1,098 research outputs found
The Person of St. Peter in the Gospel of Matthew
The author of this work tries to answer the question: „what picture of St. Peter is showed by the first Gospel?". It appears that the figure of St. Peter is not changed meaningly in texts taking over from Mark's version (4,18; 8 ,14nn; 6, 18; 16, 23; 17, 1-8; 26, 33; 26, 69-75) by Matthew. Meaning of describing events is the same in both cases though a little changes emphasizes the role of Apostles' Prince. In the other hand, missing by Matthew Mark's texts about Peter (Mk 1, 36; 5, 37; 13, 3; 16, 7) is not the trial of decreasing the role of St. Peter. There are three novelty Matthew's texts in view of St. Peter's person. These texts don't run parallel to synoptics' words. There are: going to Jesus on the water (14, 28-31), confession somewhere Caesarea Philippi way (16, 16-19) and the matter of temple taxes (17, 24-27). The most suggestive is the person of St. Peter in the fundamental! texts for Matthew Mt 16, 17-19. It is obvious that meaning and priority of St. Peter comes down from earth activity of Jesus
Peter and the Rock: An Exposition of Matthew 16:17-19
An exegesis of Matthew 16:17-19 in which Jesus addresses Peter as the rock upon which he will build his church. The exposition includes a description of the author of Matthew and the Matthean community, the possible origins of the pericope, a discussion of the unique importance of Peter to the Matthean community, an analysis of significant words and phrases in the text, the history of the interpretation of the text, and current interpretive issues
Artful living and the eradication of worry in Søren Kierkegaard's interpretation of Matthew 6:24-34
Danish thinker Søren Kierkegaard published fourteen discourses, across four collections, on Matthew 6:24-34. The repeated readings of the biblical text, whose themes include the choice between God and mammon, worry, what it means to consider the birds and lilies, and how to seek first the kingdom of God, converge with Kierkegaard’s interest in anxiety, despair, worry, subjectivity, indirect communication, choice, the moment, and life before God. Accordingly, the discourses make connections with his larger works, elucidate frequently explored Kierkegaardian themes in recent scholarship, and contribute to his critique of nineteenth-century Copenhagen. Additionally, the collections present an interpretation of each verse and phrase of Matthew’s text and, held up against modern Matthew scholarship, they correlate with and contribute to Sermon on the Mount and New Testament studies. Kierkegaard’s reading of Matthew also holds implications for the practice of biblical interpretation as it promotes the importance of awareness of sin, interestedness, and appropriation as central to proper reading. His emphasis on Christ as the primary exemplar of Matthew’s text adds an additional Christological element to his hermeneutic. Furthermore, the discourses serve as spiritual treatises which provide the reader with theological terminology to help confront the problem of worry and suffering. In light of a human being’s distinctiveness as imago Dei, Kierkegaard elucidates ways an individual may respond artfully to the ongoing possibility of worry, a possibility which the discourses connect with Christian anthropology and external labels associated with possessions and status. The Matthew 6 discourses intimate Kierkegaard’s sympathy with classic Christian spirituality and, in combination with the cultural-ecclesiastical critique, the creative exegesis, and the in-depth analysis of the cause of and cure for worry, his work emerges as an excellent example of spiritual theology
Peter Logan: Victorian Fetishism [Audio interview]
Peter Logan is the author of Nerves and Narratives: A Cultural History of Hysteria in Nineteenth-Century British Prose (1997) and, more recently, Victorian Fetishism: Intellectuals and Primitives (2009). On May 15, 2012, Fred Rowland interviewed Peter Logan to discuss Victorian Fetishism, which details the development of ideas about the primitive and how these concepts set the boundaries of culture in Victorian Britain. Drawing from Lucretius, Vico, and Auguste Comte, Peter Logan explains how fetishism – the defining feature of culture’s absence – figured in the works of literary and cultural critic Matthew Arnold, realist novelist George Eliot, and anthropologist Edward Tylor.Temple University. College of Liberal ArtsTemple University. LibrariesEnglishLearning and Research ServicesAudacityAudacit
Zechariah 9-14 as the substructure of 1 Peter’s eschatological program
The principal aim of this study is to discern what has shaped the author of 1 Peter to regard Christian suffering as a necessary (1.6) and to-be-expected (4.12) component of faithful allegiance to Jesus Christ. Most research regarding suffering in 1 Peter has limited the scope of inquiry to two particular aspects—its cause and nature, and the strategies that the author of 1 Peter employs in order to enable his addressees to respond in faithfulness. There remains, however, the need for a comprehensive explanation for the source that has generated 1 Peter’s theology of Christian suffering. If Jesus truly is the Christ, God’s chosen redemptive agent who has come to restore God’s people, then how can it be that Christian suffering is a necessary part of discipleship after his coming, death and resurrection? What led the author of 1 Peter to such a startling conclusion, which seems to runs against the grain of the eschatological hopes and expectations of Jewish restoration ideology?
This thesis analyzes the appropriation of shepherd and fiery trials imagery,
and argues that the author of 1 Peter is dependent upon Zechariah 9-14 for his
theology of Christian suffering. Said in another way, the eschatological program of
Zechariah 9-14, read through the lens of the Gospel, functions as the substructure
for 1 Peter’s eschatology and thus its theology of Christian suffering.
