679 research outputs found

    Hesitation Blues

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    Judd Barry plays harmonica with Wayne Erbsen on vocals and guitar during Wayne's WCQS radio show, 'Country Roots'. Listen to Wayne and Judd talking before this song: ww13611

    Step It Up and Go

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    Judd Barry plays harmonica with Wayne Erbsen on vocals and guitar during Wayne's WCQS radio show, 'Country Roots'

    Hesitation Blues (talking)

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    Judd Barry plays harmonica with Wayne Erbsen on guitar during Wayne's WCQS radio show, 'Country Roots'. Listen to Hesitation Blues: ww13612

    Ashley Judd and Candelaria Silva discuss, Bittersweet Humanitarianism at Ford Hall Forum, video recording, 4/8/2011

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    Ashley Judd, award-winning actress, humanitarian, and author of All That Is Bitter and Sweet joins moderator Candelaria Silva, author and Roxbury Film Festival founder, to discuss Judd\u27s experiences in feminist social justice work to discover the relationship between healing oneself and healing others.https://dc.suffolk.edu/fhf-av/1107/thumbnail.jp

    On the boundary line, colonial identity in football

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    In this very personal journey, Barry Judd tells the story of three key figures in AFL history: Tom Wills, Joe Johnson and Syd Jackson. Judd shares something in common with these three men: that their identities cannot be clearly defined as Aboriginal or Anglo-Australian. Credited with inventing the Australian Game, Tim Wills is one of the most tragic figures of Australian sporting history. From Judd's unique perspective, Wills is examined as a man caught between the Aboriginal culture in which he grew up and his colonial heritage. Despite Joe Johnson's recent acknowledgement as the first Aborigine to play football at the elite VFL/AFL level, his true identity is not as clear as the AFL would have us believe; Syd Jackson was forcibly removed from his Aboriginal family at the age of five. During his remarkable WAFL/AFL career, he openly embraced his Aboriginality and did so in a time when racial tension was high. Following the lives of these great sporting legends, Judd embarks on his own quest for identity and self-discovery

    Jüri Okas’ ‘specific objects’: diverging discourses in Estonian Art in the 1970s.

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    Previously in the University eprints HAIRST pilot service at http://eprints.st-andrews.ac.uk/archive/00000367/Article 3 of 6 in issue devoted to the visual culture of the Scandinavian and Baltic region.This article will look at the early works of Estonian architect and artist Jüri Okas and will try to work between diverging languages and interpretations, reading works by Okas against the background of Anglo-american conceptualism and minimalism of the same period. The first part of the paper will analyse a print by Jüri Okas that paraphrases works by the American artist Donald Judd and will try to show how Okas’ concept of minimalism differed from the Western one and the reasons behind it. The second part of the paper will focus on a conceptual book by Jüri Okas, consisting of a series of photographs of everyday and banal architectural objects, and compare it to Rober Venturi’s book on Complexity and Contradiction in Architecture. Finally, a comparison will be made with works of Robert Smithson in the context of concepts of waste, excess and the remainders of industrial civilisationPostprin

    Right Now, Judd Nelson

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    The author interviews Portland-born actor Judd Nelson

    Aboriginal football and the Australian game

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    This paper introduces an Australian Research Council research project currently being undertaken at the remote Aboriginal community of Papunya in the Northern Territory. The project, led by Barry Judd and Tim Butcher from RMIT University, explores the role organised Australian Football plays in community wellbeing in a remote community. While mainstream narratives of sport view wellbeing as a natural outcome of participation in organised competition, this project critically interrogates the positive outcomes assumed in this relationship. The authors argue that the promise of Australian Football to transform the lives of remote community residents in positive ways is largely false and that participation in mainstream competition in Alice Springs may be socially and economically detrimental to the wellbeing of the people of Papunya. The paper questions the place that Aboriginal people occupy in Australian Football and suggests that cultural identity has only a tenuous place in the sport. It explores this theme in the context of the Northern Territory Emergency Response, or ‘Intervention’, which has positioned remote community residents as unwanted outsiders in Alice Springs and other ‘white’ spaces in the Northern Territory. It further argues that these issues are of national significance and that the treatment of Australian Football League star Adam Goodes underlines sport’s limitations in delivering wellbeing to Aboriginal peoples and their communities.No Full Tex

    Australian Football The Reconciliation Game - Barry Judd Seminar March 2008

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    Audio recording, mp3 file. Edited from larger recording. Original held at room 11, Level 2, 745 Harris Street, SydneyBarry Judd's doctoral thesis examined the significance of Australian football and its overwhelming Aboriginal participation, to examine issues of race and racism and national identit
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