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    Design Futures time-based paradigms

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    Anna Barbara pointed out that the design of time is one of the most important global trends, and we should take the future as an important tool for designing the present. Anna Barbara asked the question: what kind of present do we live in? First of all, she explained the present meaning of contraction and told us that the form of time is changing. We are driving towards the future like a car. What we see in the rearview mirror is the past, and now is simplified to a moment. This is our current situation. We decompose our emotions and opinions and filter our heritage to the world through smart phones, cameras and other filters, which gives us a distance between reality and related problems, between us and social responsibility, and choose to live in a comfortable area, making us passive bystanders rather than active participants. Anna Barbara pointed out that there are more and more different perspectives, which have brought us different opinions, which is also changing the quality of our design and the space we will live in. We hope to respond to the living space, experience and experience, and our space may have been designed 50 years ago, not modern design at all. At the same time, the digital age has brought us a completely different life. In addition, the exploration of time is closely related to the innovation in the field of mobile and transportation. Anna Barbara, for example, looks at the swimming pool in the above figure. The swimming pool on the screen is more exciting than in reality. She puts forward a social way to make life no longer socialized. Excessive use of social media gives us a sense of definition and existence. Now we are not close to the people around us, but we have established contact with people in another space. Back to the point just mentioned, in fact, we walk in space, and we don't move our steps when we walk. We don't even exist in space now. Our existence is nonexistence. In the compression or expansion of time, not only designers, people maximize productivity. We are constantly adjusting our adaptability to time. What is it like now? With the continuous compression and expansion of time, we become more and more efficient, and our productivity has been maximized. We all use artificial, rising and setting sun like chickens in farms, but make them produce more chicken eggs in an unsustainable way. We have now become consumers of space. Our feelings and experiences of place have been distorted, seduced, enjoyed and entertained. Even if our physiological rhythm is compromised in this process, we have become over excited consumers, resulting in emotional bulimia. Finally, Anna Barbara asked: what should it be like for future design? Students are the people who live in the future. She asked students to design a space where they hope to live and see their prospects for the future. She believes that as a teacher, we should go out of the reflection of knowledge, let ourselves stand out, be able to accommodate ourselves, teach methods, abandon ideas, and teach students how to ask correct questions, rather than simply give answers. So that students can really live in a conscious time and space, establish real proximity, sharing economy and open knowledge. If teachers can afford equal programs for young people of all genders without leaving anyone behind, regardless of social and cultural background, learning will be highly sustainable in the future

    [Porträt der Anna Barbara Weyermann]

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    J: Lips sculpText unterhalb des Porträts: "Stets war ihr Herz dem Herren nah! Ganz Ihm - nur: Ihm geweiht - An Dehmuth war sie Maria, - Fest - auch im Sturm der Zeit - Durch Liebe und durch Wohlthun gross Schwang sie sich auf in Edens Schoos."Gemäss handschriftlicher Notiz auf der Unterlage lebte Anna Barbara Weyermann in Zürich und trug ledig den Namen Röme

    Listiger und Lustiger Liebes-Proceß/ Welchen Bei der Vermählung Des Ehrenvesten/ Vorachtbaren und Fürnehmen H. Benedicti Zierolts/ Ansehnlichen Bürgers und Handelsmanns/ und der ... Jungf. Anna Barbara Richterin/ So den 26. Octobr. dieses laufenden Jahrs in St. Annäberg volzogen ward/ Denen ... Hochzeit-Gästen zu beliebender Ergözlichkeit entdeckten Zwei Wolvertraute/ und unten benamte Freunde

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    LISTIGER UND LUSTIGER LIEBES-PROCESS/ WELCHEN BEI DER VERMÄHLUNG DES EHRENVESTEN/ VORACHTBAREN UND FÜRNEHMEN H. BENEDICTI ZIEROLTS/ ANSEHNLICHEN BÜRGERS UND HANDELSMANNS/ UND DER ... JUNGF. ANNA BARBARA RICHTERIN/ SO DEN 26. OCTOBR. DIESES LAUFENDEN JAHRS IN ST. ANNÄBERG VOLZOGEN WARD/ DENEN ... HOCHZEIT-GÄSTEN ZU BELIEBENDER ERGÖZLICHKEIT ENTDECKTEN ZWEI WOLVERTRAUTE/ UND UNTEN BENAMTE FREUNDE Listiger und Lustiger Liebes-Proceß/ Welchen Bei der Vermählung Des Ehrenvesten/ Vorachtbaren und Fürnehmen H. Benedicti Zierolts/ Ansehnlichen Bürgers und Handelsmanns/ und der ... Jungf. Anna Barbara Richterin/ So den 26. Octobr. dieses laufenden Jahrs in St. Annäberg volzogen ward/ Denen ... Hochzeit-Gästen zu beliebender Ergözlichkeit entdeckten Zwei Wolvertraute/ und unten benamte Freunde ([1]) Cover ( - ) Titelseite ([1]) Text ([1]

