170 research outputs found

    Enigmele, miturile şi realităţile testamentului Mariei (Lupu) Radziwiłł / Mysteries, myths and realities regarding the testament of Maria (Lupu) Radziwiłł

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    The matter of Maria (Lupu) Radziwiłł’s will is one of little-known questions. Usually this issue was considered by historians in the context of property of the Radziwill family, or used by writers in literary fiction that gave rise to many myths. In this article the author examines this question in several ways: 1) The property brought by Maria (Lupu) Radziwiłł, a daughter of Vasile Lupu, as a dowry; 2) Wiano and wedding gifts; 3) Awards of Polish kings for life ownership of real property; 4) The property of her husband. The amount of the dowry of Maria is not exactly known, but according to documentary evidence, it numbered from 600,000 to 2000,000 zlotys: 450 thousand in money and 150 thousand in jewels (gold and silver). Besides, she received six starostwos (territorial units) for life tenure

    Historia życia osobistego Marii (Lupu) Radziwiłł ukazana w obrazach epoki

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    In this study, the author presents some of the fragments of the private life of Princess Maria (Lupu) Radziwiłł on the basis of illustrative material. Of particular interest in this respect are various images of Maria (Lupu) Radziwiłł on frescos, engravings, and paintings of the 17th–18th centuries, which are preserved in the museums and churches of Poland, Lithuania, Belarus, Romania, and Russia. For the first time in historical literature, the author attempted to chronologically follow the history of portraits and images of Maria. The use of the illustrative aspect in historical research methodology allows the author to combine the letter and the image, raising the value of material documents – narrative sources and artworks – to create a deep and multifaceted portrait of the era in general and the image of daily private life, spirituality and the morals of the era.W artykule zostały przybliżone niektóre fragmenty z życia osobistego księżniczki Marii (Lupu) Radziwiłł. W tym celu wykorzystano materiał ilustracyjny. Na szczególne zainteresowanie zasługują różne wizerunki Marii przedstawione w formie fresków, rycin i obrazów pochodzących z XVII–XVIII wieku, które zachowały się w muzeach i kościołach Polski, Litwy, Białorusi, Rumunii i Rosji. Po raz pierwszy w literaturze historycznej podjęto próbę chronologicznego odtworzenia historii portretów i obrazów przedstawiających Marię. Zastosowanie aspektu ilustracyjnego w metodologii badań historycznych pozwala autorowi połączyć słowo i obraz, podnosząc wartość dokumentów rzeczowych – źródeł narracyjnych i dzieł sztuki – w celu stworzenia głębokiego i wielopłaszczyznowego obrazu epoki a także odwzorowania życia codziennego, kwestii duchowości i moralności tamtego okresu

    The story of the courtship of Catherine “The Circassian”, the second wife of the prince Vasile Lupu

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    This article presents the episode of the second marriage of Moldavian prince Vasile Lupu (1634-1653) with Catherine, of Circassian descent, a relative of the Crimea Tatar khan Behadir Gere (1638-1642). An extraordinary beauty, Catherine played an important role in the personal life of Vasile Lupu and had noticeable political and diplomatic skills. The author has paid special attention to historical sources, especially to Miron Costin's chronicle and Niccolo Barsi’s (Italian traveler) testimony, who had witnessed the arrival of Catherine from the Crimea into Moldavia

    The story of the courtship of Catherine “The Circassian”, the second wife of the prince Vasile Lupu

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    Abstract: This article presents the episode of the second marriage of Moldavian prince Vasile Lupu (1634-1653) with Catherine, of Circassian descent, a relative of the Crimea Tatar khan Behadir Gere (1638-1642). An extraordinary beauty, Catherine played an important role in the personal life of Vasile Lupu and had noticeable political and diplomatic skills. The author has paid special attention to historical sources, especially to Miron Costin's chronicle and Niccolo Barsi’s (Italian traveler) testimony, who had witnessed the arrival of Catherine from the Crimea into Moldavia

    Adio Chiustenge musical by the dobrogean composer Dumitru Lupu and librettist Carmen Aldea Vlad: subject and dramaturgy

