1,987 research outputs found
Emilio Ghione and the Mask of Za La Mort
No full textThis study aims to examine the cultural impact of Emilio Ghione's Za La Mort films (1914-1924) on Italian culture. These films constitute a significant Italian combination of several early cinema genres and sub-genres, such as the apache film, the traces of which have almost entirely disappeared. More broadly, the changing interpretations of Za La Mort figure allow us to understand wider shifts in Italian and European popular culture.
The first chapter of the study considers the wealth of influences from European popular culture that Emilio Ghione merged into the apache films, such as the apache sub-culture in Paris. The second chapter of the study then reconstructs the Za La Mort filmography, most of which has now been lost, from film viewings and archival documents. The third chapter considers Emilio Ghione's Za La Mort novels and theatrical productions in the years 1922-1930, and Ghione's attempts to make Za La Mort a more Fascist and nationalistic figure. The fourth chapter considers the enduring figure of Za La Mort in Italian popular culture, especially in Raffaele Matarazzo's Fumeria D'Oppio and a 1940's fumetti series. The fifth chapter considers the audience reception of the Za La Mort films from the limited remaining evidence and, positioning the series between the Cinema of Attractions of the 1900s and the Classical Cinema of the mid-1920's, analyses how the Za La Mort films were constructed to please a predominantly working class audience that valued spectacular thrills and great acting performances over narrative consistency and stable characterisation.
This research re-establishes the importance of one of Italian cinema's most important film-makers of the silent period, and his enduring importance as a popular cultural figure in Italy
[Marina (ópera). Ven Marina]
No full textEtiqueta roja con logo "La Voz de su Amo" en dorado.En etiqueta: "Español"Estrenada en el Teatro Real de Madrid, el 16 de marzo de 1871.Intérpretes: Intérpretes : Miguel Fleta, Emilio Sagi-Barba y coro con orquesta ; dir., Gelabert.Grabado en Madrid el 18-III-1927, segunda toma de la grabación.Copia digital : BNE.Fuente de ingreso: César Rodríguez XaixoLa grabación comienza después del íncipitAdaptación de M. Ramos Carrión sobre el libreto de la zarzuela de F. CamprodónFecha tomada de BNE [consulta 19/09/2018
Alternative producer-consumer relationships: the AgroGeoTrace project and the speciality products virtual roads
No full textThe AgroGeoTrace (AGT) project makes use of Geographical Information Systems and multichannel information technologies to facilitate the access of final consumers to local food speciality products. The project builds a prototype of an informative system designed, first, to help consumers to understand the agronomic and technological characteristics that make the targeted products special ones, and, second, to precisely and easily locate the sites (farms and oil mills) where they can buy them. The information made available through the project is intended to the symbolic relocalization of the regional products, hence to promote them and to create added value. The final outcomes of the project are the virtual maps of on-farm shops made available on Digital television (channel In+), PDAs and mobile phones.food speciality products, short agro-food chains, Geographical Information Systems, Agribusiness,
Storicità e modernità nel diritto delle successioni
No full textIl saggio presenta i due volumi di Emilio Betti che raccolgono le lezioni del corso biennale impartito nella Facoltà giuridica della Regia Università di Milano nell’anno accademico 1928-1929, dedicati, rispettivamente, alla parte generale delle successioni e alla successione legittima, intestata e necessaria. È un’occa- sione per riflettere sulla storicità e sulla modernità del pensiero del Maestro, verificando la influenza che ha esercitato nella redazione del secondo libro del codice civile attuale. Al di là della singola soluzione dei problemi specifici, spesso influenza dal testo del codice previgente, i due volumi costituiscono due classici, offrendo in nuce già la teoria della interpretazione e del negozio giuridico, ma soprattutto, un’impareggiabile lezione di metodo: rigore nell’uso delle categorie, ma sempre attenzione agli interessi concreti.The essay presents the two volumes by Emilio Betti, which collect the lessons of the two-year course, given in the Regia Università di Milano, in the academic year 1928-1929, dedicated, respectively, to the general part of succession and to the legitimate, intestate and necessary succession. It is an opportunity to reflect on the historicity and modernity of the Master’s thought, verifying the influ- ence he exercised in the drafting of the second book of the current Civil Code. Beyond the single solution of specific problems, often influenced by the text of the previous code, the two volumes constitute two classics, offering already the theory of interpretation and legal contract, but above all, an incomparable les- son of method: rigour in the use of categories, but always attention to concrete interests
Entre la moral, la política y el derecho: el pensamiento filosófico y jurídico de Gregorio Peces-Barba
No full textIntroduzione
No full textSOMMARIO: 1. Proposte interpretative accolte nella attuale legislazione. – 2. Teoria della parte generale delle successioni a causa di morte. – 3. Comunione patrimoniale della famiglia e libertà di disporre. – 4. Concezione patrimoniale della successione. – 5. Procedimento successorio. – 6. Apertura della successione. – 7. Delazione. – 8. Acquisto dell’eredità. – 9. Dogmatica e interessi. – 10. Autonomia negoziale e negozio giuridico
