4,751 research outputs found
[Letter] 1919, July 23, Bethlehem, Pa.? [to] [Allen V.] Laub / J. Fred Wolle and title page / opposing page of a presentation copy of ""The Bethlehem Bach choir: an historical and interpretative sketch / by Raymond Walters,"" signed by Charles M. Schwab.
No full textIncludes a letter from Choir Director J. Fred Wolle to First Bass Allen V. Laub thanking him for composing some verse about the Choir. Also includes images of the title page and opposing page of a presentation copy of "The Bethlehem Bach choir: an historical and interpretative sketch / by Raymond Walters."" Verbiage added to the title page states "" With the good wishes of Charles M. Schwab."" Opposite the title page appears a signed portrait of Schwab. Search this collection for ""The Bethlehem Bach choir: an historical and interpretative sketch" to read Lehigh University\u27s copy of this book
AUBREY FERGUSON Tuba SENIOR RECITAL Thursday, January 13, 2005 5:00 p.m. Lillian H. Duncan Recital Hall
No full textPlaylist: Lento / Paul Holmes (b. 1923) -- Sonata for Basstuba and Piano / Paul Hindemith (1895-1963) -- Wonderland Duets / Raymond Luedeke (b. 1944) -- My Spirit Be Joyful, BVW 146 / Johann Sebastian Bach (1685-1750) -- Concerto for Bass Tuba and Orchestra / Ralph Vaughan Williams (1872-1958).This recital is given in partial fulfillment of the requirements for the degree Bachelor of Music
Les noms de lieux lituaniens dans la Deutsche Namenkunde d’Adolf Bach
No full textSchmittlein Raymond. Les noms de lieux lituaniens dans la Deutsche Namenkunde d’Adolf Bach. In: Revue Internationale d'Onomastique, 9e année N°2, juin 1957. pp. 119-131
The Bethlehem Bach Choir; an historical and interpretative sketch
No full textWritten by Raymond Walters, a member of the Executive Committee of the Bethlehem Bach Choir, this book details the Choir\u27s history through 1918. Includes biographical information on the choir\u27s founder and conductor, J. Fred Wolle; key benefactor, Charles M. Schwab; and members of the Executive Committee. Includes detailed descriptions of the first twelve Bach Fesivals and other important performances. Also, search on "[Letter] 1919, July 23, Bethlehem, Pa.? [to] [Allen V.] Laub / J. Fred Wolle" to view a letter from Choir Director J. Fred Wolle to First Bass Allen V. Laub thanking him for composing some verse about the Choir and images of the title page and opposing page of a presentation copy of this book held in a private collection. Verbiage added to the title page states "" With the good wishes of Charles M. Schwab."" Opposite the title page appears a signed portrait of Schwab
Raymond Williams and the limits of cultural materialism
No full textCultural materialism has become an influential discipline in recent
years, particularly so in 'Renaissance' studies, but also more generally in
'English', as well as departments defined as practising 'cultural' or
'communications' studies. The phrase is usually linked with the name of
Raymond Williams, but a cursory examination of Williams's own work
quickly establishes that it is a phrase he rarely uses, and only schematically
attempts to define. The thesis therefore takes the form of an investigation into
the way cultural materialism has come to be understood, by examining in
detail the trajectory of Raymond Williams's theoretical development, and how
his own engagement with various theoretical positions has helped to set
'limits' on the meaning of cultural materialism.
Chapters 1 and 2 deal with some of Williams's earliest work,
particularly Reading and Criticism, as a way of investigating how reasonable
it is to tag him as a 'Left-Leavisite', arguing that Leavis's undoubted
influence is resisted (though not entirely rejected) from a very early stage. The
first chapter considers in detail Leavis's work at Cambridge, the influence of
Eliot, and the significance of the 'Organic Community'. Chapter 2, which is
based around a comparative analysis of Williams's and Leavis's readings of
Dickens, argues that Williams rejects the 'organic community' in favour of his
'knowable community'. Chapters 4 and 5 deal with specific 'theoretical'
issues: the first, based around a reading of Terry Eagleton's critique of
Williams's use of the Marxist metaphor of 'base and superstructure', shows
some of the problems which arise from Williams's cultural model, as well as
suggesting refinements; the second deals with the influence of Volosinov's
theories on Williams. Chapter 6 comes out of Williams's readings of the
'Country-House' poems in The Country and the City, showing how his
practice of literary criticism relies on an acceptance of 'ideology' apparently
denied in his more 'theoretical' writings. This analysis is extended as a result
of investigations into the 'De L'Isle' manuscripts relating to the Penshurst
estate. Chapter 7 argues that it is possible to see the work of Fredric Jameson
as developing Williams's cultural materialism into Jameson's debates on
postmodernism.
