3,751 research outputs found
Liberalism and socialism : address / by Francis Anderson.
No full textCaption title.; At head of title: Section G (I), Social and Statistical Science.; Electronic reproduction. Canberra, A.C.T. : National Library of Australia, 2010.; JAFp SOC 667 copy signed by author
'Beyond, both the Old World, and the New': Authority and Knowledge in the works of Francis Bacon, with special reference to the New Atlantis
No full textPhDThis study investigates the role of authority in the works of Francis Bacon,
arguing that the issue of authority provides not only an interpretation of New
Atlantis, but an important structural component of his body of works. From
the first manifestation of his philosophical project to his last works of natural
history, authority is an all-pervasive issue - the authority of nature, of
scripture, of the named author, and how authority functions in the
dissemination of natural knowledge. Chapter one argues that the publication
of New Atlantis alongside Sylva sylvarum in 1626/7 was more the result of
William Rawley's need to assert his own authority as the protector and
disseminator of Bacon's textual legacy than an appreciation of the work's own
qualities. Chapter two considers Bacon's views of history and time,
suggesting that Bacon not only conceived of a new, progressive mode of
historical time which would allow for the assertion of a textual authority based
on the records of a civilisation unbroken by the vicissitudes of time, but that
he figured these theories in New Atlantis. Chapter three argues that Bacon
used theology both as defence and imperative to his intellectual programme,
while his attempt to move beyond the deterministic, Calvinist world-view to
allow for multiple possible futures, or `chance': Bacon could then present
experiment as the way of eliminating chance, in order to accelerate the rate of
new discovery. Chapter four investigates Bacon's manipulations of textual
authority, from the early rehearsals of the Instauratio magna to the
performance of reliability in print in Sylva sylvarum. Finally, the afterword
seeks to suggest that the New Atlantis hinges on the issues of authority with
which Bacon engaged throughout his career and writings: in the issue of
authority, Francis Bacon found the beginning and the end of his philosophy
Data Security of Encrypted Data Using Hash-Based Message Authentication Code (HMAC) and T9-Based Data Conversion
Get PDFThe researcher has recently been working on the authenticity of information particularly with the use of cryptographic hash functions such as MD5 and Secure Hash Algorithm (SHA). After critically analyzing the Hash-based Message Authentication Code (HMAC) algorithm, the researcher finds out that it can still be improved and strengthened by adding the T9 conversion, which also adds more complexity and security to the system. T9 keypad-based conversion is used in converting the data and this pre-converted data would then pass through the process of encryption using HMAC encryption algorithm. This work focuses on following the cryptosystem design, and includes the study of the activity process and procedures, as well as the method of the proposed system. Cryptography key, plaintext, message security, cipher, message authentication code, and hash function are the major activities that go with the cryptosystems. The study uses the incremental model approach to generate and illustrate the system functions and architecture of this project. The resulting system is a new algorithm developed using hypertext preprocessor (PHP) in a form of Library PHP file by the researcher for securing the integrity and authenticity of the data. It provides high security of text data with the use of authentication process integrated with the new researcher-developed T9 encryption decryption process.
Redemption in the work of Francis Stuart
Get PDFThe idea of redemption is central to an understanding of the work
of Francis Stuart. Through an examination of its development and
expression, it is possible to demonstrate the integrity of his work and
its distinctive qualities. Such a demonstration is necessary because
Stuart's writing has been subjected to comparatively little scholarly
inquiry, although reviews of his work, especially that produced since
1949, suggest that it is impressive and important.
First, a general background to Stuart's work, a discussion of the
special problems associated with reading it, and a summary of his corpus
is provided. This indicates that the idea of redemption is important to
his earliest writing. The state of redemption is shown to be a
necessary apotheosis for Stuart's outcast heroes; it involves spiritual
suffering through which may be found a sense of reintegration and a
higher reality. This is expressed through interrelated themes such as
those of gambler, artist and ordinary man; mystic and criminal; sacred
and profane love; and spirituality and the mundane. The nature of the
redemptive experience is further elaborated by distinctive, complex
motifs, especially the hare, the ark and the woman-Christ. Their
recurrence provides an important element in the unity of Stuart's work.