Emilio Quevedo, historian of Colombian medicine
No full textNo solo es el artífice de los libros que dan cuenta de los hechos que sucedieron en la medicina nacional por varios siglos, también es el promotor de la reconstrucción de la historia médica en Latinoamérica. Perfil de uno de los personajes más sobresalientes de la historia de la medicina.Not only is he the author of books recounting the milestones of Colombian medicine over several centuries; he is also the prime mover behind the reconstruction of medical history in Latin America. This is the profile of one of the most outstanding figures in the history of medicine
Mitologije Arberesev
No full textIn this article Emilio Cocco investigates the reasons why it should be important to write of the contemporary political mythology of the Arbereshe, an old Albanian minority that settled in Southern Italy from the 16th century onwards. Emilio Cocco assumes that some good reasons can be found in the political situation concerning Albania, Italy and broadly speaking the whole regional stability. Although the importance of such a tiny ethnic community could be consideed residual, the author suggests that on the contrary a reflection on Arbereshe mythological self-representation should be endorsed, especially nowadays. In fact, Emilio Cocco thinks that from little occurences and smal phenomena it might be possibile to better understand larger problems. Even though, for many observers could not be easy to see the link between the populr imagination in some scattered villages and international security problems. Conversely, it is exactly when the outburst of violence, troubles and illegal activities affects straightaway the stability and the security prospects of the area that more unseen and marginal- though important – issues run the risk to be let apart. The Arbereshe are barely recognised within contemporary Italy and subsist as one of the most neglected community from a political point of view. On the contrary, other sub-alpine national minorities are largely granted and manage to play important roles into the internal and foreigh affairs. AS a matter of fact, while the French, German and Slovenia minorities got a special status within autonomous regions of the Italian Republic, the Arbereshe did not. The link with Albania is just fanciful and emotional, inscribed in people imagination but never really legitimised politically. Accordingly, Emilio Cocco attempts to investigate the significance of the 15th century overseas memories in the making of the Arbereshe identity. Moreover, he tries to highlight the nature of the Italo-Albanian bond constituted by the special Arbereshe experience. In other words, the point he makes is that the alleged descendants of the Skanderbeg would bear a double identity and their mythological make-up would work for a supra-national political identity, which is summed up by the sentence “Two Hearts, One country” and is symbolised by the image of Skanderbeg itself. The article is divided in three main parts: in the first one Emilio Cocco analyses some important pieces of work of the modern Arbereshe intellectual elite. In the second one, he considers the political present day implications of the famous epic of Skanderbeg. Finally, in the third part, Cocco illustrate show concretely the double-identity pattern keeps on projecting the Arbereshe community outside a single national framework. [...
Emilio Quevedo, historian of Colombian medicine
No full textNo solo es el artífice de los libros que dan cuenta de los hechos que sucedieron en la medicina nacional por varios siglos, también es el promotor de la reconstrucción de la historia médica en Latinoamérica. Perfil de uno de los personajes más sobresalientes de la historia de la medicina.Not only is he the author of books recounting the milestones of Colombian medicine over several centuries; he is also the prime mover behind the reconstruction of medical history in Latin America. This is the profile of one of the most outstanding figures in the history of medicine
Heraclitus philosophy on José Emilio Pacheco’s poetry
No full textThis work analyses Heraclitean construction of the becoming processin José Emilio Pacheco’s poetry, from the triple relationship between the past,\ua0present and future and the way in which the writing proposes the breakdown\ua0of its lyric characters lineal succession. Afterwards it deepens on nature cycles\ua0from the philosophical approach of the fugacity and the becoming process in\ua0three lyrical stages of the poetry of that Mexican author, the first of them comprises\ua0the collection of poems Los elementos de la noche, (1963) the second one El\ua0reposo del fuego (1966); the work published from No me preguntes como paso el\ua0tiempo (1969) until Los trabajos del mar (1984), and the third one, Miro la tierra\ua0(1987) until Como la lluvia and La edad de las tinieblas (both dating from 2009).Se analiza la construcción heracliteana del devenir en la poesía de\ua0José Emilio Pacheco, a partir de la relación triádica del pasado, presente y futuro\ua0y la forma que el escrito propone la ruptura de esa sucesión lineal por parte de\ua0sus personajes líricos. Posteriormente se profundiza en los ciclos de la naturaleza\ua0desde el enfoque filosófico de la fugacidad y el devenir en tres etapas líricas\ua0de la poesía del mexicano, la primera de las cuales está integrada por los poemarios\ua0Los elementos de la noche (1963) y El reposo del fuego (1966); la segunda,\ua0por la obra publicada desde No me preguntes cómo pasa el tiempo (1969) hasta\ua0Los trabajos del mar (1984), y la tercera, por Miro la tierra (1987) hasta Como la\ua0lluvia y La edad de las tinieblas (ambos de 2009)
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