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    The article focuses on a significant aspect of Romania’s musical-theatrical history, namely the musical „Adio Chiustenge!” , composed in 2016 by Dumitru Lupu, a composer from Dobrogea, in close collaboration with poet Carmen Aldea-Vlad, the author of the libretto. Dumitru Lupu was a complex personality: composer, conductor and pedagogue. Music his enjoyed great popularity until present, characterized by a melodiousness and special expressiveness, which shaped him a complex musical profile, of a melodist. In this article, we examine D. Lupu’s creative evolution within the context of Romania’s non-academic musical culture. Additionally, we analyze the aspects of the evolution, composition, and dramaturgy of this musical, which holds an important place in the country’s musical-theatrical history

    Author Obliged to Submit Paper before 4 July: Policies in an Enterprise Specification

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    Abstract Specifying policies doesn't occur in splendid isolation but as part of refining an enterprise specification. The roles, the tasks, and the business processes of an ODP community provide the basic alphabet over which we write our policies. We illustrate this through exploring a conference programme committee case study. We discuss how we might formulate policies and show how policies are refined alongside the refinement of the overall system specification, developing notions of sufficiency and necessity. Policy delegation is also discussed and we categorise different forms of delegating an obligation

    The destiny of woman in the history of Moldavia. Myths and realities about Catherine the Circassian – the second wife of the hospodar Vasile Lupu

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    In this study the author came to some specific conclusions. In particular, it is safe to say that the marriage between Vasile Lupu and Catherine was far from accidental. As the sources of the era attest, all the details have been well thought out. Almost immediately after the death of his wife, Vasile Lupu sends the ambassadorial cortege to get his second wife, hence not respecting even the basic mourning traditions. One may also assume that perhaps in that situation government and political interests were high above his emotions. Vasile Lupu was an ambitious, far-sighted politician and a brilliant strategist. His plan was to expand the Moldovan boarders. He prepared his only son Ioan as future ruler of Wallachia. However, his plans failed after the son's death, and he was left without an heir. Vasile Lupu was well aware that he had to urgently resolve the dynastic crisis. He needed a young, strong and healthy wife, able to give birth to his heirs. The choice fell on Catherine the Circassian. How and under which circumstances this choice has been made remains an unsolved mystery. Unfortunately, we do not have any sources that could provide a reliable answer to this question. At the same time, we do not deny the well-known and hackneyed opinion in the historical literature that this marriage took place in a certain political context, for the Moldavian-Tatar mutual support in the political, military and economic spheres

    Anca Elisabeta Tatay and Cornel Tatai-Baltă, Gravorul Mihail Strilbițchi (a doua jumătate a secolului al XVIII-lea) [Mihail Strilbițchi, The Engraver (Second Half of the Eighteenth Century)], Editura Mega, 2023, 345 p.

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    Anca Elisabeta Tatay and Cornel Tatai-Baltă are well-known researchers of the art and technique illustration of early Roma­nian book (1508–1830) and authors of reference books on the engravers who worked in the print­ing press of Blaj, Sibiu, Brașov, and Bucharest, and at the Romanian sec­tion of the printing house in Buda in the seven­teenth-nineteenth centuries. Their recent book, published in 2023 by Mega Publishing House in Cluj-Napoca, is the first work in Romanian literature focused solely on Mihail Strilbițchi’s engraving activity. The volume also builds upon the authors’ previous contributions to this topic, which were presented in three articles published between 2021 and 2023. As pointed out by Anca Elisabeta Tatay and Cornel Tatai-Baltă in the introduction, while the works of the most important engravers who illustrated early Romanian books are well known, “the same cannot be said about the graphic works created by Mihail Strilbițchi (…). That is why we considered it necessary to publish a comprehensive study dedicated to the most valuable and prolific engraver in Moldavia in the second half of the eighteenth century” (p. 10)

    Policy based roles for distributed systems security

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    03.02.14 KB. OK to add accepted paper to spiral, author retains copyrigh
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