3,565 research outputs found
Pascal VOC 2009 train_val
No full textThis is the training and validation data set for the PASCAL VOC 2009 as available from http://pascallin.ecs.soton.ac.uk/challenges/VOC/voc2009/ , if the site weren't dead
Pascal VOC 2009 train_val
No full textThis is the training and validation data set for the PASCAL VOC 2009 as available from http://pascallin.ecs.soton.ac.uk/challenges/VOC/voc2009/ , if the site weren't dead
Pascal Marsault, órgano (Francia)
No full textConcierto interpretado por Pascal Marsault. Ganador del Primer Premio de interpretación de órgano en el Conservatorio Nacional Superior de Música de París en 2000, Pascal Marsault se formó como organista con Marie-Ciaire Alain, Michel Bouvard y Olivier Latry. Su interés por la música antigua lo llevó a perfeccionar su formación en el Conservatorio Sweelinck de Ámsterdam.
En este concierto interpretó obras de Eugene Gigout, François Couperin, Johann Sebastian Bach, Georg Bohm, Dietrich Buxtehude y Olivier Messiaen
Samuel Beckett and the Writers of Port-Royal
No full textIt has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism.
Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works
Replication Data for: Relevance propagation Results with the Caffe Network and Bag of Words classifiers as used in "On Pixel-wise Explanations for Non-Linear Classifier Decisions by Layer-wise Relevance Propaganda"
No full textThis data set contains all the example images used in the manuscript
"On Pixel-wise Explanations for Non-Linear Classifier Decisions by Layer-wise Relevance Propaganda" submitted to PLOS ONE (PONE-D-14-2011), which are not part of the PASCAL VOC 2009 or polygon data sets, uploaded separately
Replication Data for: Relevance propagation Results with the Caffe Network and Bag of Words classifiers as used in "On Pixel-wise Explanations for Non-Linear Classifier Decisions by Layer-wise Relevance Propaganda"
No full textThis data set contains all the example images used in the manuscript
"On Pixel-wise Explanations for Non-Linear Classifier Decisions by Layer-wise Relevance Propaganda" submitted to PLOS ONE (PONE-D-14-2011), which are not part of the PASCAL VOC 2009 or polygon data sets, uploaded separately
Pascal Marsault, órgano (Francia) y Christian Schmitt, órgano (Alemania)
No full textConcierto interpretado por Pascal Marsault y Christian Schmitt. Presentación dada en el marco del Festival de Órgano. Marsault fue ganador del Primer Premio de interpretación de órgano en el Conservatorio Nacional Superior de Música de París en 2000, Pascal Marsault se formó como organista con Marie-ClaireAlain, Micbel Bouvard y Olivier Latry. Su interés por la música antigua lo llevó a perfeccionar su formación en el Conservatorio Sweelinck de Ámsterdam.
Christian Schmitt se formó con Leo Kramer en la Escuela Superior de Música de Saarland donde obtuvo en 2001 el diploma de música para iglesia, en 2002 el título con distinción de concertista de órgano, y en 2003 el Examen-A de música para iglesia. Estudió en el extranjero con James David Christie en el Conservatorio de Boston (Estados Unidos) y allí obtuvo el Artist Diploma en 2003.
En este concierto interpretaron obras de Théodore Dubois, Fraçois Couperin, Dietrich Buxtehude, Jeanne Demessieux, Gabriel Pierné y Johann Sebastian Bach, entre otros
Pascal Marsault, órgano (Francia) y Collectiv Cuivres, quinteto de cobres (Francia)
No full textConcierto interpretado por Pascal Marsault (Francia)y el quinteto de metales Collectiv Ciuvres en el marco del Segundo Festival de Órgano. Este año se realiza la segunda versión del festival, el cual incluye una conferencia, dos conversatorios y tres conciertos, además de la sexta versión del curso.
En este concierto interpretaron obras de Claudio Monteverdi, Johann Sebastian Bach, Hieronymus Praetorius, Anton Bruckner, Georg Friederlc Haendel, Alexandre Guilmant, Diego Vega, Albert Renaud, Victor Ewald, Franz Liszt y Nikolai Rimsky-Korsakov
Sabil and Wikala of Dhul Fiqar Oda Bashi
No full textinterior, courtyard, "Vue de l'Okel Zoulfiqar," color plate XLIV of Pascal Coste's "Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826", 1818-182
Borrell Tena F., Bouso García M., Gómez Bach A., Tornero Dacasa C. and Vicente Campos O. (eds.) 2012. Broadening Horizons 3. Conference of Young Researchers Working in the Ancient Near East. Bellaterra: Universitat Autònoma de Barcelona Servei de Publicacions (Congressos 8)
No full textButterlin Pascal. Borrell Tena F., Bouso García M., Gómez Bach A., Tornero Dacasa C. and Vicente Campos O. (eds.) 2012. Broadening Horizons 3. Conference of Young Researchers Working in the Ancient Near East. Bellaterra: Universitat Autònoma de Barcelona Servei de Publicacions (Congressos 8). In: Paléorient, 2015, vol. 41, n°1. p. 221
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