1,721,212 research outputs found
SMT 108 - Barrie Tullett – The Small Machine Talks
No full textAmanda Earl speaks for the 2nd time on the show with Barrie Tullett, Senior Lecturer – University of Lincoln. Freelance Graphic Designer. Co-founder of The Caseroom Press. Author of Typewriter Art: A Modern Anthology.</p
Dante: A Typographic Conversation with Barrie Tullett and Dr Catherine Dixon
No full textA live online event held by the International Society of Typographic Designers – Dante: A Typographic Conversation with Barrie Tullett and Dr Catherine Dixon</p
The Nature of Writing – A Theory of Grapholinguistics [book cover]
No full textCover illustration: Purgatory: Canto VII – The Rule of the Mountain from A Typographic Dante (2008) by Barrie Tullett (also displayed in Barrie Tullett, Typewriter Art: A Modern Anthology, London: Laurence King Publishing, 2014, p. 167). With kind permission by Barrie Tullett. The text is taken from Dante. The Divine Comedy, translated by Dorothy L. Sayers, HarmondsworthÂMiddlesex: The Penguin Classics, 1949. On the lower part of the illustration, one can read the concludingverses of the Canto: But now the poet was going on before;“Forward!†said he; “look how the sun doth standMeridianÂhigh, while on the Western shoreNight sets her foot upon Morocco’s strand.â€</p
No. 13 of the TYPEWRITTEN series: The Typographic Dante - Purgatory by Barrie Tullett, UK
No full textBarrie Tullett: “The Typographic Dante began as my Final Major Project when I was a 3rd year student at the Chelsea School of Art (in 1989). As one does, I’d decided to produce a series of typographic illustrations for Dante’s Divine Comedy. One Letterpress image for each Canto of the Inferno, then, as the project developed, Typewriter Art illustrations for Purgatory and Letraset for Paradise. The images for each book to be created with a different, commercially ‘obsolete’, technology ... “Included in this book is the typewritten section Purgatory with 33 typographics printed in monochrome, originally written on different typewriters with different coloured ribbons.Printed on my Gestetner 320 mimeograph. Hand-bound edition of 45 copies, 36 pages, 28x21cm landscape size, April 2022.The TYPEWRITTEN series is edited, printed, hand-bound, and published by psw.</p
The Typographic Dante
No full textOver the last 30 years, Barrie Tullett has been working on a project to depict all 100 Cantros of the Divine Comedy, using letterpress, typewriters and Letraset. The Divine Comedy is a poem written in the 14th Century by Dante Alighieri, which describes Dante’s journey through Hell, Purgatory and Paradise, and represents the soul’s journey towards God. Tullett created these typographic works as a visual response to the unfolding narrative, and used letterpress to depict Dante’s passage through the Inferno. This is a National Centre for Craft and Design Touring exhibition. Barrie Tullett is Programme Leader for Graphic Design at the University of Lincoln and is the author of Typewriter Art: A Modern Anthology (Laurence King Publishing, 2014).</p
The Typographic Dante Exhibition
No full textAn exhibition marking the completion of a series of works from artist, Barrie Tullett, each a visual representation of one of the 100 cantos of Dante's Divine Comedy.Barrie Tullett is the featured artist at this year’s Artists’ BookMarket, with a month-long exhibition at Custom Lane, running on from the fair. Tullett is the author of Typewriter Art: A Modern Anthology, Laurence King Publishing, 2014, and has been working for the last thirty years on an obsessive project to make a visual representation of each of the 100 cantos of ‘Dante’s Divine Comedy’ using the ‘obsolete’ technologies of wood and metal type, typewriters and letraset.</p
Electro-library dreams: ‘Will the new El Lissitzky please stand up?’
No full textFirst published in Merz No. 4, July 1923, Lissitzky’s manifesto has come of age, writes Barrie Tullett of the Caseroom Press.</p
Electro-library dreams: ‘Will the new El Lissitzky please stand up?’
No full textFirst published in Merz No. 4, July 1923, Lissitzky’s manifesto has come of age, writes Barrie Tullett of the Caseroom Press.</p
RUHUMAN – Keith Armstrong’s Typewriter Art (Talk)
No full textBarrie Tullett introduces the meticulous typewriter art of artist and disability rights activist Keith Armstrong, celebrated in a new publication from The Caseroom Press. Fruitmarket Gallery Artists' BooK Fair.</p
The layout book [2nd ed]
No full textBloomsbury have published the second edition of The Layout Book, written by Gavin Ambrose and Paul Harris, and The Caseroom Press appear twice.Both Philippa Wood and Barrie Tullett are members of the International Society of Typographic Designers and Barrie is on the Education Panel of the Student Awards Scheme. One of Barrie's projects for the ISTD – Flatland – has been used as one of eight ‘exercises’ in the book. Flatland asked students to re-imagine the conventions of the book itself. The work chosen to illustrate a successful solution was by Matt Crowe, a Lincoln graduate from 2011.</p
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