1,003 research outputs found
Dr. Ruben Arellano Interview
No full textDr. Ruben Arellano (B.A. 2010, Ph.D. 2017) was interviewed by Joel Zapata in the Oral History Studio at Fondren Library at Southern Methodist University on July 17, 2019. In his interview, Dr. Arellano described his binational upbringing in Mexico and the United States. However, from elementary school onward, Dr. Arellano lived in Dallas, where he was born. Dr. Arellano grew up in the Oak Cliff neighborhood of Dallas and attended Skyline High School. While in Skyline High School, Dr. Arellano was part of the Movimiento Estudiantil Chicano de Aztlan as well as Raza Alianza. After high school, he joined the U.S. Army. Afterward, Dr. Arellano participated in various social justice and cultural organizations in Dallas. He went on to attend El Centro College. Once obtaining in A.A. in Art and Ethnic Studies, he attended Southern Methodist University. He graduated with degrees in Art and Ethnic Studies in 2010. Afterward, he entered Southern Methodist University's Ph.D. Program in History. Dr. Arellano completed this degree in 2017. He has taught at the University of Texas at Arlington, the University of North Texas at Dallas, the University of Texas at El Paso, and is now teaching at Mountain View College
The symbols in the poetry of ruben dario
No full text碩士本論文主要分為三個章節，第一章，何為象徵符號？本章節主要藉由象徵理論學家，威爾伯 (Wilbur Marshall Urban)、弗萊(Northrop Frye)、托多羅夫(Tzvetan Todorov)、賽洛特(Juan-Eduardo Cirlot)以及其他學者的相關文獻解釋象徵符號的定義以及象徵符號在文學作品中的定義。
第二章針對達里歐的生平、作品以及達里歐在現實主義時期的重要性為論述重點。筆者根據達里歐的生平以及生長年代來了解他的作品特色，達里歐一生多采多姿，尤其感情方面更為豐富，這些人生際遇皆影響達里歐的寫作風格。達里歐不只是詩人，也是歷史的見證者，從他的作品中可以看到政治歷史的變化趨勢。達里歐著作極為豐富，筆者在本章節挑選三本可以代表達里歐的作品：《藍》(Azul)、《每日詩》(Prosas profanes)以及《生命與希望之歌》(Cantos de vida y esperanza)。達里歐與現實主義有著密不可分的關係，他的寫作風格不僅受到現實主義作家的影響，同時也是影響現實主義作家的重要人士之一。
第三章筆者不僅針對達里歐的詩集作品分析，同時也分析其散文作品，如《稀奇》(Los raros)。筆者將經常出現於達里歐作品中的象徵符號分為三個部分：顏色符號、禽鳥符號和寶石符號。顏色符號部分主要分析的顏色為藍色、綠色、白色以及黑色。禽鳥符號則針對天鵝、鴿子、孔雀和老鷹。而最後的寶石符號則以珠寶、寶石、鑽石、琥珀、黃金和水晶為主要分析內容。
最後筆者希望藉由這篇論文的研究，能讓大家了解象徵符號經由作家的詮釋，即使相同的符號，也擁有不同的意義。此外也希望大家能透過此篇論文認識文學史上重要的拉丁美洲作家盧本達里歐先生。In this thesis we explore definitions of symbols and the life of the author in the book of Ruben Dario. Dario is an author who emphasized the importance of the use of symbols though out his books. Therefore we might consider him as a master specialized in writing with symbols.
We divide the thesis into three chapters. In the first chapter, we give details to the definition of the symbols. According to scholars like Urban, Frye, Todorov and Cirlot, we are able to understand symbols in forms of signs, images and words. The concept of the symbols is relatively comprehensive, taking into consideration that a symbol is not always a sign; in fact, it is much more than a sign.
In the second chapter, we describe Ruben Dario about his life, literary works and the times when he lived. His life was interesting, colorful and varied. He was not only a poet but a public figure, having been an ambassador of Nicaragua in Spain. Dario wrote many pieces and each was important to him. Based on his narration, there are three books that can represent Ruben Dario, Azul, Prosas profanas and Cantos de vida y esperanza.
Dario was the master of Modernism, mainly because of the great influence of Latin America. Not only did Ruben Dario influence the poets of Modernism but was influenced by other poets in the same period.
