1,145 research outputs found
Moving, Balls Pond Rd, London
No full textMoving, curated by Amanda Beech, Alice Gilbertson, Alison Jones, Matthew Poole, Victoria Putler.
Exhibition in loft apartment exploring role of artist in urban regeneration
Map of the central section of British Columbia : shewing the country served by the Grand Trunk Pacific Railway
No full textScale [ca. 1:6,400] (W 133 00'--W 118 00'/N 56 00'--N 53 00'). Relief shown by hachures. Across top of map: 2,000,000 acres agricultural land
Aerodrome, Alice Springs
No full textMS in blue Aeordrome, Alice Springs . Depicts hangars and a windsok at right, a biplane at centre, and outbuildings and radio mast(?) at left.Donated by Adina Poole, pre-199
Media release
No full texttag=1 data=MEDIA RELEASE
tag=2 data=POOLE, ERIC
tag=8 data=SPORT
tag=9 data=ALICE SPRINGS BASKETBALL STADIUM%UNIVERSAL CONSTRUCTIONS
tag=24 data=SPORT & RECREATION
tag=27 data=E-0305-95
tag=61 data=18
tag=62 data=MAY
tag=63 data=199
Long-term morphological model of Poole Harbour
No full textThe study focuses on the impact of human interventions on the natural behaviour of estuaries in response to sea-level rise. In particular it focuses on the affect of managed realignment on the critical sea level rise (SLRcrit) for the Poole Harbour. Numerical model ASMITA (Aggregated Scale Morphological Interaction between a Tidal inlet and the Adjacent coast, Stive and Wang, 1996) is used to study the response of the system to the external forcing (both natural and anthropogenic). ASMITA model schematises the tidal-inlet system and characterises each model element by a single variable volume. Volumetric data of the Poole harbour inlet elements obtained through the digitisation of the historical admiralty charts was used to calibrate the model. The model assumes that the each inlet elements tends towards an equilibrium volume which can be defined using the empirical equations. These equilibrium equations consist of equilibrium parameters that depend on the regional properties like hydrodynamics and topography of the Poole harbour. Once the model is calibrated, simulations were performed with various sea level rise scenarios (historic and future SLR) to observe the natural behaviour of the Poole harbour. Managed realignment is being introduced in the model and a range of values of critical sea-level rise was obtained and compared with the predicted sea-level rise rate given in the literature for the next century. Results suggest that the “hold the line” management scenario (current situation) would not result in the complete loss of inter-tidal flats and the coastal flooding is unlikely to occur over the next century, as a result of critical sea-level rise values exceeds the predicted rate. However research suggests, introducing realignment (coastline retreat management scenario) reduces SLRcrit values for the estuary; thus making the estuary more sensitive to the predicted future SLR rates.CoMEMHydraulic EngineeringCivil Engineering and Geoscience
One Hundred Years of Showmanship: Poole's 1837-1937
No full textBooklet describes the Poole family's history as creators of 'panoramas, dioramas, myrioramas, theatres, variety halls, and cinemas.' Illustrations of some of the scenes portrayed, and an explanation of how some of the spectacular effects were produced. Second part consists of a Jim Poole autograph postcard (dated Feburary 1985; addressed to Bill Douglas). Jim Poole was son of the author. Page number(s) as given:
files ending 01_001, 01_001_2, 01_010, 01_010_2, 02, 02_2 are not included in pagination, files ending 002-009_2 are pp.1-1
Coat Cooke & Joe Poole | Coat Cooke & Rainer Wiens: Reviews
No full textCoat Cooke album reviews by Randy Raine-Reusch. Coat Cooke (sax); Joe Poole (drums); Rainer Wiens (guitar)
Developing a partnership of indigenous peoples, conservationists, and land use planners in Latin America
No full textIllustrating from a rich body of case material, Poole's report reflects a shift away from the traditional view - represented by certain national parks and similar protected areas - that indigenous peoples be allowed to occupy and use an area's resources following rules set by conservationists. Under the new paradigm that is developing, indigenous peoples are seen as an integral part of protected area planning through agreements worked out in partnership with conservation authorities. An example of this new approach is the role that indigenous peoples are playing in the design of biosphere reserves. Poole suggests that the Bank and other development organizations pay more attention to vernacular economies - economies based on local resources, used either for subsistence or as a source of revenue. He also recommends more research into economics and resource implications of these local activities to harvest wild resources, especially in environmentally delicate areas such as tropical rainforests.Environmental Management,Tourism and Ecotourism,Water Conservation,Natural Resources Management,Wetlands
Jack Chambers : Selection of Paintings and Drawings = Jack Chambers : Sélection de peintures et dessins
No full textPoole discusses Chambers' manner in the painter's own term "perceptual realism". The author notes the growing importance of light in the artist's work. Biographical notes
Bud Powell concert performances
No full textThis audio is from a 1960 television broadcast. Bud Powell plays "John's Abbey.” The host (Sim Copans) introduces Lucky Thompson (2:45). Thompson (soprano saxophone), pianist Alice McLeod (later Coltrane), Pierre Michelot (bass), and Kenny Clarke (drums) play Ram Ramirez’s "Lover Man" (3:10). The host introduces Billie Poole (8:18) who sings "Don't Ever Leave Me." Then Powell, Thompson (tenor sax), Jimmy Gourley (guitar), Clarke, and Michelot perform "Anthropology" (11:56).One audio file (m4a)This project was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR). The grant program is made possible by funding from The Andrew W. Mellon Foundation
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