    Anna Barbara Becker and Harrison Winfield Haines

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    These are studio portraits of Anna Barbara Becker and Harrison Winfield Haines. Anna Becker\u27s hair is tied up and she is looking to the right. She is wearing a dark dress with a leaf pattern, a small brooch at the collar and buttons down the front. The image fades out around Anna, making her the central focal point. Anna was born in New York City, and later became a teacher and a governess in New Jersey. Here she met her husband, Harrison W. Haines, and married in Denver, Colorado. They then moved to a ranch in Wyoming where their daughter, Hanna Claire Haines, was born. Harrison Haines is wearing a dark suit and bowtie with a white shirt beneath as seen through a v-shape cut in his suit. One side of his white collar is sticking up. The background is a cream color, with slight shading behind him. The image fades out around Harrison, making him the central focal point. Harrison was born in Medford, New Jersey. Anna Becker\u27s rectangular photograph (averaged 5 1/2"x4" in.) is pasted on a slightly bigger black cardboard with gold edges and lettering. The photograph itself has a few black and brown specks on it, and under the right light a few scratches can be found. Written in the bottom margin of the cardboard is "Davis, 723 Seventh St., Washington, D. C. and Richmond, Va." Written in the scrapbook and beneath the entire photograph is the name Anna Barbara Becker. On the gray backing of the photograph is written in cursive, "Anna Barbara Becker Haines," which is then followed by, in a different penmanship, "Dec 9, 1860; June 17, 1946." Miss Becker was married to Harrison Winfield Haines on Sept. 16, 1890. The original photograph is located in the Hannah Claire Haines Scrapbook in the Giovale Library Archives. This rectangular photograph of Harrison Haines is pasted on a slightly larger gray cardboard. On the photograph there are a few brown specks, but nothing to deter from the image. In the bottom margin of the cardboard is written in black type, "GORMAN & CO. {Successors to CHILLMAN & CO.} No. 18 S. Eighth Street, Philad\u27a." Written in the scrapbook and beneath the entire photograph is, "Harrison Winfield Haines; married Sept. 16, 1890." Harrison was married to Anna Barbara Becker. On the back of the photograph is written in cursive and in pencil, "Harrison W. Haines," which is then followed by, in a different penmanship and in blue ink, "May 1, 1859; Nov. 22, 1937." The original photograph is located in the Hannah Claire Haines Scrapbook in the Giovale Library Archives

    Frommer Hertzen bester Theil. i. e. Christliche Leich-Sermon ... Bey ... Leich-Begängnuß Der ... Jungfrauen/ Anna Barbara/ Deß ... Herrn/ Heinrich Hattingen/ ICti. Und gewesenen ... Ober-Rahts/ in Stuttgart/ Hinterlassenen ... Tochter/ Welche den 18. May/ Anno 1642. gebohren. den 24. Octobr. deß Jahrs 1672. selig verschieden. den 28sten aber selben Monaths/ ... bestattet worden

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    FROMMER HERTZEN BESTER THEIL. I. E. CHRISTLICHE LEICH-SERMON ... BEY ... LEICH-BEGÄNGNUSS DER ... JUNGFRAUEN/ ANNA BARBARA/ DESS ... HERRN/ HEINRICH HATTINGEN/ ICTI. UND GEWESENEN ... OBER-RAHTS/ IN STUTTGART/ HINTERLASSENEN ... TOCHTER/ WELCHE DEN 18. MAY/ ANNO 1642. GEBOHREN. DEN 24. OCTOBR. DESS JAHRS 1672. SELIG VERSCHIEDEN. DEN 28STEN ABER SELBEN MONATHS/ ... BESTATTET WORDEN Frommer Hertzen bester Theil. i. e. Christliche Leich-Sermon ... Bey ... Leich-Begängnuß Der ... Jungfrauen/ Anna Barbara/ Deß ... Herrn/ Heinrich Hattingen/ ICti. Und gewesenen ... Ober-Rahts/ in Stuttgart/ Hinterlassenen ... Tochter/ Welche den 18. May/ Anno 1642. gebohren. den 24. Octobr. deß Jahrs 1672. selig verschieden. den 28sten aber selben Monaths/ ... bestattet worden ([1]) Titelseite ([1]) Christlicher Leich-Sermon (3) Ehren-Gedächnus der Seelig-Verstorbenen. (36

