12,000 research outputs found
Pioneer personal history questionnaire, Lydia Anne Robb Barton
Typescript of answers by Lydia Anne Robb Barton of Panguitch, Utah, for a questionnaire filled out for Utah Works Progress Administration\u27s "Pioneer personal history" survey. Lydia Anne Robb was born in Harrisburg, Utah, in 1868, and grew up in Beaver, later coming to Panguitch with her husband. Typed by Don Orton of Panguitch in 194
Oral history interview with Kent Barton
Oral history interview by Anne P. Peterson with Kent Barton. Topics include: Businesspeople, Entrepreneurship, Economics and business, Social life and customs, Business, Industry, Labor, Commerce, City and Town Life, Education, Genealogy; Agriculture; Business ethics, Work ethic, Norbest Turkeys, Nutri-Mulch, Politics, Specialty food industry; Energy resources, Human resource development, Communication, and Moroni Feed Company; Mona (Utah)
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[Mary Barton, Anne Thackeray signature]
Photograph of Anne Thackeray's signature on the title page of the book Mary Barton: A Tale of Manchester Life by Elizabeth Gaskell. The page reads "Collections of British Authors Vol. CLXXXII/Mary Barton A Tale of Manchester Life/in one volume." A portion of a blue stamp is at the bottom beneath the text
Anne Barton and My Thesis
I came across Anne Barton’s Shakespeare and the Idea of the Play on a nicely named ‘local interest’ shelf at the Chaucer Head bookshop, Stratford-upon-Avon. The title immediately leapt out at me, as it offered a way of formulating my own thoughts on Shakespeare and drama in the eighteenth-century: the phrase ‘the idea of’ neatly allows Barton to both talk about concrete realities of the stage and the metaphorical uses of such realities, something I’d very much like to do in my own research. T..
Anne as Pagan, Anne as Queer
‘Anne as Pagan, Anne as Queer’ is a critical and creative answer to the question: How do we construct Anne Shirley, and what does she mean to us? This creative research submission is a work of fanfiction, specifically a mash up based on Anne of the Island, L.M.M. Montgomery’s sequel to Anne of Green Gables. In this short work of fiction (under 4 thousand words) Anne is revealed as a changeling, one of the Faerie Folk, and also a being not strictly male or female; sometimes neither, sometimes both. The mash up is based on the last two chapters of Anne of the Island, the scenes in which Gilbert Blythe is seriously ill and Anne realises she loves him. This realisation causes Anne, in this version, to reveal to Gilbert that she is both non-human and not a girl, and to use Faerie magic to save Gilbert’s life. Anne’s revelation causes Gilbert a great relief, as he has been keeping a secret also - that he too is queer. The piece has an accompanying research statement and reflection, that reflects on the ways the contributor/author interprets Anne, as a being troubled by gender, and not strictly gender conforming. The much-loved scene from Anne of Green Gables in which Anne realises she is not wanted by the Cuthberts because she is not a boy is inserted into the mash up (as a memory) as this scene is the principal cause for the contributor’s identification with Anne as a gender non-conforming figure who resists gender expectations. Overall, this creative and critical work and reflection queers both Anne as a character and the Anne of the Island novel.Book chapter - work of fiction with a critical reflective essa
The Shakespearean Forest
The Shakespearean Forest, Anne Barton&apos;s final book, uncovers the pervasive presence of woodland in early modern drama, revealing its persistent imaginative power. The collection is representative of the startling breadth of Barton&apos;s scholarship: ranging across plays by Shakespeare (including Titus Andronicus, As You Like It, Macbeth, The Two Gentlemen of Verona and Timon of Athens) and his contemporaries (including Jonson, Dekker, Lyly, Massinger and Greene), it also considers court pageants, treatises on forestry and chronicle history. Barton&apos;s incisive literary analysis characteristically pays careful attention to the practicalities of performance, and is supplemented by numerous illustrations and a bibliographical essay exploring recent scholarship in the field. Prepared for publication by Hester Lees-Jeffries, featuring a Foreword by Adrian Poole and an Afterword by Peter Holland, the book explores the forest as a source of cultural and psychological fascination, embracing and illuminating its mysteriousness.</jats:p
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[Mary Barton, title page]
Photograph of the title page of the book Mary Barton: A Tale of Manchester Life by Elizabeth Gaskell. The page reads "Collections of British Authors Vol. CLXXXII/Mary Barton A Tale of Manchester Life/in one volume." Anne Thackeray's signature is at the top and there is a blue stamp underneath. It is propped up with a clear book stand and is against a white background
Hinsdale-Barton House, Grand Rapids, Ohio, 1978
The Hinsdale-Barton House, surrounded by trees, brush and ivy, on Second Street in Grand Rapids, Ohio as seen in 1978. Terms associated with the photograph are: Grand Rapids (Ohio) | dwellings | Hinsdale-Barton House (Grand Rapids, Ohio) | 24285 Second Street (Grand Rapids, Ohio) | Queen Anne Styl
Interview with Anne Russell
Interview with Anne Russell, playwright and author of several books on local history, including Wilmington: A Pictoral History
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