385 research outputs found
A comparative study of form and theology in the works of Flannery O'Connor and Simone Weil
No full textIn this comparative study of the form and theology of Flannery O'Connor and Simone Weil I interrogate how Weil's philosophical writings and her theology illuminate O'Connor's use of both narrative and non-fictional forms, and her Catholicism. The Introduction analyses how Weil's concept of superposed reading provides a new method of approaching both O'Connor, her writings, and O'Connor
studies, and focuses on how such apparently different women interconnect. Chapter One explores how both Weil and O'Connor attempt to write their theologies on the
souls of their readers yet are each subject to constraints imposed by form. Weil's concept of locating equilibrium between incommensurates is discussed, and her
distinctively philosophical approach to fictions and fictionality is used to investigate O'Connor's notion of prophetic fictions and the writer's role. Chapter Two assesses how both writers revivify Christian paradoxes. Weil's monstrous concept of affiiction, and O'Connor's use of the grotesque genre to jolt secular man into an
awareness of the sacred are scrutinised. Chapter Three studies how both writers consider an encounter between God and man is possible through the action of grace. My Conclusion interrogates how Weil's work can deepen our understanding of O'Connor's writings, and examines how successful O'Connor is at realising a truly
Christian literature. I conclude that despite being a writer of powerful fictions, O'Connor can not be totally successful in her mission as writer-prophet because
ultimately fiction escapes orthodoxy
Michael White: theoretical references of the Narrative Practice
No full textAbstract Post-modernity, narrative turn, constructivist and constructionist paradigms have opened various perspectives for the psychotherapeutic intervention. This study will highlight the theoretical knowledge that reinforces the Narrative Practice produced by David Epston and Michael White, with emphasis on the contribution of Michael White, an author who plans narrative co-construction between therapist and person in therapy. The Narrative Pratice is characterized for desconstruction of the saturated story, the narrative reconstruction and self reautoring through favorite stories basing on the experience of the person in therapy. The survey objective was to recognize, integrate and organize the diverse information dispersed throughout the Narrative Practice literature. It was performed a literature review emphasizing postmodernity characterization and Michael White’s dialogue with Bruner, Bateson, Foucault, Vygotsky, and Derrida. The method used was the bibliographic survey of books, articles, dissertations, and theses. The theoretical study may favor the therapist to create contexts conducive to change, which may contribute to the psychotherapeutic process.</p
Re-visioning one's selves: mirror reflections in the autobiographical works of Marguerite Duras
No full textThis thesis explores the construction of the central figure of a cycle of four works relating to Marguerite Duras' adolescence in Indochina: Un Barrage contre le Pacifique, L'Eden Cinéma, L'Amant, and L'Amant de la Chine du Nord. In these texts, biographical fact - the conventional foundation of autobiographical writing – is shown to be mutable, as Duras (re)creates and re-visions the past and self in question. The plurality of Duras' textual history suggests that the central figure's construction does not lie, as we might have anticipated, in a performative reading of her past. A new and alternative explanation for the central figure's construction is proposed: namely, that she is described by a series of mirror reflections within, between, and beyond the texts. The thesis is divided into four sections. Chapter I draws upon psychoanalytical and feminist theories to introduce the notion of mirror reflections in intra- and extra-textual contexts, with particular reference to interpersonal relationships, textual devices and reader involvement. Chapter II examines the deliberate alteration of the central figure's image and reflection, discussing questions of power, performance, and (self-) objectification. Chapter III focuses on the interaction between writing and written selves, on the re-visioning of self and history, and questions the 'autobiographical' status of these texts. Chapter IV suggests that the four accounts act as intertextual mirrors, forming contradictory reflections that profoundly shape the reading experience by destabilising any previously confirmed sense of the textualised selfhood. The iterative (dis)establishment of the written self is also explored in relation to Duras' perception of writing as a process that is concurrently creative, destructive and chaotic. It is concluded that the mirror trope is indeed useful in describing the construction of the central figure of these texts, yet it brings the reader no closer to locating the central self and her past in a form that is neither plural nor provisional
Author Correction: The geology and evolution of the Near-Earth binary asteroid system (65803) Didymos