    Hertzwünschende Ehrengedichte denen wol-edlen-Ehegeparten Juncker Mauritzen von Schönaw ... und Jungfr. Anna Barbara Escherin ...

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    Es handelt sich um Hochzeitsgedichte, die anlässlich der Vermählung von Moritz von Schönau und Anna Barbara Escher am 13. November 1661 gedruckt wurden[anonym

    "Plan und Einrichtung einer Bürgerlichen Töchterschule und Erziehungsanstalt": aus dem Testament der Anna-Barbara von Stetten

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    "Plan und Einrichtung einer Bürgerlichen Töchterschule und Erziehungsanstalt" : aus d. Testament d. Anna-Barbara von Stetten. - In: Historischer Verein für Schwaben: Zeitschrift des ... 74. 1980. S. 131-16

    Anna Barbara Gignoux (1725-1796), eine Mäzenin? Auf der Suche nach Belegen

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    Anna Barbara Gignoux (1725-1796), eine Mäzenin? : auf d. Suche nach Belegen. - In: Historischer Verein für Schwaben: Zeitschrift des ... 86. 1993 (1994). S. 235-26

    Anna Barbara Zellweger-Zuberbühler (1775-1815) : eine Frau im Brennpunkt ihrer Zeit

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    Von Anna-Barbara Zellweger-Zuberbühler (1775-1815) ist eine umfangreiche Privatkorrespondenz überliefert, die uns einzigartige Einblicke in ihr Leben ermöglicht. Wir erfahren daraus nicht nur Ereignisse aus ihrem Alltag, sondern auch Ausschnitte aus ihrer Gefühls- und Gedankenwelt

    Anna Barbara van Meerten-Schilperoort (1778-1853) : Feminist Pioneer ?

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    Grâce à ses activités pédagogiques, littéraires, journalistiques et philanthropiques, Anna Barbara Van Meerten-Schilperoort (1778-1853) fut l'une des femmes néerlandaises les plus productives de son époque. Ses publications et l'exemple de sa propre vie offrirent aux femmes bourgeoises de la première moitié du XIXe siècle un nouvel idéal de féminité caractérisé notamment par des notions d'éducation, de patriotisme et de philanthropie. En prenant l'initiative des associations de femmes à caractère social, elle fut l'une des pionnières du mouvement des femmes aux Pays-Bas. La question centrale de cet article est de savoir si elle fut également une féministe au sens où on l'entendait à la fin du XIXe siècle. La réponse à cette question est principalement négative. La hiérarchie masculine/féminine de l'époque ne fut pas menacée par Anna Barbara Van Meerten-Schilperoort. Elle ne prônait pas les vertus de l'égalité des droits, bien au contraire, elle insistait sur la subordination de la femme à l'homme. Son image de la femme correspondait ainsi aux conceptions dominantes de l'époque ; en conséquence, ses contemporains du sexe masculin réagirent de façon positive à ses activités publiques et la laissèrent participer à leurs réseaux pédagogiques, même si elle devait toujours rester une profane à leurs yeux. Une lecture attentive de sa biographie permet cependant de mettre en évidence quelques traces de féminisme sous les traits de l'ambition, de l'indépendance et de la volonté de faire carrière. Un projet réalisé en 1816 pour une école normale primaire pour institutrices - dont l'existence ne fut découverte que récemment - montre en outre une attitude ambivalente relativement aux différences entre les sexes. Malgré sa foi totale en le fait que les hommes et les femmes sont différents, et que chacun doit apporter sa propre collaboration à la société, elle préconise dans ce document une éducation égale pour tous.Van Essen Mineke. Anna Barbara van Meerten-Schilperoort (1778-1853) : Feminist Pioneer ?. In: Revue belge de philologie et d'histoire, tome 77, fasc. 2, 1999. Histoire médiévale moderne et contemporaine - Meddeleewse, moderne en hedendaagse geschiedenis. pp. 383-401
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