In the Introduction and Conclusion, I have taken the opportunity to
look briefly at the activity of cultural materialism as it has developed since
Raymond Williams's death in 1988. The Introduction emphasizes what I see
to be important methodological differences between 'cultural materialism'
and 'new historicism'; the Conclusion deals with the continuing debate over
the value of a cultural materialist approach by considering the 'appropriation'
of Shakespeare
GUEST ARTIST CONCERT NATIONAL BRASS VIRTUOSI Sunday, April 3, 2005 8:00 p.m. Lillian H. Duncan Recital Hall
No full textPlaylist: Suite of Elizabethan Consort Music / ed. Raymond Mase -- Dieu! qu'il la fait bon regarder / Claude Debussy (1862-1918) -- Quant j'ai ouy le tabourin / Claude Debussy (1862-1918) -- Yver, vous n'estes qu'un villain / Claude Debussy (1862-1918) -- Quintet No.1 / Victor Ewald (1860-1935) -- The Golyarde's Grounde / Malcolm Forsyth (b.1937) -- Fanfare for a New Theater / Igor Stravinsky (1882-1971) -- Triangles / John Stevens (b.1951) -- Laudes / Jan Bach (b.1937)
Raymond Gervais : 3 x 1
No full text"Raymond Gervais 3 X 1 traces and elucidates the important or little-known moments in the practice of Raymond Gervais, an artist who has explored the notion of the aural imagination since the mid 1970s. An erudite author, Gervais joins forces here with Nicole Gingras, a researcher and curator interested in what connects sound, image, and words. The first major publication on the work of a conceptual artist questioning whether thought is acoustic" -- p. [4] of cover
Special announcement from Raymond R. Best, Raymond R., Director of the Tule Lake camp, Japanese = 特別告示
No full textJapanese translation of a special announcement from Raymond R. Best, Raymond R., Director of the Tule Lake camp regarding permanent leave from the segregation center.The Kiyoshi Uyekawa Tule Lake Camp Collection comprises of the wartime publications collected by Kiyoshi Uyekawa while incarcerated in the Tule Lake camp, such as Tule Lake newsletters and bulletins, materials issued by the Pro-Japanese group, Sokoku Hoshidan (or Hoshi Dan), WRA publications, his family's incarceration documents, which include documents regarding his and his wife, Mitsuye‘s repatriation, his fictional works’ manuscripts, bulletins and manuscripts of haiku poems authored by the members of the haiku societies incarcerated in the camps, and letters from Kyo Koide, who was a prominent figure in the community as a photographer, physician, and poet under the pseudonym, Banjin Koide
Shanxi (China), red soil basin around Qin Xian
No full textTopography in the red soil basin around Chinchow.Image is part of research conducted by Raymond T. Moyer for the article: Agricultural Soils in a Loess Region of North China
Author(s): Raymond T. Moyer
Source: Geographical Review, Vol. 26, No. 3 (Jul., 1936), pp. 414-425
Published by: American Geographical Society
Stable URL: http://www.jstor.org/stable/209047http://www.jstor.org/stable/209047Grayscal
Shanxi (China), profile of soils
No full textProfile of soils of the Gray Brown Subgroup, showing zone of accumulation.Image is part of research conducted by Raymond T. Moyer for the article: Agricultural Soils in a Loess Region of North China
Author(s): Raymond T. Moyer
Source: Geographical Review, Vol. 26, No. 3 (Jul., 1936), pp. 414-425
Published by: American Geographical Society
Stable URL: http://www.jstor.org/stable/209047http://www.jstor.org/stable/209047Grayscal
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