1,728,748 research outputs found
Bainbridge House In Princeton, NJ
No full textOnce the headquarters of the Historical Society of Princeton, this Georgian building at 158 Nassau Street is one of the few remaining 18th-century houses in Princeton Borough. Almost all of the 1766 structure remains, including original paneled walls and staircase. Built by Job Stockton, a wealthy tanner and descendant of one of the earliest Princeton settlers, the property remained in the Stockton family for over 100 years. In 1774 it was leased to Dr. Absalom Bainbridge whose son, Commodore William Bainbridge, a hero of the War of 1812, was born in the house on May 7, 1774. The Bainbridge family, loyal to the British throughout the Revolution, fled to the more sympathetic state of New York shortly after the war arrived in Princeton..
In the late 19th century Bainbridge House served as a boarding house for families and Princeton University students. In 1910 the owner, Princeton University, leased it to the Public Library, and in 1967 it became home of the Historical Society. Today, it is Art@Bainbridge, a satellite exhibition space for the Princeton University Art Museum showing works by contemporary artists.Original file name 2820475772_ee63a3f654_o.jp
Bainbridge House In Princeton, NJ
No full textOnce the headquarters of the Historical Society of Princeton, this Georgian building at 158 Nassau Street is one of the few remaining 18th-century houses in Princeton Borough. Almost all of the 1766 structure remains, including original paneled walls and staircase. Built by Job Stockton, a wealthy tanner and descendant of one of the earliest Princeton settlers, the property remained in the Stockton family for over 100 years. In 1774 it was leased to Dr. Absalom Bainbridge whose son, Commodore William Bainbridge, a hero of the War of 1812, was born in the house on May 7, 1774. The Bainbridge family, loyal to the British throughout the Revolution, fled to the more sympathetic state of New York shortly after the war arrived in Princeton..
In the late 19th century Bainbridge House served as a boarding house for families and Princeton University students. In 1910 the owner, Princeton University, leased it to the Public Library, and in 1967 it became home of the Historical Society. Today, it is Art@Bainbridge, a satellite exhibition space for the Princeton University Art Museum showing works by contemporary artists.Original file name 2820475772_ee63a3f654_o.jp
Bainbridge House In Princeton, NJ
No full textOnce the headquarters of the Historical Society of Princeton, this Georgian building at 158 Nassau Street is one of the few remaining 18th-century houses in Princeton Borough. Almost all of the 1766 structure remains, including original paneled walls and staircase. Built by Job Stockton, a wealthy tanner and descendant of one of the earliest Princeton settlers, the property remained in the Stockton family for over 100 years. In 1774 it was leased to Dr. Absalom Bainbridge whose son, Commodore William Bainbridge, a hero of the War of 1812, was born in the house on May 7, 1774. The Bainbridge family, loyal to the British throughout the Revolution, fled to the more sympathetic state of New York shortly after the war arrived in Princeton..
In the late 19th century Bainbridge House served as a boarding house for families and Princeton University students. In 1910 the owner, Princeton University, leased it to the Public Library, and in 1967 it became home of the Historical Society. Today, it is Art@Bainbridge, a satellite exhibition space for the Princeton University Art Museum showing works by contemporary artists
'Eric Bainbridge - Video Show'
No full textCIRCA Screen is a new venue dedicated to film and video.
A liminal space between gallery and cinema, Screen presents
a programme of single-screen artists’ film and video, promoting dialogue around the ways in which artists work with the moving image and the screen.
The exhibition Video Show is the first time Eric Bainbridge has shown his works in this medium as stand-alone projections presented in a cinematic context. Previously, these works have been presented as objects themselves, on gallery monitors amongst other three dimensional work. Whilst his three dimensional works are internationally renowned, Bainbridge’s videos remain a relatively unconsidered aspect of his extensive body of work. Bainbridge first began using video to document objects and incidents in the studio nearly twenty years ago, at a time when his entire way of working was changing dramatically.
The process of making video has played a key part in Bainbridge’s thirty-five year long career, marking a turning point between his fur-clad sculptures of the 1980s, and his experimental and increasingly complex work during the 1990s.