No full textBarnouin, Olivier S. et al.-- Full list of authors: Barnouin, Olivier; Ballouz, Ronald-Louis; Marchi, Simone; Vincent, Jean-Baptiste; Agrusa, Harrison; Zhang, Yun; Ernst, Carolyn M.; Pajola, Maurizio; Tusberti, Filippo; Lucchetti, Alice; Daly, R. Terik; Palmer, Eric; Walsh, Kevin J.; Michel, Patrick; Sunshine, Jessica M.; Rizos, Juan L.; Farnham, Tony L.; Richardson, Derek C.; Parro, Laura M.; Murdoch, Naomi; Robin, Colas Q.; Hirabayashi, Masatoshi; Kahout, Tomas; Asphaug, Erik; Raducan, Sabina D.; Jutzi, Martin; Ferrari, Fabio; Hasselmann, Pedro Henrique Aragao; CampoBagatin, Adriano; Chabot, Nancy L.; Li, Jian-Yang; Cheng, Andrew F.; Nolan, Michael C.; Stickle, Angela M.; Karatekin, Ozgur; Dotto, Elisabetta; Della Corte, Vincenzo; Mazzotta Epifani, Elena; Rossi, Alessandro; Gai, Igor; Deshapriya, Jasinghege Don Prasanna; Bertini, Ivano; Zinzi, Angelo; Trigo-Rodriguez, Josep M.; Beccarelli, Joel; Ivanovski, Stavro Lambrov; Brucato, John Robert; Poggiali, Giovanni; Zanotti, Giovanni; Amoroso, Marilena; Capannolo, Andrea; Cremonese, Gabriele; Dall'Ora, Massimo; Ieva, Simone; Impresario, Gabriele; Lavagn, Michèle; Modenini, Dario; Palumbo, Pasquale; Perna, Davide; Pirrotta, Simone; Tortora, Paolo; Zannoni, Marco; Rivkin, Andrew S.In this article the funding from the Spanish project PID2021-128062NB-I00 funded by MCIN/AEI
was omitted. The original article has been corrected.Peer reviewe
Uncertainty and the Disappearance of International Credit
No full textWe show that increased uncertainty about the size of an emerging market's external debt has a nonlinear and potentially large adverse effect on the supply of international credit offered to them. We also show that if international creditors are first- order risk averse, attaching greater weight to utility derived from bad outcomes than from good ones, a moderate increase in uncertainty about debt overhang or about other relevant factors affecting repayment prospects-- can cause the supply of credit to dry up completely. We therefore offer one possible explanation for why emerging markets may find themselves suddenly cut off from international capital markets.
Faith, feeling and gender in the writing of Hartley, Wollstonecraft and Blake
No full textThis thesis examines David Hartley’s Observations on Man (1749) and elucidates how Hartley’s mechanical approach to mind, his conception of emotion, and the religious status he awards the body were newly relevant after 1791. In this way it identifies a ‘Hartlean culture’ within the Romantic period and seeks to explore how such an intellectual climate influenced the radical writers William Blake (1757–1827) and Mary Wollstonecraft (1759–1797). Blake and Wollstonecraft were acquainted with the famous bookseller Joseph Johnson, who republished Observations on Man in various forms and versions between 1775 and 1801. They also had an association with Johnson’s circle; the Hartlean concepts found throughout their work evidence Hartley’s latent popularity within intellectual culture, as well as the writers’ engagement with contemporary philosophical ideas. I propose that the renewed curiosity in Hartley during the 1790s reveals a specific religious and revolutionary culture wherein non-conformist views about Christianity and new ideas about the body, emotion and women flourished. Such a cultural moment renders Hartley a particularly important figure for debate since he integrated progressive values about equality and faith alongside advancing understanding of anatomy and mind. Hartley identified how God and happiness could be found physically within each person. He did this by combining a complex theory of vibrations and theory of association, where the body and mind functioned mechanically through a person’s feelings of pleasure and pain. These feelings manifested as physical vibrations and eventually led every person to desire goodness until finally, they can become ‘Godlike’ themselves. Hartley’s amalgamation of Christian and new theoretical concepts appealed to Blake and Wollstonecraft, and was much unlike the approach of Joseph Priestley who abridged Observations in 1775 to promote a wholly ‘scientific’ text. In this way, we can see resonances between Hartley, Blake and Wollstonecraft, even if they existed in different cultural contexts. In rethinking Blake and Wollstonecraft through Hartley, I offer new insights into their feminism. In particular I attend to how Hartlean culture enabled these writers to re-imagine gender and emotion: Wollstonecraft reinstates the female experience back into Hartlean concepts in order to promote women’s emotional potential and what she understands as the special power of the female-female bond. Blake responds to both Wollstonecraft and Hartley with his elevation of the feminine, one that envisions new potential for both sexes, emotionally and spiritually. In both cases, the writers share a fascination for the image of the female saviour, and they use terminology and concepts found in Hartley’s work to communicate their views. In being attentive to the shared vocabulary and ideas of these three writers’ works, this thesis highlights the importance of David Hartley and Hartlean culture for the field of Romantic Studies. It also illuminates Observations on Man as a vital contribution to the intellectual context of the 1790s
Post 1990s Dance Theatre and (the idea of) the Neutral
No full textPhDThe thesis focuses on the concept of neutrality in the works of contemporary
European (post 1990s) choreographers. While broad ideas around neutrality are
