1,124 research outputs found
Representations of migrant and nation in selected works of Rohinton Mistry and Salman Rushdie
No full textThis thesis explores the representations of, and the relationship between. the migrant and the nation in selected works of the Bombay-born novelists Rohinton Mistry and Salman Rushdie. I explore each writer's engagement with contemporary debates surrounding the material, political, social and imaginative consequences of the crisis in secularism in India during the 1970s, 1980s and 1990s, and consider how this engagement is informed by their
migrant positions beyond India's borders. A primary concern is the way in which Mistry's and Rushdie's representations of the nation, and of migrant and diasporic subjects, intersects with the representation of Bombay in their work.
This thesis is divided into five chapters. The first two chapters concentrate on Mistry's fiction, the remaining three on Rushdie's work. Published between 1988 and 2002, the central novels examined are situated within debates regarding the founding principles of the Indian nation, and notions of Indianness, the rise of communalism in general and Hindu nationalism in particular, and the renaming of Bombay as Mumbai. My readings foreground the necessity of a
close understanding of the historical and political transformations taking place within Bombay and India during the 1970s, 1980s and 1990s, but also during the 1950s and 1960s. I argue that Mistry's and Rushdie's work is informed by a deepening anxiety over these socio-political transformations, and over how reconfigurations of Indianness increasingly position minority communities, and migrant and diasporic subjects, outside of definitions of national identity.
This anxiety extends into the negotiation of their own migrant positions. My reading of the differing representations of the migrant in Mistry's and Rushdie's work engages with ideas of accountability, political responsibility, and with notions of cosmopolitanism. In doing so, I question familiar assumptions regarding the migrant condition as one of predominantly empowering political agency. I argue that, while both authors emphasise the importance of the migrant sustaining a critical engagement with India's politics, they also foreground the anxious difficulties of doing so. This difficulty informs Mistry's and Rushdie's divergent negotiation of their own position as migrant writers, and I examine how their fiction is marked by an anxiety over the adequacy of writing as a mode of political engagement with the crisis in secularism and the parochialisation of Bombay, and as a means of negotiating the politics of migrancy
Post-COVID-19 BIM adoption, Challenges and Perspectives among AEC firms in Africa: Case of Morocco
No full textThe COVID-19 pandemic emphasized the remote potential of Building Information Modeling (BIM) to enable Architecture, Engineering, and Construction (AEC) operators to sustain work under the resulting challenging circumstances. Some studies pointed out the post-COVID-19 context of BIM use in several regions, but none in Africa. Therefore, based on a mixed-method design, this study aims to fill this research gap and provides a reference for BIMrelated parameters in Africa including BIM adoption, challenges and perspectives by considering Morocco as a case study. This study disclosed that the COVID-19 occurrence fastened BIM adoption among Moroccan AEC operators by 19% and urged governmental initiatives toward BIM adoption regulation but confirmed that these are still insufficient compared to the significant identified BIM challenges. This paper confirmed that personal and government-related challenges are the most critical BIM challenges in Africa and highlighted that BIM faces 2 more considerable challenges in Morocco caused by a considerable loophole in local regulation. In this vein, the paper provides remedy actions to lessen the impacts of identified challenges and smoothen BIM adoption. © 2023 by CITC-13
The translation of identity in the satanic verses: a love song to our mongrel selves
No full textThis thesis examines the translation of character identities within Salman Rushdie's novel, The Satanic Verses, and seeks to demonstrate how the dynamics of translating a text can be used as a model for discussing the transformations of characters within the book. Rushdie uses the term "translation" as a metaphor for the migrant experience of uprootedness that is a result of being "borne across" from one culture to another. From it, however, can be derived a metaphor for the universal experience of alienation that is a part of our shared humanity, and which describes the process of responding to a sense of "otherness" within ourselves and within a pluralistic culture. The framework which will be used to examine characters within The Satanic Verses responding to such conditions is George Steiner's translation hermeneutic outlined and discussed In his book. After Babel: Aspects of Language and Translation. The Introduction will set the context for the use of the term "translation”. Chapter One will discuss Steiner's position within translation theory and Rushdie's affinity to it as well as explain the basic translation model. Chapters Two through Five will look closely at Rushdie's text, analyzing the two protagonists, Gibreel and Saladin, as they undergo, or fail to undergo, the translation process. Finally, the conclusion will suggest that the Rushdie affair engendered by this novel is, ironically, a linguistic debate provoked by a text that urges its readers to be translated. By making its readers acutely aware of what is "other" to them, the The Satanic Verses proposes and attempts to answer a single, profoundly religious, question: "How are we to live in the world?