Bainbridge’s early videos use the static shot to show sculptural works in time; inviting us to look again at what a sculpture is and can be as well as thinking deeper about the act of looking.
n later videos, more incidental moments are captured with equal amounts of humour and philosophical play.
Eric Bainbridge In Conversation with Modern British Sculpture co-curator, and British Art Show 7 artist, Keith Wilson. The event is free, and takes place on the evening of 20 September.
Eric Bainbridge
— 'Two sausages' Print produced to accompany the exhibition
Archival pigment print on Hahnemühle Photo Rag 308gsm.
Paper size: 360 x 432mm, Image size: 203 x 250mm, 2011.
Available in an edition of 50. Signed and numbered by the artist
'STEEL SCULPTURES'
No full textExhibition in three spaces of Camden Arts Centre. Eric Bainbridge presents a series of new works made from reclaimed steel and other more incongruous materials, drawing himself closer to the modernist abstraction of the 1950s and ‘60s embodied by sculptors David Smith and Anthony Caro. The sculptures extend his practice of collage, combining both formal and unexpected elements and reveal the duality which has run throughout his career
Eric Bainbridge/Joel Kyack
No full textTwo person exhibition - with Los Angeles artist.
Bainbridge showed seven new paintings
Anxious Object
No full textGroup exhibition - Eric Bainbridge, Pamela Rosenkranz, Carl Plackman, Three generations of artists work with focus on psychological aspects of sculpture
'TIP OF THE ICEBERG'
No full textOver the last four years, Contemporary Art Society North has organised studio visits and exhibition tours with over 60 artists based across the region.
Tip of the Iceberg is an exhibition, curated by Mark Doyle and Rebecca Morrill, that offers audiences in London the chance to see work by 28 of these artists. It is the fourth in the guest-curated PROJECTS series, which takes place at Contemporary Art Society's headquarters: 59 Central Street.
The exhibition features work by Iain Andrews, Eric Bainbridge, Catherine Bertola, Andrew Bracey, Pavel Büchler, Tony Charles, James Clarkson, Rachael Clewlow, Samantha Donnelly, Graham Dolphin, Leo Fitzmaurice, Susie Green, Dave Griffiths, Mary Griffiths, Matthew Houlding, Nick Kennedy, Laura Lancaster, Harry Meadley, Paul Merrick, Tim Machin, Anne Vibeke Mou, Michael Mulvihill, Emily Speed, David Steans, Cecilia Stenbom, Matt Stokes, Imogen Stidworthyand Rafal Topolewski
Immediate Recall Drawings
No full textUpdated October 19, 2018
**Cite this paper when using anything from this dataset:**
Bainbridge, W.A., Hall, E.H., Baker, C.I. (2019). Drawings of real-world scenes during free recall reveal detailed object and spatial information in memory. Nature Communications, 10: 5.
This is the drawing data associated with the paper above, where participants drew scenes from memory and from images. Please refer to the paper for methodological details.
------------------------------
This folder specifically contains drawings from the following condition:
Participants made drawings from memory immediately after studying an
image for 10s.
Filenames are formatted as follows:
w[*subnum*]_[*imnum*]_[*memorability*]_[*scene*].jpg
- The w indicates these were participants in the working memory (immediate recall) experiments.
- imnum: A number denoting the order in which the participant drew that image.
- memorability: the memorability condition for the original stimulus image (low or high).
- scene: the scene category of that image
If the identity of their drawing could not be identified, ??? was filled in at missing parts
Image Drawings
No full textUpdated October 19, 2018
**Cite this paper when using anything from this dataset:**
Bainbridge, W.A., Hall, E.H., Baker, C.I. (2019). Drawings of real-world scenes during free recall reveal detailed object and spatial information in memory. Nature Communications, 10: 5.
This is the drawing data associated with the paper above, where participants drew scenes from memory and from images. Please refer to the paper for methodological details.
------------------------------
This folder specifically contains drawings from the following condition:
Image Drawings: Participants made drawings directly while viewing an image.
Filenames are formatted as follows:
c[*subnum*]_[*imnum*]_[*memorability*]_[*scene*].jpg
- The c indicates these were participants in the control experiments.
- imnum: A number denoting the order in which the participant drew that image.
- memorability: the memorability condition for the original stimulus image (low or high).
- scene: the scene category of that imag
- …
