33 research outputs found
Motion de M. Ango concernant la possibilité pour les municipalités de faire des dépenses et des emprunts, et réponse de M. de La Rochefoucauld, lors de la séance du 5 août 1791
No full textAngo Louis Hector, La Rochefoucauld d'Enville Louis Alexandre, duc de. Motion de M. Ango concernant la possibilité pour les municipalités de faire des dépenses et des emprunts, et réponse de M. de La Rochefoucauld, lors de la séance du 5 août 1791. In: Archives Parlementaires de 1787 à 1860 - Première série (1787-1799) Tome XXIX - Du 29 juillet au 27 août 1791. Paris : Librairie Administrative P. Dupont, 1888. p. 196
Motion de M. Ango concernant la possibilité pour les municipalités de faire des dépenses et des emprunts, et réponse de M. de La Rochefoucauld, lors de la séance du 5 août 1791
No full textAngo Louis Hector, La Rochefoucauld d'Enville Louis Alexandre, duc de. Motion de M. Ango concernant la possibilité pour les municipalités de faire des dépenses et des emprunts, et réponse de M. de La Rochefoucauld, lors de la séance du 5 août 1791. In: Archives Parlementaires de 1787 à 1860 - Première série (1787-1799) Tome XXIX - Du 29 juillet au 27 août 1791. Paris : Librairie Administrative P. Dupont, 1888. p. 196
Suite de la discussion sur l'organisation des municipalités, lors de la séance du 2 décembre 1789
No full textDémeunier Jean Nicolas, Lachèze Murel Pierre Joseph de, Pison du Galand Alexis François, Rewbell Jean François, Maury Jean Siffrein, abbé, Barrère de Vieuzac Bertrand, Boisgelin de Cucé Jean-de-Dieu de, Long Pierre, Clermont-Tonnerre Stanislas Marie, comte de, Fréteau de Saint-Just Emmanuel, Michelon de Cheuzat Gilbert Louis, Bouron François Anne, Ango Louis Hector. Suite de la discussion sur l'organisation des municipalités, lors de la séance du 2 décembre 1789. In: Archives Parlementaires de 1787 à 1860 - Première série (1787-1799) Tome X - Du 12 novembre au 24 décembre 1789. Paris : Librairie Administrative P. Dupont, 1878. pp. 355-356
Suite de la discussion sur l'organisation des municipalités, lors de la séance du 2 décembre 1789
No full textDémeunier Jean Nicolas, Lachèze Murel Pierre Joseph de, Pison du Galand Alexis François, Rewbell Jean François, abbé Maury, Barrère de Vieuzac Bertrand, Boisgelin de Cucé Jean-de-Dieu de, Long Pierre, Clermont-Tonnerre Stanislas Marie, comte de, Fréteau de Saint-Just Emmanuel, Michelon de Cheuzat, Bouron François Anne, Ango Louis Hector. Suite de la discussion sur l'organisation des municipalités, lors de la séance du 2 décembre 1789. In: Archives Parlementaires de 1787 à 1860 - Première série (1787-1799) Tome X - Du 12 novembre au 24 décembre 1789. Paris : Librairie Administrative P. Dupont, 1878. pp. 355-356
Discussion sur l'article 2 du décret concernant l'ordre des successions ab intestat, lors de la séance du 12 mars 1791
No full textFrondeville Thomas Louis de, Achard de Bonvouloir Luc René, Prieur Pierre-Louis, Goupil de Préfeln Guillaume François, Thouret Jacques-Guillaume, Mirabeau Honoré-Gabriel Riquetti, comte de, André Antoine Balthazar d', Darnaudat Louis Jean, Dubois de Crancé Edmond Louis, Dupont de Nemours Pierre Samuel, Ango Louis Hector, Le Chapelier Isaac-René-Guy, Merlin de Douai Philippe Antoine, Beaudrap de Sotteville Pierre-François de, Vieillard Pierre-Jacques, Gaultier de Biauzat Jean-François, Tuault de la Bouverie Joseph Golven, Des Roys, Garat Dominique (Aîné), Noailles Louis Marie Marc Antoine, vicomte de. Discussion sur l'article 2 du décret concernant l'ordre des successions ab intestat, lors de la séance du 12 mars 1791. In: Archives Parlementaires de 1787 à 1860 - Première série (1787-1799) Tome XXIV - Du 10 mars 1791 au 12 avril 1791. Paris : Librairie Administrative P. Dupont, 1886. pp. 47-50
[Recueil. Portraits de Louis Hector Amédée Ango]
No full textAppartient à l’ensemble documentaire : IconEST
Cello techniques and performing practices in the nineteenth and early twentieth centuries
No full textThis thesis comprises a study of cello performance practices throughout the nineteenth century and into the early decades of the twentieth. It is organised in terms of the increasing complexity of the concepts which it examines, as they are to be found in printed and manuscript music, instrumental methods and larger treatises, early recordings, concert reviews and pictures. Basic posture is considered along with different ways of holding the
