890 research outputs found
Memoria Y Documental En La Argentina. Un Análisis De Sr. Presidente (Liliana Arraya E Eugenia Monti, 2007) Y Estela (Silvia Di Florio, 2008)
No full textThis article studies two Argentine documentaries, Mr. President (2007) by Liliana Arraya and Eugenia Monti, and Estela (2008) by Silvia di Florio, in an effort to understand the scope of the military coup in Argentina and to know the consequences of it in the current society of that country. For this, the characteristics of the memory will be reviewed from the point of view of the theorist Tzvetan Todorov. Also, both documentaries will be analyzed as a historical document insofar as they expose the recovery of documents and audiovisual materials that were hidden by the military governments and reveal a truth that military and official history tried to suppress.El presente artículo estudia dos documentales argentinos, Sr. Presidente (2007) de Liliana Arraya e Eugenia Monti, y Estela (2008) de Silvia di Florio, en un afán por comprender el alcance del golpe militar en Argentina y por conocer las consecuencias del mismo en la sociedad actual de dicho país. Para ello, se revisarán las características de la memoria a partir del punto de vista del teórico Tzvetan Todorov. Asimismo, ambos documentales se analizarán como un documento histórico en la medida en que exponen la recuperación de documentos y materiales audiovisuales que fueron ocultados por los gobiernos militares y develan una verdad que la historia militar y oficial trató de suprimir
El rol del Destacamento de Inteligencia General Iribarren: La Ejecución del Terrorismo de Estado en Córdoba
No full textEn Córdoba, miles de personas recorren a diario la zona céntrica del Parque Sarmiento, la Ciudad Universitaria y el barrio de Nueva Córdoba. Junto con amigos y familiares, suelen pasear por el principal pulmón verde de la ciudad. En las inmediaciones de esta zona pericentral hallamos un extenso predio que anteriormente pertenecía a las Fuerzas Armadas: el Batallón 141. Formando parte actual del paisaje de nuestra ciudad, el Batallón 141 es un espacio donde la memoria, los recuerdos y la Historia se encarnan en toda la extensión de su territorio. A casi 50 años del inicio del Golpe Militar de marzo de 1976, aún nos quedan muchas preguntas, heridas sin cerrar, dilemas sin resolver. Sin embargo, lo que las organizaciones de Derechos Humanos, familiares e hijos de desaparecidos nos han demostrado incesantemente es la estrecha vinculación de partidos políticos, empresas, la Iglesia y demás actores con el régimen del terror constituido por aquellos años. En ese entramado, el Destacamento 141 fue un protagonista clave tanto por su rol en el esquema represivo como por sus actores integrantes que sembraron el terror en nuestra población a base de sangre y fuego. No obstante, ese trabajo no fue completamente solitario. Parte de esta trama de lazos y cooperaciones mutuas entre el Ejército y actores de la sociedad civil fue presentada en el estrado de Tribunales durante el desarrollo de los juicios de lesa humanidad. El presente escrito le debe mucho a ese proceso y a quienes participaron. Son pocos los habitantes de la Ciudad de las Artes – entre trabajadores, estudiantes y visitantes- que conocen la historia previa de este espacio. Este libro pretende acercarles ese pasado constituyente del territorio actual de la Universidad, recordando que los dolores que nos quedan, son las libertades que nos faltan.Fil: Gerbaldo, Gabriel. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Córdoba. Instituto de Humanidades. Universidad Nacional de Córdoba. Instituto de Humanidades; ArgentinaFil: Arraya, Liliana. Universidad Provincial de Cordoba.; Argentin
Ralph Linton in Madagascar (1926-1927).
No full textBased on archival records and other writing of the period, the author traces in detail the Ralph Linton Expedition to the Island of Madagascar, 1926-1927.