considered, the thesis primarily engages with Roland Barthes’ definition of
neutrality as a structural term: 'every inflection that, dodging or baffling the
paradigmatic, oppositional structure of meaning, aims at the suspension of the
conflictual basis of discourse'. I argue that the minimalist work of Judson
Church, New York City, is anticipating the interest in the neutral that will more
strongly formulate itself in dance theatre after the 1990s. In the first chapter on
Jérôme Bel, the concept of neutrality is introduced as a general idea, together with
its inherent problem. The 'problem' is not that this or that element that Bel
chooses cannot be perceived as neutral, but that neutral or stage zero can never be
neutral enough. The second chapter, dedicated to the work of Thomas Lehmen,
explores the idea of 'neutralization' in relation to the notion of the self in
Lehmen's performance, where 'It is not I or you who lives: 'one' (une vie) lives in
us' (P. Hallward). In the third chapter I argue that in Raimund Hoghe’s
performances, love is conceived essentially as a balance between narcissism and
pure object-love – as a neutral state. The fourth chapter, on Croatia’s BADco.,
gravitates around the ways in which group processes function, arguing that the
idea of the neutral is located in the ‘invisible hand’ of emergence. The thesis shifts
academic performance analysis towards a more concept-based approach,
unpicking and/or constructing timeless, abstract and broad concepts and ideas that
the work of these choreographers resonates with
Hunting exacerbates the response to human disturbance in large herbivores while migrating through a road network
No full textMigrations of large ungulates are globally threatened in environments affected by increasing human disturbance, rising large carnivore predation, deteriorating habitat quality, and changing climate. Animals migrating outside of protected areas can be exposed to greater human pressure, and this effect can be stronger when humans are perceived to be a predation risk, such as during hunting seasons. Using four consecutive years of satellite telemetry data (n = 138 migration events), we compared habitat selection, movement, and behavior of a large partially migratory herbivore while migrating through a heterogeneous landscape in spring and fall. We tested the hypothesis that fall hunting exacerbates the response of a large herbivore exposed to human disturbance while migrating through a road network. All elk (Cervus elaphus) selected greater forest cover, reduced movement rates, and avoided roads during fall‐day than in any other season or time of day. Avoidance of roads was reduced during spring at night, for example, the time period of no hunting with fewest people on roads. Elk using stopovers in fall displayed different seasonal and diurnal behaviors between sexes in response to the disturbance. Females used steeper terrain during fall‐day and males did not use this strategy in fall. Male avoidance of roads was much stronger than females during fall‐day and males were less likely to cross a road during fall. Such responses are probably linked to higher hunting pressure on males vs. females. Finally, we found that elk spent more time feeding during spring migration compared to the fall migration and elk vigilance was >3 times higher in the fall hunting season. Our results provide insights into the effect of fear of humans on the ecology of both sexes of a migrating large herbivore when using stopovers. Such changes in behavior and stopover use might affect animal fitness by decreasing foraging, cause displacement from high‐quality habitats, or affect the permeability of migration route stopovers
Empathie mémorielle et transferts littéraires
No full textL’exposé (Séminaire Schwarz-Bart, février 2020) converti ici en article, s’appuie, notamment, sur l’ouvrage Causes Communes, Des Juifs et des Noirs (Stock, 2011). Il traite du transfert mémoriel dans le parcours et l’œuvre d’André Schwarz-Bart, en particulier à travers le roman Un plat de porc aux bananes vertes signé par André et Simone Schwarz-Bart (Seuil, 1967). S’appuyant sur le concept de « mémoire multidirectionnelle » de Michael Rothberg et celui de « Relation » d’Édouard Glissant, l’auteure de l’article voit dans l’approche d’André Schwarz-Bart de l’esclavage des Noirs, plutôt qu’une capacité de l’appréhender à partir du drame qui serait central de la Shoah, celle du pouvoir de rencontrer l’Autre, du « Moi à dire Tu ».Nicole Lapierre’s presentation at the Schwarz-Bart Seminar of February 2020, which this paper is based on, draws on the book Causes Communes, Des Juifs et des Noirs (Stock, 2011). It addresses the transfer of memory through the work of André Schwarz-Bart, in particular in the novel Un plat de porc aux bananes vertes by André and Simone Schwarz-Bart (Seuil, 1967). Drawing on Michael Rothberg’s concept of “multidirectional memory” and Édouard Glissant’s concept of “Relation”, the author of the article sees, in André Schwarz-Bart’s exploration of Black slavery, the power to meet the Other, of the «Me to say You», rather than an approach of the tragedy from a Shoah-centric perspective
Research in medical education - chances and challenges : international conference, 20th - 22nd May 2009, Heidelberg ; congress abstracts
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