bow. The development of the tail-pin shows that even when it was widely used, the older posture was still referred to as a model. Some implications for tone quality and tonal
projection are considered in the light of the shape of the arms. Some connections between the cellist's posture and that recommended by etiquette books are explored. The
functionality of the left hand and arm, and the development of modem scale fingerings, show that there was a considerable period of overlap between newer and older practices, with modern scale fingerings evolving over a long period of time. Similarly, views on the function of the right wrist in bowing are shown to change gradually, moving towards a more active upper arm movement with less extreme flexibility of the wrist. Two central expressive techniques especially associated with string playing arc considered in the context of the cello, namely vibrato and portamento. These topics are examined in the light of written indications in music, recommendations in cello treatises, and the practices evidenced in early recordings. The sources for this study can be brought into an overall
framework of a constant dialogue between `theory', as expressed in verbal instructions to the learner, or general a priori reflections about the cello, and `practice', manifested in performing editions and early recordings, or in individual acts of reception. A wide divergence is noted, both between theory and practice in general, and in terms of different styles of playing observable at any one time. It is suggested that tensions between practice
and critical disapproval can be resolved in terms of Lacanian discourse. Several test cases are used in order to compare several different recordings of the same works. The question of the musical character of the cello is discussed in terms of widespread assumptions about its gendered identity. A wide range of sources suggest that this moved from a straightforwardly `masculine' identity expressed through a controlling, elevated eloquence to a less clearly defined one, incorporating the 'feminine', with a greater stress on uninhibited emotional expression. Some performance implications for this change of view are pursued with respect to specific repertoires. Broad conclusions stress the importance of the diversity of performance practices as opposed to unifying generalisations
Genève, Bibliothèque de Genève, Ms. fr. 179 : Jean d’Auton, Epistre d’Hector au roy
No full textIn 1511, the Benedictine Jean d\u27Auton (around 1466-1528), chronicler at the court of Louis XII, initiated a contest to write fictional letters to the king. For this contest, he wrote the Epistre d\u27Hector au roy, which was answered, among others, by Jean Lemaire de Belges with his Epistre du roy Loys à Hector. This Geneva manuscript begins with a full-page illustration, executed by an artist named Maître des Entrées, active in Lyon. It depicts Hector presenting a book to a satyr in front of an army of soldiers in armor, some of whom are crowned with the poets’ laurel wreath. The numerous references to antiquity, textual as well as visual, are typical for the humanist milieu of Lyon, which included the owner of this manuscript, Jean Sala, half-brother of the famous author and antiquities enthusiast Pierre Sala.Online Since: 2019-10-1
The ideological and the dialogical
No full textHaye A, Carvacho H, Larraín A. The ideological and the dialogical. Journal für Psychologie. 2011;19(1).In this paper we follow researchers on ideology in that one way of dealing with this problem is by conceiving language as a common ground between the social and the psychological, and then we focus on Bakhtin's theory of discourse to show how language practices can be regarded as the locus of ideology. We will approach the Bakhtinian concepts of discourse and utterance, showing the ideological nature of language practices in three steps. First, because language practices consist of position-taking movements in a social field. Second, because these acts of discourse are evaluations, that is, value-laden positioning effort. And finally because any utterance involves a social background that roots the evaluative positioning movement in a history of language practices common among speaking subjects. Then we explore this third aspect in terms of the common social life that is discursively assumed in communication and thinking activity