Liliana Mosca also comments on the nature and extent of the American Anthropologists collecting for the Field Museum of Natural History and his encounters while touring the different regions of Madagascar in various locales that would help unravel the web that bedeviled students of Malagasy culture
Object agreement marking and information structure along the Quechua-Spanish contact continuum
No full textDirect object clitics in Spanish are morphological markers at the interfaces of syntax, phonology, morphology, and information structure (Zwicky 1985; Ordóñez & Repetti 2006; Belloro 2007; Spencer & Luís 2012). In bilingual acquisition they are subject to variability (McCarthy 2008). In this paper we explore the morphology-syntax-information structure mapping of direct object clitics in clitic structures in a range of speakers that includes Quechua-dominant bilinguals and Spanish monolingual individuals along a continuum of language contact situations. Our findings indicate clear dissociation between syntactic properties and marking of morphological features. They also indicate a Progression from default gender marking in clitics to a scalar system of clitic forms based on animacy and informational value along the continuum of speakers. The findings of this exploratory study support the view that while clitics exhibit common syntactic properties across a continuum of speakers, they vary in morphological marking and informational value.Peer reviewed
Feature variability in the bilingual-monolingual continuum: Clitics in Bilingual Quechua-Spanish, Bilingual Shipibo-Spanish and in Monolingual Limeño Spanish contact varieties
No full textDirect object clitics in Latin American Spanish are subject to great variability infeatures across dialects (Camacho and Sánchez 2002; Harris 1995; Heap 2002; Zagona 2002). Variability also characterizes bilingual acquisition (McCarthy 2008) and especially clitic doubling structures in language contact contexts (Luján 1987; Mayer and Sánchez 2016; Sánchez 2003). We focus on the distribution of clitics and DOM in clitic doubling structures among Shipibo-Spanish bilinguals, Quechua-Spanish bilinguals, and monolingual speakers of Spanish in contact with Quechua. We analyze a continuum of clitic forms and DOM as complex cases of feature reassembly (Lardiere 1998, 2005) and functional convergence (Sánchez 2004) that results in new interface rules (Jackendoff 2011) with scalar hierarchies.Peer reviewe
Introduzione a: G. F. Cromaz Pagine goriziane. Liberal-nazionali e cattolici popolari italiani al Comune di Gorizia (1851-1914)
No full textThe author describes the activity of the communal administration in Gorizia from 1848 to 1918. He uses documents of the communal archive and of a former communal adviser, Luigi Faidutti, leader of christian-social party in the austrian Friuli. The essay gives an important place to discussion about the creation of a public water service
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Closing Keynote – The Liliana Rivera Garza Archive: The Afterlives of Femicide
No full textCristina Rivera Garza is an author, translator, and critic. She presents the first day's closing remarks on the Liliana Rivera Garza Archive.Teresa Lozano Long Institute of Latin American Studies; Latin America Initiative; Institute for Historical Studies; Not Even PastLatin American Studie
Il Goriziano e il regno d'Italia
No full textThe essay analizes the reactions to the making of the italian unity in the county of Gorizia (1848-1861). The author uses principally the periodical press in italian, slovenian and german language
ENTREPRENEURSHIP AND FEMALE ENTREPRENEURSHIP IN MARAMURES COUNTY
No full textInitiating and developing a business involves a considerable risk and a sustained effort in order to defeat the inertia against what is new. The person initiating a business, assuming the responsibility and risk of its development and benefiting from theentrepreneurship, female entrepreneurship, profit, businesses
Ninguna imagen es inocente performance fotográfica
No full textAlicia D'Amico (Buenos Aires, 1933-2001) was one of the most important Argentine photographers of the twentieth century, founder of the Consejo Argentino de Fotografía, and cofounder along with Cristina Orive and Sara Facio of the publishing house La Azotea, a pioneer in Latin American photo books. Toward the end of the last Argentine military dictatorship (197383), D'Amico began research on female identity, using the genres of portraiture and the nude. During the First Argentine Congress of La Mujer en el Mundo de Hoy, in October 1982, D'Amico met performance artist and author Liliana Regina Mizrahi (Buenos Aires, 1943) with whom she explored questions of identity, particularly with regard to lesbian desire and the female body. Both women delved into a series of photo-performances that took into account the results of these experiences in which they worked on the topic of violence to create between 1984 and 1987 a photographic performance using 35 mm black and white photographs. In a first reading, crossed by the post-traumatic moment that Argentina lived, the performance brings us the memory of some methodologies of kidnapping of people and torture, implemented during state terrorismʺ. (HKB Translation) --Page [49
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