1,772,869 research outputs found
ay-lab/dcHiC: dcHiC v2.1
No full textNearly a year since our last official release, this one commemorates a publication-ready code repository!
We've added substantial stability/robustness/bug fixes since last time, as well as new documentation, a demo, and more
Hatice Ay ile sözlü tarih görüşmesi
No full textBu görüşme, Onur Ulutaş koordinatörlüğünde Nilüfer Belediyesi bünyesindeki Sözlü Tarih ve Araştırma Projesi 1 başlığı altında gerçekleştirilmiştir. Bu proje kapsamında yapılan görüşmelerin sayısı 161’dir.1960 yılında doğan Hatice Ay'ın hayatı doğduğu köyde geçer. Hayvancılık yaptıklarını ve bunun yanında ipekböcekçiliği ile meşgul olduklarını söyler. Yöresel yemeklerden bahseden Ay, ayrıca köyün kalkınmasından duyduğu memnuniyetsizliği dile getirmektedir.Nilüfer BelediyesiNilüfer’in Hikayesi. editör Onur Ulutaş. Bursa, 2014
Chants khamous par Y Kam et Ay Cham
No full texttəəm, Y Kam + təəm, Ay Cham (for lack of space, a fragment is missing) [these Khmu are Kwèn Khmu]təəm, Y Kam + təəm, Ay Cham (manque un court passage faute de place) [ces Khamou sont des Khamou Kwèn
AY-BX error rates in the AXCPT across the life-span.
No full textPlotted are raw error rates formatted to highlight AY and BX trajectories (connected markers) and their difference (shaded in grey). The latter has been used in prior literature to index context processing or proactive strategies of control. Overlaid (unconnected markers) are AY and BX error rates reported in all prior AXCPT studies over development (D 1–3) and in a selection of studies on adults that employed similar parameters (A 1–3). When more than a single cue-probe delay was tested, the range is reported and the marker is positioned on the interpolated value corresponding to what used in the current study (3.1s). Early development and aging data were adapted for display as protocol differences do not allow a direct comparison: the depicted trend reflects the qualitative interpretation provided by authors: Chatham et al. suggest an increase of proactive strategies from age 3.5 to age 8 [9]; Braver et al. hint to an inversion of this trend with aging, with negative AY-BX difference in the elderly [26]. Despite task parameter and sample differences, higher AY-BX differences at the two extremes of the explored age-range appears to be broadly consistent with AY-BX differences reported in other developmental studies and with the extrapolation of the trajectories in adult studies. We provide evidence indicating that this apparent similar reliance on proactive strategies is accompanied by critical differences in their control content. Of note, most of the cited studies rely on heterogeneous analytic strategies with variable reliance on accuracy and reaction times. Still, conclusions are generally driven by the same model-based reasoning and inconsistencies across measures are explained in terms of sensitivity differences. Furthermore, AY-BX predictions have been challenged by a minority of studies in young adults too. Here we exploit the case of AY-BX error rates as a proxy for standard accounts of context theory emphasizing the need to investigate findings beyond model-based accounts, especially in populations with complex cognitive profiles. (D 1–3: [10–12]; A 1–3: [16,27,28].</p
Chants khamous, Viang Pou Kha and Pak Bèng 1
No full texttrnəəm ‘songs’, Ay Nhouan + cɨaŋ + cɨaŋ, Ay Nhouan + təəm + təəm, Ay Leuan + təəm, Ay man + təəm + təəm, Ay ’mèèng + təəm, part 1, Ay Ko [these Khmu are Kwèn Khmu]trnəəm ‘chants’, Ay Nhouan + cɨaŋ + cɨaŋ, Ay Nhouan + təəm + təəm, Ay Leuan + təəm, Ay man + təəm + təəm, Ay ’mèèng + təəm, partie 1, Ay Ko [ces Khamou sont des Khamou Kwèn
¡Ay, ay, ay, tres veces ay! [Texto, partitura y facsímil]. LTH, I, 4 [LAMBEA & JOSA]
No full textEl documento contiene la composición titulada “¡Ay, ay, ay, tres veces ay!”, perteneciente al Libro de Tonos Humanos, cancionero poético-musical del siglo XVII conservado en la Biblioteca Nacional (Madrid) bajo la signatura M. 1262. Se ofrece la edición anotada del poema, la partitura con la transcripción musical a notación moderna y el facsímil de la obra. La composición figura en el primer volumen de la edición crítica de este importante cancionero que llevan a término Lola Josa (filóloga) y Mariano Lambea (musicólogo).Consejo Superior de Investigaciones Científicas (CSIC)Peer reviewe
Ay - Ay - Ay... ! para piano, piano y cando, por Osman Perez Freire
No full textTitre uniforme : Pérez Freire, Osmán (1878-1930). Compositeur. [Ay, ay, ay
Rmet (Lamet) stories
No full textStories in Rmet (Lamet). Emigration (told by Ay Kom); rites (told by Ay Kom); narratives (told by Ay Kham); narratives (told by Ay Kom); story (by Ay Kham and Ay Mön); lüang ta' mpol (told by Ay Kham); l. ta' phan (told by Ay Kom); lüang ta' cèc (told by Ay Kom); lüang cüang (told by Ay Kham).Récits en langue rmet (lamet). Émigration (raconté par Ay Kom); rites (racontés par Ay Kom); récits (par Ay Kham); récits (par Ay Kom); récit (par Ay Kham et Ay Mön); lüang ta' mpol (raconté par Ay Kham); l. ta' phan (raconté par Ay Kom); lüang ta' cèc (raconté par Ay Kom); lüang cüang (raconté par Ay Kham)
Chants khamous, Viang Pou Kha and Pak Bèng 2
No full texttəəm, part 2, Ay Ko [these Khmu are Kwèn Khmu]təəm, partie 2, Ay Ko [ces Khamou sont des Khamou Kwèn
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