In support of this hypothesis, this study highlights the fact that Zechariah 9-
14 was available and appropriated in early Christianity, in particular in the Passion
Narrative tradition; that the shepherd imagery of 1 Pet 2.25 is best understood
within the milieu of the Passion Narrative tradition, and that it alludes to the
eschatological program of Zechariah 9-14; that the fiery trials imagery found in 1
Peter 1.6-7 and 1 Pet 4.12 is distinct from that which we find in Greco-Roman and OT
wisdom sources, and that it shares exclusive parallels with some unique features of
the eschatological program of Zechariah 9-14; that Zechariah 9-14 offers a more
satisfying explanation for the modification of Isa 11.2 in 1 Pet 4.14, the transition
from 4.12-19 to 5.1-4, why Peter has oriented his letter with the term διασπορά,
and why he has described his addresses as οἶκος τοῦ θεοῦ; and finally that 1 Peter
contains an implicit foundational narrative that shares distinct parallels with the
eschatological program of Zechariah 9-14.
We can conclude that 1 Peter offers a unique vista into the way in which at
least one early Christian witness came to understand and to communicate the fact
that Christian suffering was a necessary feature of faithful allegiance to Jesus Christ
The Cerevoice Blizzard Entry 2007: Are Small Database Errors Worse than Compression Artifacts?
In commercial systems the memory footprint of unit selection systems is often a key issue. This is especially true for PDAs and other embedded devices. In this year's Blizzard entry CereProc R gave itself the criteria that the full database system entered would have a smaller memory footprint than either of the two smaller database entries. This was accomplished by applying Speex speech compression to the full database entry. In turn a set of small database techniques used to improve the quality of small database systems in last years entry were extended. Finally, for all systems, two quality control methods were applied to the underlying database to improve the lexicon and transcription match to the underlying data. Results suggest that mild audio quality artifacts introduced by lossy compression have almost as much impact on MOS perceived quality as concatenation errors introduced by sparse data in the smaller systems with bulked diphones
Matthew’s Emmanuel Messiah: a paradigm of presence for god's people
The motif of divine presence is a clear phenomenon within the Gospel of Matthew. The modern critical means for assessing the ancient biblical text have multiplied to the point, some claim, of disparity. This study employs both narrative and redaction criticism in an attempt to respond authentically to the structural, historical and theological dimensions of Matthew's Gospel. This study begins with the presumption of the wholeness and integrity of Matthew's narrative, and assumes the gospel story to have an inherently dramatic structure which invites readers to inhabit imaginatively its narrative world and respond to its call. But since we are concerned with the role of both reader and author, this study also assumes a text with an historical author and context. The introduction focuses on the meta-critical dilemma facing New Testament students - what is the text and how do we read it? - and seeks some balance in terms of Krieger's analogy of the text as both window and mirror. Proposed is a narrative reading of Matthew's presence motif alongside a redaction critical assessment of it. In Chapter 2 the elements of narrative theory are introduced and relevant terms defined: the structure of narrative, the function of the narrator, points of view. Chapter 3 becomes an exercise in narrative reading, with Matthew's presence motif providing the focus, and the implied reader’s interaction with the story being predominant in interpretation. Characters, rhetorical devices, and points of view are discussed, to understand the motif's development throughout the story's progress. The thrust of Chapter 4 is thereafter to examine divine presence as a dominant motif within Matthew's most important literary context: the Jewish scriptures. Here the primary paradigms of divine presence provided by the Patriarchs, the Sinai experience, and the Davidic-Zion traditions are assessed. Chapter 5 follows with a more detailed examination of the OT "I am with you/God is with us" formula and its µeo' vµwv/ηuwv language, so strongly connected to Matthew's presence motif. Chapters 6-8 build on these investigations with a closer analysis of the three critical "presence passages" of Mt 1:23. 18:20 and 28:20. The passages and their contexts are probed from a redaction critical perspective, guided by the narrative investigation of Chapter 3, and the background from Chapters 4 and 5.The three major "presence passages" examined in Chapters 6-8 are also complimented by a number of secondary issues: worship, wisdom, the Spirit and the poor in Matthew, and their relation to Jesus' divine presence. These are discussed in Chapter 9. Chapter 10 summarizes and looks briefly at some implications. Matthew' presence motif proves to be an important element of the Gospel’s rhetorical design, redactional strategy and Christology. The presence of Jesus, the Emmanuel Messiah, exhibited in his risen authority, becomes the focus of his people's hopes and experiences in the post-Easter world. What the presence of Yahweh was to his people. Jesus now provides in a new paradigm for his people - his followers, the little ones, the poor and the marginalized, from all nations
Peter 2.0: Building a Cyborg
Peter Scott-Morgan has MND/ALS. He is now paralyzed and depends on technology to keep him alive and communicate with others. In this paper we outline the design and creation of unique communication system driven by an open source eye-tracking interface (ACAT ) which aims to preserve Peter’s character through: 1. A cloned artificial voice, 2. An animated avatar. We describe the AI techniques adopted, the interface design and integration process for what is fundamentally an applied accessibility AI project. Finally we discuss Peter’s use of the word “transitioning cyborg” to describe his take-up of AI support technology
Bakhtin and Trooper Peter Halket of Mashonaland: Beyond Allegory and Realism
Olive Schreiner’s novella Trooper Peter Halket of Mashonaland (1897) has been variously considered to be a political pamphlet, an allegory or at the very least a piece of moralising Victorian realism. Certainly at its centre there is the powerful proclamatory voice of the Christ figure, ventriloquized by both the Cape preacher and later Peter Halket himself. As most critics have acknowledged – from its early reviewer in the New York Tribune in 1897 to most recently Rajendra Chetty and Matthew Curr in 2016 – the figure of Christ expounds an ethic or ideology associated with the author herself. However, these critical approaches tend to ignore the conflicting ideas and ideological outlooks held in some of the other voices in the text. In this article, I consider whether these opposing voices are illustrations of Mikhail Bakhtin’s ontology of the dialogic novel with its centripetal and centrifugal ideological forces. If in fact these voices can be considered to be dialogical, then the sublation of the voice of the author/Christ cannot be complete and the novella’s allegorical nature can at the very least be questioned
Discernment of relevation in the Gospel of Matthew
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