In the last chapter we examine the symbols in the poetry of Dario and we divided the symbols into three parts: the colors, birds and precious stones. The first part, we examine the colors. There are blue, green, and black. In the second part, we deal with the symbols of birds, including swans, pigeons, peacocks and eagles. And in the last part, we talk about precious stones. We analyze the symbols of agate, ruby, diamond, crystal and gold. Finally, we end up with the conclusions and bibliography.INTRODUCCION 1
Motivo y objetivo 1
Metodologia de trabajo 3
CAPITULO I: ¿QUE SON LOS SIMBOLOS? 5
1.1 Teorias del simbolo 6
1.2 Los simbolos en la literatura 15
CAPITULO II: RUBEN DARIO Y SU OBRA POETICA 22
2.1 Vida 22
2.2 Obra literaria 28
2.3 Ruben Dario y el Modernismo 35
CAPITULO III: LOS SIMBOLOS EN LA POESIA DE RUBEN DARIO 40
3.1 Colores 40
3.2 Aves 45
3.3 Piedras preciosas 59
CONCLUSION 72
BIBLIOGRAFIA 77
ANEXOS 83學號: 698120028, 學年度: 10
Erratum: Author Correction: A Lab-in-a-Fiber optofluidic device using droplet microfluidics and laser-induced fluorescence for virus detection (Scientific reports (2022) 12 1 (3539))
No full textCorrection to: Scientific Reports https://doi.org/10.1038/s41598-022-07306-0, published online 03 March 2022
The original version of this Article contained an error in the spelling of the author Ruben R. G. Soares, which was incorrectly given as Ruben G. Soares
As Cores de Ruben A.: o processo de escrita de «Verde» e «Pardos»
No full textA presente tese tem como objetivo testar uma tipologia de emendas que ainda só foi aplicada à obra de Camilo Castelo Branco e caracterizar o processo criativo de Ruben A.. Como tal, procedeu-se à análise genética de dois contos do autor, «Verde» e «Pardos», que ainda não foram estudados e que demonstram que, de facto, a tipologia de emendas utilizada pode ser aplicada a Ruben A., embora precise de ser ampliada para uma análise genética mais abrangente.The current dissertation has the objective of testing the typology of errors that has only been applied to the work of Camilo Castelo Branco and characterize the creative process of Ruben A.. Therefore, a genetic analysis was carried out of two short stories by the author, «Verde» and «Pardos», that haven’t yet been studied and that evidence that, as a matter of fact, the typology of errors used can be applied to all authors, even though it needs to be expanded to further a comprehensive analysis
As Cores de Ruben A.: o processo de escrita de «Verde» e «Pardos»
No full textA presente tese tem como objetivo testar uma tipologia de emendas que ainda só foi aplicada à obra de Camilo Castelo Branco e caracterizar o processo criativo de Ruben A.. Como tal, procedeu-se à análise genética de dois contos do autor, «Verde» e «Pardos», que ainda não foram estudados e que demonstram que, de facto, a tipologia de emendas utilizada pode ser aplicada a Ruben A., embora precise de ser ampliada para uma análise genética mais abrangente.The current dissertation has the objective of testing the typology of errors that has only been applied to the work of Camilo Castelo Branco and characterize the creative process of Ruben A.. Therefore, a genetic analysis was carried out of two short stories by the author, «Verde» and «Pardos», that haven’t yet been studied and that evidence that, as a matter of fact, the typology of errors used can be applied to all authors, even though it needs to be expanded to further a comprehensive analysis
Replication data for: Voronoi Cell Interface-Based Parameter Sensitivity Analysis for Labeled Samples
No full textThis dataset contains the data and code for the publication: Voronoi Cell Interface-Based Parameter Sensitivity Analysis for Labeled Samples.
Code Repository
A dynamic version of the code repository can be found at https://github.com/rbnbr/VoroParaSense.
The version presented in this dataset corresponds to the version used in the corresponding paper (referenced as v1.0.0) and does not contain post-publication changes to the repository.
Figures
Some of the figures contained in the Jupyter Notebooks were used to generate the CC BY 4.0 licensed figures in https://doi.org/10.1111/cgf.70122. The figures here are the raw .png figures. The published figures are mostly vector graphics and were slightly modified compared to the figures rendered in the Jupyter notebooks.