Because Stuart's idea of the outcast raises important biographical
questions, an examination of the relationship between Stuart's life and
his work is made. Finally, the way in which the idea of redemption
exists in the language structures of Stuart's novels is examined, with
especial reference to his most recent work, The High Consistory. The
thesis shows that the development of the these of redemption
demonstrates the integrity of Stuart's work
Christ, St Francis and To-day
No full textMedieval historian G. G. Coulton relinquished his own holy orders in 1885 but remained firmly engaged with Christianity. This 1919 collection of lectures is a radical and impassioned discussion of how Christianity must change to meet the needs of post-war society as soldiers return from the trenches. Drawing parallels between the lives of Jesus Christ and St Francis of Assisi, Coulton highlights how ambiguities in the surviving accounts of both men have diverted the original course of their ministry and, with it, the objectives and outlook of the church. The author also takes on the weaknesses in both Catholic and agnostic arguments and advocates a simplifying and democratisation of Christianity and the resolving of denominational differences. Included alongside the lectures is the author's comprehensive response to a number of questions raised by the original lecture series which provides a useful conclusion to the controversial anti-Catholic's plea for religious modernisation.</jats:p
Of the Helmholtz Club, South-Californian seedbed for visual and cognitive neuroscience, and its patron Francis Crick
Get PDFTaking up the view that semi-institutional gatherings such as clubs, societies, research schools, have been instrumental in creating sheltered spaces from which many a 20th-century project-driven interdisciplinary research programme could develop and become established within the institutions of science, the paper explores the history of one such gathering from its inception in the early 1980s into the 2000s, the Helmholtz Club, which brought together scientists from such various research fields as neuroanatomy, neurophysiology, psychophysics, computer science and engineering, who all had an interest in the study of the visual system and of higher cognitive functions relying on visual perception such as visual consciousness. It argues that British molecular biologist turned South Californian neuroscientist Francis Crick had an early and lasting influence over the Helmholtz Club of which he was a founding pillar, and that from its inception, the club served as a constitutive element in his long-term plans for a neuroscience of vision and of cognition. Further, it argues that in this role, the Helmholtz Club served many purposes, the primary of which was to be a social forum for interdisciplinary discussion, where ‘discussion’ was not mere talk but was imbued with an epistemic value and as such, carefully cultivated. Finally, it questions what counts as ‘doing science’ and in turn, definitions of success and failure—and provides some material evidence towards re-appraising the successfulness of Crick’s contribution to the neurosciences
G-Drazin inverse combined with inner inverse
Get PDF[EN] This article introduces new classes of generalized inverses for square matrices named GD1, and the dual, called 1GD inverse. In addition, we discuss a few characterizations and representations of these inverses. The explicit expressions of these inverses have been established via core-nilpotent decomposition. Further, we introduce a binary relation for GD1 inverse and 1GD inverse, along with a few derived properties.The second author is partially supported by the Science & Engineering Research Board (SERB),Govt. of India [grant ID SUR/2022/004357]. The third author was partially supported by the Universidad Nacional de Rio Cuarto [grant PPI 18/C559], Universidad Nacional de La Pampa, Facultadde Ingenieria [grant resol. nro. 135/19], Universidad Nacional del Sur [grant PGI 24/L108], and Ministerio de Economia, Industria y Competitividad (Spain) [grant red de excelencia RED2022-134176-T].Maharana, G.; Sahoo, JK.; Thome, N. (2024). G-Drazin inverse combined with inner inverse. Linear and Multilinear Algebra. https://doi.org/10.1080/03081087.2024.2316786
Real Estate Development: An overview
No full textGreen Open Access added to TU Delft Institutional Repository 'You share, we take care!' - Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.Urban Development Managemen
The sacred choral music of Francis Poulenc: a contextual and analytical study
Get PDFPoulenc is perhaps best known for his instrumental works, for his adherence to the aesthetics of Neo-classicism, and his place among the Parisian intellectual circles in tJie 1920s and 1930s in which his friend, Jean Cocteau, played a central role. This essentially secular side of Poulenc's creativity was, after the composer's return to Roman Catholicism in 1936, challenged by a need to express a newly-found religious conviction in sacred music. Consequently Poulenc, who had been accustomed to the secular aesthetics of Neo-classicism of Parisian artistic life and the French capital's concert halls, found it necessary to 'rediscover' and assimilate the language of French church music and its history (notably through the filter of the Cecilian Movement, Niedermeyer and the pkinchant of Solesmes) in order to create for himself an appropriate 'sacred style’ that could also incorporate those essential elements of his characteristically playful and sensual, 'secular' language. This study aims to explore this confrontation of styles and how Poulenc successfully forged a cohesive and congruent language for his sacred works. The opening chapters have several distinct perspectives: chapter one outlines the tortuous history of the Church's relationship with the State in France dating back to the pivotal effects of the 1789 Revolution, in an attempt to provide a necessary context for the importance that Poulenc and his predecessors and contemporaries (most significantly Debussy) attached to the past; chapter two, by contrast, discusses some of the principal issues at the heart of Parisian artistic society in the early decades of the twentieth century and focuses on the lively artistic community which existed in Paris with the influx of large numbers of foreign musicians (particularly Americans and Russians) and artists, the emergence of 'Les Six' (of which Poulenc was a member) and the artistic leadership and inspiration given by figures such as Jean Cocteau, Serge Diaghilev and Igor Stravinsky. Cocteau and Stravinsky, indeed, had a huge impact on the young Poulenc. The second part of the thesis is an analytical study of Poulenc's sacred works (putting aside the Gloria, Stabat Mater and Sept Repais de Tetibres which are unmistakably concert works) and connects these analyses with the issues presented in the earlier chapters, beginning with the emotionally powerful Litanies a la vierge noire for women’s voices, composed soon after his Catholic faith returned in 1936, and ending with the decidedly hard-edged, Stravinskian Neo-classicism, yet relative placidity, of the Laudes de Saint Antoine de Padoue for men's voices, completed in Cannes in 1959. Central to the analytical discussion are the well known eclectic Mass in G (1937), the dramatic Quatre motets pour un temps de penitence (1939) and the stylistically distilled Quatre petite prieres de Saint Francois d'Assise which display the greatest variety of style and form and which combine to present significant examples of Poulenc's skilful unification of sacred and secular, ancient and modem sound worlds
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