Salman Rushdie in the Cultural Marketplace
No full textTaking up the roles that Salman Rushdie himself has assumed as a cultural broker, gatekeeper, and mediator in various spheres of public production, Ana Cristina Mendes situates his work in terms of the contemporary production, circulation, and consumption of postcolonial texts within the workings of the cultural industries. Mendes pays particular attention to Rushdie as a public performer across various creative platforms, not only as a novelist and short story writer, but also as a public intellectual, reviewer, and film critic. Mendes argues that how a postcolonial author becomes personally and professionally enmeshed in the dealings of the cultural industries is of particular relevance at a time when the market is strictly regulated by a few multinational corporations. She contends that marginality should not be construed exclusively as a basis for understanding Rushdie’s work, since a critical grounding in marginality will predictably involve a reproduction of the traditional postcolonial binaries of oppressor/oppressed and colonizer/colonized that the writer subverts. Rather, she seeks to expand existing interpretations of Rushdie’s work, itineraries, and frameworks in order to take into account the actual conditions of postcolonial cultural production and circulation within a marketplace that is global in both orientation and effects.info:eu-repo/semantics/publishedVersio
Salman Rushdie in the Cultural Marketplace
No full textTaking up the roles that Salman Rushdie himself has assumed as a cultural broker, gatekeeper, and mediator in various spheres of public production, Ana Cristina Mendes situates his work in terms of the contemporary production, circulation, and consumption of postcolonial texts within the workings of the cultural industries. Mendes pays particular attention to Rushdie as a public performer across various creative platforms, not only as a novelist and short story writer, but also as a public intellectual, reviewer, and film critic. Mendes argues that how a postcolonial author becomes personally and professionally enmeshed in the dealings of the cultural industries is of particular relevance at a time when the market is strictly regulated by a few multinational corporations. She contends that marginality should not be construed exclusively as a basis for understanding Rushdie’s work, since a critical grounding in marginality will predictably involve a reproduction of the traditional postcolonial binaries of oppressor/oppressed and colonizer/colonized that the writer subverts. Rather, she seeks to expand existing interpretations of Rushdie’s work, itineraries, and frameworks in order to take into account the actual conditions of postcolonial cultural production and circulation within a marketplace that is global in both orientation and effects.info:eu-repo/semantics/publishedVersio
Salman Rushdie in the Cultural Marketplace
No full textTaking up the roles that Salman Rushdie himself has assumed as a cultural broker, gatekeeper, and mediator in various spheres of public production, Ana Cristina Mendes situates his work in terms of the contemporary production, circulation, and consumption of postcolonial texts within the workings of the cultural industries. Mendes pays particular attention to Rushdie as a public performer across various creative platforms, not only as a novelist and short story writer, but also as a public intellectual, reviewer, and film critic. Mendes argues that how a postcolonial author becomes personally and professionally enmeshed in the dealings of the cultural industries is of particular relevance at a time when the market is strictly regulated by a few multinational corporations. She contends that marginality should not be construed exclusively as a basis for understanding Rushdie’s work, since a critical grounding in marginality will predictably involve a reproduction of the traditional postcolonial binaries of oppressor/oppressed and colonizer/colonized that the writer subverts. Rather, she seeks to expand existing interpretations of Rushdie’s work, itineraries, and frameworks in order to take into account the actual conditions of postcolonial cultural production and circulation within a marketplace that is global in both orientation and effects.info:eu-repo/semantics/publishedVersio
Empirical Approach to Understand the Knowledge Management Process
