617 research outputs found
John P. MacLean portrait
Photograph of Ohio author John P. MacLean (1848-1939). MacLean was born in Franklin, Ohio, and is remembered as a Universalist minister, historian and archaeologist. In addition to writings on Scottish history and the Shakers, his work included the books "A Manual of the Antiquity of Man" (1877), "The Mound Builders" (1879) and "Mastodon, Mammoth and Man" (1880)
John P. MacLean portrait
Photograph of Ohio author John P. MacLean (1848-1939). MacLean was born in Franklin, Ohio, and is remembered as a Universalist minister, historian and archaeologist. In addition to writings on Scottish history and the Shakers, his work included the books "A Manual of the Antiquity of Man" (1877), "The Mound Builders" (1879) and "Mastodon, Mammoth and Man" (1880)
Season 1, Episode 10: Maclean
Maclean. The name is synonymous with many things: great writing, fishing, and fire to name just a few. On this, the tenth and final episode of season one, author John Maclean joins the podcast, along with University of Montana researcher Brent Ruby and host Charlie Palmer to discuss South Canyon, the history of hotshots, and John’s current book project on the Yarnell Hill fire that killed nineteen Granite Mountain Hotshots.https://scholarworks.umt.edu/ontheline_podcasts/1009/thumbnail.jp
A recognition theorem for polynomial growth outer automorphisms of the free group
Feighn and Handel’s recognition theorem for Out(F_n) provides invariants that canonically determine any forward rotationless outer automorphism of the free group. We ask to what extent those invariants can be extended to outer automorphisms with some periodic behavior. Many of the same constructions do not have natural analogs, in particular because of the possible lack of principal representatives in this setting. However, by restricting our attention to polynomial growth outer automorphisms and using train track technology, we are able to find a special set of lines in the free group that encode all the dynamical information of these non-forward rotationless maps.Ph. D.Includes bibliographical referencesIncludes vitaby By Gregory MacLean Schinke Fei
A Modified Linear Integral Resonant Controller for suppressing jump-phenomenon and hysteresis in micro-cantilever beam structures
Credit author statement James MacLean: developed the theory and performed the simulations. Sumeet S. Aphale: supervised the overall research, helped with theoretical development, presentation of results and document formatting.Peer reviewe
Theatre and its Discontents
In 1973, the Trilateral Commission asked whether democracies were becoming ‘ungovernable’. Warning of the ‘rise of anomic democracy’, it identified threats that we are more than familiar with today, as we confront – once again – the ‘crisis’ of democracy: ‘the disintegration of civil order, the breakdown of social discipline, the debility of leaders, and the alienation of citizens’. In this chapter I revisit this ‘problem’ of anomie, locating it at the very heart of democracy and the historical problem of its governance. In the Laws, Plato had already used the disparaging term ‘theatrocracy’, which drew on the analogy of the theatre and its audience, to describe the unruly nature of democratic forms of life. Just as the theatre audience is an ill-disciplined rabble so, he argued, the members of a democratic society are prone to various disorders. Thus the pathologies of the democratic polis qualify it for one of Plato’s ‘diseased cities’, where popular discontentment collapses democracy into something far worse: tyranny. I pursue this ‘theatrocratic’ problem as a means of understanding democracy’s central dynamic, particularly visible in an age of popular discontentment, namely its constitutive proneness to displeasure, incivility and antagonism.
