73,849 research outputs found
Tamalina corn flour trademark (B. Martinez Sons Co. Inc.), 1932
No full textTamalina corn flour trademark (B. Martinez Sons Co. Inc.), 193
Tamalina corn flour trademark (B. Martinez Sons Co.), 1927
No full textTamalina corn flour trademark (B. Martinez Sons Co.), 192
Sophia Ortiz Martinez and Jose B. Martinez and their wedding party, ca. 1925
No full textPhotograph shows full-length studio portrait of Sophia Ortiz Martinez and Jose B. Martinez and their wedding party. L. to r. (middle row)" Anita Biasiolli Martinez, Wenceslao Martinez, Sophia Ortiz Martinez (bride), Jose B. Martinez (groom), Margaret Dalbosco Martinez, and Vicente Martinez. People on back row and children are unidentified.Photographer's name on mat:''"Smith's Studio / 214 E. Houston St. / San Antonio, Tex.
Manuelita Jaramillo Martinez and Nasario Martinez
No full textManuelita Jaramillo Martinez and Nasario Martinez, parents of Horacio Martine
Vicente Martinez and Margaret Dalbosco Martinez and their wedding party, ca. 1925
No full textPhotograph shows full-length studio portrait of Vicente Martinez and Margaret Dalbosco Martinez and their wedding party. L. to r. Juan Martinez, unidentified, unidentified, Jose B. Martinez, Vicente Martinez (groom), Margaret Dalbosco (bride), unidentified, Sophia Ortiz Martinez, unidentified, unidentified, and Cruz G. Martinez.Photographer's name on mat:''"Hutchcraft and Fine Arts Studio / 123 1/2 Alamo Plaza / San Antonio, Tex.
Interview with Andres Martinez
No full textAuthor, Andres Martinez, discusses his dissertation and the resulting book he is writing that will expand on Valley conjunto musicians.https://scholarworks.utrgv.edu/bordermusicoralhistories/1014/thumbnail.jp
Interview of author Michelle Martinez
No full textMichelle Martinez, author of the crime novel "Most wanted," talks about the issues faced by Latin Americans in their home country versus what they face in the United States. She describes her family and education, graduation form Harvard Law School, and her professional endeavors. Martinez discusses the story line of her book, what motivated her to write, and how she brought her experiences from the prosecutor's office to bear on her writing. She describes her writing as an opportunity to explore her own cultural heritage. Martinez discusses the art of writing and talks about what she reads. Martinez is interviewed by Diana Rivera at the 2005 Left Coast Crime Conference held in El Paso, Texas
Tamalina corn flour trademark (Bartolo Martinez), 1908-1909
No full textTamalina corn flour trademark (Bartolo Martinez), 1908-190
Martinez map of New Mexico after 1602
No full textA map of New Mexico, by Enrico Martinez (Enrique Martínez), 1602, Mexico City. Includes settlements northward from Mexico City to New Mexico, the Pueblo settlements along the Rio Grande and its tributaries from Taos to Socorro, and the residence of Governor Onate at San Gabriel. Information for the Martinez map came from Juan Rodríguez, a Portuguese pilot, who had accompanied Onate on the 1598 expedition to New Mexico
The Fan and the Idol: Re-tracing Authorship in “The Author of Beltraffio”
No full textThis article is an investigation of the theme of authorship in Henry James’s tale “The author of Beltraffio.” Written at a crucial stage of James’s career, this tale stands at the crossroads between James’s high realism, his uneasy flirting with aestheticism, and his more experimental narrative turns. The article argues that in this story authorship is step by step not only mobilized, but also vampirized and dispossessed by the narrator, who exchanges the intimacy with the author and his individuality for commodities to be consumed. Authorship, Martinez contends, is figured in the tale as the result of a social discourse, where the veneration of the narrator for the “author of Beltraffio” borders on the relationship between “fan” and “idol.” Such a gesture is located within the broader cultural concerns James was dealing with at the time: the establishment of literary realism in America; the reconfiguration of the relation between private and public experience; the emergence of a mass readership; and a growing bifurcation between the mutually constituting high-brow and low-brow cultural spheres
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