Author: Ruben Bauer
Source: https://doi.org/10.1111/cgf.70122
License: CC BY 4.0
The figures of the main paper are:
examples\notebooks\plot_examples\two_d_clipping_and_distribution.ipynb used to generate Figure 2
examples\notebooks\plot_examples\three_dimensional_case.ipynb used to generate Figure 3
examples\notebooks\plot_examples\two_d_clipping_and_distribution.ipynb used to generate Figure 4
examples\notebooks\plot_examples\two_d_major_transition_directions.ipynb used to generate Figure 5
examples\notebooks\single_dataset_convenience_plots\iris_conv_plot.ipynb used to generate Figure 6, 7, 8, 9, 10, 12
examples\notebooks\plot_examples\space_dividing_line.ipynb used to generate Figure 11
examples\notebooks\single_dataset_convenience_plots\semiconductor_conv_plot.ipynb used to generate Figure 14
examples\notebooks\single_dataset_convenience_plots\droplet_impact_conv_plot.ipynb used to generate Figure 15, 16
For the supplemental material:
examples\notebooks\plot_examples\normal_vectors_angle_vis.ipynb used to generate Figure 1
examples\notebooks\plot_examples\plane_plane_distance.ipynb used to generate Figure 2
examples\notebooks\plot_examples\runtime_experiments_2.ipynb used to generate Figure 3, 4
examples\notebooks\plot_examples\bandwidth_experiments.ipynb used to generate Figure 5 - 15
Install
Tested with Python 3.12.3.
Setup virtual environment with Python: python -m venv .venv
Activate the environment, then install the requirements via: pip install -r requirements.txt
Run python ./main.py to run the main example.
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Slippage Effects of the Conservation Reserve Program: New Evidence from Satellite Imagery
Full text linkThe Conservation Reserve Program (CRP) is the largest land retirement program ever operated in the US. Since its inception in 1985, many researchers have studied the impacts of this program; however, only a few have analyzed how the CRP affects surrounding non–enrolled parcels. In this research I examine how the CRP may affect the conversion of non–cropped land to agriculture, a phenomenon referred to as “slippage” in the literature, and specifically addressed by Wu (2000) and Roberts and Bucholtz (2005). Building on these earlier studies, I empirically model slippage using data derived from satellite imagery that provides information on land cover changes between 1992 and 2001. The study area consists of 1,053 counties located in the Northern Plains, Corn Belt and Lake States regions. Results support the existence of slippage effects from the CRP, but they are more conservative than the ones found by Wu (2000). The evidence of slippage provided here is important information for planners, given that whether and how the CRP affects land use decisions in surrounding areas is key information for implementing conservation efforts more efficiently.CRP, Land use change, Satellite imagery, Slippage effect, Agricultural and Food Policy, Land Economics/Use, Q15, Q24,
K-theory for group C*-algebras
No full textThese notes are based on a lecture course given by the first author in the Sedano Winter School on K-theory held in Sedano, Spain, on January 22-27th of 2007. They aim at introducing K-theory of C*-algebras, equivariant K-homology and KK-theory in the context of the Baum-Connes conjectur
The children of the sun
No full textA Humanities in Focus video (20 minutes, 3 seconds long), produced by Ruben Carhuaricra Ventura and Juanita Paucar Noguera. This video is about the Peruvian Dance School Kausachunperu, which teaches and presents Peruvian dance to members of the community in West Valley City, Utah. Comments by author Romulo Gamarra Baca of Cusco, Peru; Juanita Noguera, arts director at Peruvian Dance School Kausachunperu. and various dancers. Includes English and Spanish subtitles
The Space of Discomfort in Ruben Östlund’s Films
Full text linkThe author analyzes a selection of Ruben Östlund’s feature-length films in terms of the presence
of discomfort space in them. In doing so, he refers, first to the notion of “discomfort cinema”
proposed by Geoff King, but also sets the analyzed works in the context of the concept
relating to feel-bad films, as presented by Nikolai Lübecker, and to strategic disorientation,
a technique of postmodern cinema, as described by Andrzej Zalewski. The author of the
article notes that discomfort in Östlund’s films occurs on at least three levels: the level of
the diegetic characters, the viewer watching the film, and is present in the cinematic means
used by the director, such as wide sets, long takes, static camera and frequent use of off-screen
space. The basis for such oriented research will be the concept of spatial turn, humanistic
geography, and the starting point will be geographical place functioning in various contexts
(social, cultural, historical). The article also proposes a division of space in the Swedish director's
films into the space of nature, public space, and heterotopia (Foucault), in the context
of which there are also references to the concept of non-places (Augé). As for the analyses
of the film itself, they are based largely on textual analysis derived from general structural
analysis, which means that the author treats the film as a text, and this text is a “realized unit
of discourse.” In conclusion, the author also points out that space in the Swedish director’s
films can be read allegorically, as a critique of the modern welfare state, or consumer society
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