No full textKnowledge Management (KM) is a process that focuses on knowledge-related activities to facilitate knowledge creation, capture, transformation and use, with the ultimate aim of leveraging organisations' intellectual capital to achieve organisational objectives. The KM process receives input from its context (e.g. internal business environment), and produces output (i.e. knowledge). It is argued that the validity of such knowledge should be justified by business performance. The study, this paper reports on, provides enhanced team climate. Despite the existing literature within the context of construction highlighting the importance of such factors, empirical studies addressing their impacts on firm-level innovation diffusion and business performance are sparse. To overcome this deficiency, a conceptual model was developed to be used for empirical investigation. This paper details the theoretical development of such a model and outlines a research method and plan of future research activities.Griffith Sciences, Griffith School of EngineeringFull Tex
A Research Framework for Investigating Public Private Partnerships (PPP) in Hong Kong
No full text\ud
PPP is a general term covering all contracted relationships between the public and private sectors to produce a public asset or to deliver a public service. Its major advantage lies in utilising resources from the private sector to alleviate some of the financial burdens of the government.\ud
The Asian financial turmoil in the late 1990s has imposed enormous pressure on the budget of the Hong Kong Special Administrative Region (HKSAR) Government. With a continuous outcry for better public services due to the rapid development of Hong Kong, alternative financing models need to be sought to ensure sustainability. Hong Kong has the advantage of being the international gateway to Mainland China, and with this benefit has attracted overseas enterprises to base their offices in Hong Kong for the Asian market. Obviously the private sector has much to contribute.\ud
The HKSAR Government has realised the benefits of using PPP in Hong Kong as well as the success achieved overseas. But a more thorough research is needed to develop the most suitable practice of PPP in terms of project nature, project complexity, project type and project scale under which PPP is most appropriate for Hong Kong.\ud
This paper provides an initial report of a research project being funded by the Research Grants Council (RGC) of the HKSAR. The project aims to evaluate the benefits and risks of PPP adopted in Australia and the United Kingdom, and from these previous experiences to develop a best practice framework for implementing PPP in Hong Kong. It firstly reports on the status of PPP development trend and the hands-on experiences which have been drawn in these countries. Qualitative and quantitative research methods applied in conducting the research are discussed. The likely impacts of the study are highlighted. It is believed that the construction industry and the government would benefit a lot as a result of this study, and further procurement and project financing options would be opened up for delivering better future public service
Trends. Salman Rushdie and Taslima Nasrin: Terrorists?
No full textThe author discusses fatwas that have been issued against United Kingdom\u27s Salman Rushdie and Bangladesh\u27s Taslima Nasrin
Long term Indonesian construction industry’s aggregate productivity simulation considering overall business environment
No full textCompetitiveness of Indonesian Construction Industry is in question. It is necessary to address the problem soonest so that persistence situation can be improved. To find the solution for this problem this research therefore conducted. The research are conducted in two steps, the purpose of the first step is to determine the problem of the Indonesian construction industry, second step is to built a soft system dynamics model through a soft system modelling and structural equation modelling. Data were collected from various sources such as World Bank Institute, Freedom House, International Corruption Watch, UNDP, Indonesian Statistics Office and Bank Indonesia. Primary data was collected from Indonesian Construction Industry Players. This study indicates that: higher educated human resources in construction industry are not effectively support the productivity of the industry; construction industry players tend to consider short term benefit than long term sustainability and growth; strategic planning time horizon consideration contribute significantly in long term productivity. It is suggested that to improve productivity of Indonesian construction industry several step should be taken: marketing orientation should be changed toward more sophisticated project, institution for collaboration in construction industry should be initiated and high governance should be established and maintaine
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