančič, M. Coelen, J. Webster, J.-L. Nancy, F. Leoni, D. Nobus, S. Benvenuto, A. Bass, L. De Fiore
DACY GILLESPIE Double Bass MASTER'S RECITAL Thursday, December 6, 2001 5:30 p.m. Lillian H. Duncan Recital Hall
No full textPROGRAM: Sonata in F Major for Double Bass and Piano, Op.7 / Adolf Misek -- From 44 Duos for Two Violins / Bela Bartok -- Concerto in D Major for Double Bass and Piano / Jan Kritel Vanhal -- Three Spirituals / TraditionalThis recital is given in partial fulfillment of the requirements for the Master of Music degree
Graduate recital, bass. Rangel, F., 1998
No full textRecorded during a live performance at Dalton Center Recital Hall, Western Michigan University, Kalamazoo, Michigan, March 31, 1998, 7:00 p.m., the 459th concert of the School of Music's 1997-1998 season.Fernando Rangel, double bass with various instrumentalists. 1st-2nd works: Shawn Wallace, saxophones ; Michael Drost, guitar ; Chris Sargent, piano ; Quincy Davis, drums ; 3rd work: Shawn Sommer, bass ; Vance Okraszewski, drums ; 4th work: Waldir Bertipaglia, Eric Hansen, Shawn Sommer, bass ; 7th work: Zofia Holowka, Elizabeth Huffman, violin ; Kevin Fagen, viola ; Emily Schaefer, cello ; Waldir Bertipaglia, bass ; 8th-9th works: Shawn Wallace, saxophones ; James Daniels, trumpet ; Marcus Reynolds, piano ; Michael Caskey, drums.In partial fulfillment of the requirements of the Master of Music degree in jazz studies, Western Michigan University, 1998.6th work partially based on Heitor Villa-Lobos' version of Aria (Cantiga) from Bachianas brasileiras, no. 4.All arrangements by the performers, except when indicated.Information from performance program.Açude velho = Old dam / Nilton Rangel, F. Rangel -- Old folks / Robison, Hill -- Softly as a morning sunrise: from New moon / Hammerstein, Romberg -- Na baixa do sapateiro (In the baixa do sapateiro) / Ari Barroso ; arranged by F. Rangel -- In a sentimental mood: for solo bass / Duke Ellington -- Cello suite, no. 2. Praeludium / Johann Sebastian Bach -- Caico' / Brazilian folklore ; arranged by Villa-Lobos/F. Rangel -- Something else ; Know what? / F. Rangel
Marion and Warner Bass Collection 1888-1990
No full textThis collection describes the work and lives of the composer, conductor, and accompanist Warner S. Bass and his wife, the singer Marion Corda Bass. Most prominent among the materials of this collection are the music scores created by Warner Bass; they include works he composed, arranged, orchestrated, transcribed, or performed. Other items include personal documents, correspondence, published sheet music, photographs, essays, notes, concert and recital programs, press releases, and clippings.Warner Seelig-Bass was born in 1915 in Brandenburg an der Havel, Germany, the son of Eugen Seelig and Helene Bass. After completing his secondary studies at the Saldernsche Gymnasium (Saldria), he attended the University of Berlin, where he studied music and theater studies, philosophy, and foreign languages. He also took classes at the State Academy for Music (Staatlich-Akademischen Hochschule für Musik). In 1930 Warner Seelig-Bass became the assistant conductor and composer of stage music for the Kassel State Theater, a position he held until he was dismissed in 1933 for being Jewish. He then became conductor for the Jüdischer Kulturbund Theater, where he conducted both symphonic and operatic performances. In 1938 he emigrated to the United States by way of Cuba, and settled in New York. There he became known as Warner S. (Seeley) Bass.In 1941 Warner S. Bass married the Polish-born singer Marion Koegel, who performed in the United States under the name of Marion Corda. Like her husband, she had studied music in Berlin and been a member of the Jüdischer Kulturbund, where she performed popular and folk songs.Warner Bass was called to military service in 1943, eventually heading a military orchestra that performed in Europe for both the armed forces and civilians. After the war he toured Europe and other parts of the world as part of the United Service Organization (USO). His appearances as guest conductor included directing the New York Philharmonic, the NBC Symphony of the Air, and the Detroit Opera. As a pianist, Bass worked with Jan Peerce, Roberta Peters, Grace Moore, Marta Eggerth, and Jan Kiepura, as well as his wife, Marion Corda, among others. In addition to his work as a conductor, he also worked as an orchestrator and arranger for RCA Victor. In 1962, Bass became Associate Conductor of the American Symphony Orchestra under Leopold Stowkowski. The American Symphony performed two of Bass's own compositions: his "Adagio (Taps) for String Instruments, Trumpet, and Percussion," written in memorial of John F. Kennedy and directed by Bass in Carnegie Hall, and his "Song of Hope," which was played under Stowkowski's direction. In the mid-1960s Bass began working as a professor of music. In 1965 he was appointed a visiting professor at Southampton College on Long Island. Two years later he was an associate professor of music at New York University's College of Music. In 1969 he became a professor at CUNY Kingsborough College, a position he held until his death. In 1966 he was elected to the American Society of Composers, Authors, and Publishers (ASCAP). He was awarded the title of Outstanding Educator of America twice, in 1971 and 1972. Warner S. Bass died in 1988. His wife, Marion Corda Bass, died in 2000.Finding aid available onlinePhotographs removed to Photograph Collectiondigitize
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