1,726,384 research outputs found
Ercole Ferrata, St Andrew the Apostle
No full textViene presentato un inedito modelletto in terracotta per il Sant'Andrea scolpito da Ercole Ferrata per la facciata di Sant'Andrea della Vall
Pietro Baratta, St Catherine of Alexandria, Figure of a female Saint
No full textVengono presentate due terrecotte inedite di Pietro Baratta, lo scultore carrarese ma attivo a Venezia nel primo Settecent
Approaches to gender mainstreaming: What's the problem (represented to be)?
No full textIntroduction: Carol Bacchi and Joan Eveline Previous chapters have made reference to the need to rethink policy as a creative (productive or constitutive) process. The major purpose of this chapter is to clarify what this means and to illustrate the usefulness of this way of thinking about policy for studying gender mainstreaming and gender analysis. The specific focus is ‘gender proofing’ in Ireland and ‘gender impact assessment’ in the Netherlands. The underlying proposition in thinking about policies as productive, or as constitutive, is that policies and policy proposals give shape and meaning to the ‘problems’ they purport to ‘address’. That is, policy ‘problems’ do not exist ‘out there’ in society, waiting to be ‘solved’ through timely and perspicacious policy interventions. Rather, specific policy proposals ‘imagine’ ‘problems’ in particular ways that have real and meaningful effects. Hence, to understand how policies operate requires that we ask of policy proposals ‘What's the Problem represented to be?’. This question forms the starting place for Bacchi's (1999; 2009a) novel method of policy analysis (elaborated below), captured in the acronym WPR. The proposition that ‘problems’ do not ‘exist’ ‘out there’ in society does not ignore or downplay the full range of troubling conditions, including the subordination of women, that characterise social relations. Instead, it insists that how ‘problems’ are represented in policies – how they are discursively produced – affects the particular understanding given to those conditions at points in time and space, and that these understandings matter.Carol Bacchi and Joan Evelin
Poststructural interview analysis: Politicizing "personhood"
No full textThis Appendix introduces a new poststructural approach to interview analysis. It outlines seven closely related processes that address the following questions:
• precisely what is said in the interview?
• how was it or is it possible to say those things?
• which networks of relations (discursive practices) are relevant to the interview topic?
• what do the selected “things said” produce as “subjects”, “objects” and “places”?
• how do the interviewers and interviewees problematize “what they are, what they do, and the world in which they live” (Foucault, 1986: 10)?
• which “things said” put in question pervasive ways of thinking?
• what political consequences follow from interviewers’ selection and distribution practices?Carol Bacchi and Jennifer Bonha
Brezza Barocca
No full textIl testo esamina la produzione in ceramica di Fontana, Leoncillo e Melotti mettendone in luce le possibili relazioni con la cultura figurativa barocc
Alessandro Magnasco, Il ratto delle Sabine
No full textLa scheda discute un dipinto attribuito da Zeri al Magnasco anche in relazione al complesso nodo dei rapporti Magnasco-Sebastiano Ricci nella Milano fra Sei e Settecento
Giovanni Battista da Carona a Vicenza, l'ultima attribuzione di Stefano Tumidei
No full textIl contributo esamina l'attività vicentina, negli anni intorno al 1530, dello scultore Giovanni Battista da Caron
Invenzione ed esecuzione nell'opera di Giuffredi (per un recupero della scultura figurativa in legno del Novecento italiano)
No full textIl saggio affronta la produzione in legno di Augusto Giuffredi in rapporto con quella di vari scultori italiani dell'epoca e in particolare Pericle Fazzini, Marino Marini, Marino Mazzacurat
Ercole de' Roberti, Ritratto di giovane (Annibale Bentivoglio?) (recto), Ritratto femmnile (Ginevra Sforza Bentivoglio?) (verso)
No full textLa scheda presenta e discute il doppio Ritratto di Ercole de' Roberti e ne discute l'identificazione dei due personaggi raffigurat
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