The first part of the chapter re-examines the legacy of theatrocratic discourse by reframing it in relation to the discourse on play. I argue that for theatrocratic discourses ‘play’ – often understood as ‘idleness’ – constitutes the core problematic of democratic or ‘common’ forms of life, and that for Plato, and for many commentators who later followed him, democracy must be viewed as ‘dangerous play’. I show how the modern State sought to neutralise the ‘theatrocratic’ threat associated with democracy’s dangerous play by means of ‘education’, converting incivility into civility; disorder into orderly conduct; idleness and illegality into productive labour. The second part of the chapter, focusses more closely on this educational solution, arguing that it leads to a further paradox and one with which we still contend today. This paradox becomes particularly acute in Schiller’s notion of the ‘aesthetic education of man’ and in his tract on theatre as a tool for (deontic) instruction. While Schiller sees ‘play’ as central to human emancipation, in advocating theatre as a tool of moral instruction, designed to reconcile the demos to the State, aesthetic education reverts to a discourse of two humanities – one civil, the other barbaric. Nonetheless, I argue Schiller’s insight that ‘man’ is ‘only wholly Man when he is playing’ remains useful to understanding the theatrocratic ‘crisis’ afflicting contemporary democracies with the rise of populism across Europe and beyond. Thus in the final part of the chapter, I turn to consider how we might understand democracy through the figure of theatrocracy today. Following the political theorist, Chantal Mouffe, I argue that the solution to the crisis of democracy is not less but more democracy. I suggest that what this involves is the need to reconstruct democratic engagement around two senses of the term ‘play’. First, that play is indeed correctly understood as a ‘subversive’ force – a productive ‘incivility’ – and that an ‘aesthetic education’ today requires ‘playful resistance’ to the total mobilisation of the social by capitalism; second, that democratic politics must be reconfigured around the notion of a radical ‘politics of rehearsal’ – where play signifies, not something subservient to an instrumental goal, but the opening of an autonomous space, emancipated from productive labour, in which new ‘identities’ can be created
Reactionary Populism and the Historical Erosion of Democracy in America. An Interview with Nancy MacLean, Duke University
Nancy MacLean is the William H. Chafe Professor of History and Public Policy at Duke University, and the award-winning author of several books, including Behind the Mask of Chivalry: The Making of the Second Ku Klux Klan; Freedom is Not Enough: The Opening of the American Workplace; The American Women’s Movement, 1945-2000: A Brief History with Documents; and Debating the American Conservative Movement: 1945 to the Present. She also served the editor of Scalawag: A White Southerner’s Journey through Segregation to Human Rights Activism.
Her scholarship has received more than a dozen major prizes and awards, and has been supported by fellowships from the American Council of Learned Societies, the National Endowment for the Humanities, the National Humanities Center, the Russell Sage Foundation, and the Woodrow Wilson National Fellowships Foundation.
Her most recent book is Democracy in Chains: The Deep History of the Radical Right’s Stealth Plan for America. Democracy in Chains was a finalist for the National Book Award, and the winner of the Los Angeles Times Book Award in Current Affairs, the Lannan Foundation Cultural Freedom Award, and the Lillian Smith Book Award. The Nation magazine named it the “Most Valuable Book” of the year
Pictures of You : Ten Journeys in Time
"The 20th century took history out of the hands of historians and gave it to photographers. in Pictures of You, best-selling author Rory MacLean (Stalin's Nose, Berlin:Imagine a City) draws on the world's largest archive of amateur photography to discover ten real lives, one from each decade of that century. The first killing of the Cold War, the dying hopes of a doomed aviator, the ghosts of Native America at Alcatraz, Chairman Mao's most timid lover; ten journeys in time, ten forgotten voices that echo down from the past, ten intimate stories that mirror our own." -- p. [2] of cover
Taking Responsibility? Legal Aid Reform and Litigants in Person in England
This is an author version of a book chapter accepted for publication by Hart Publishing. The definitive version will appear as Chapter 13 of: Delivering Family Justice in the 21st Century, edited by Mavis Maclean, John Eekelaar, Benoit Bastard. ISBN: 9781849469128. Due for publication by Hart Publishing in 2015. http://www.hartpub.co.uk/BookDetails.aspx?ISBN=9781849469128Author version submitted in accordance with publisher self archiving policy.In April 2014, the Legal Aid, Sentencing and Punishment of Offenders Act 2012
(LASPO) introduced sweeping reforms to legal aid in England and Wales. The impact
was felt most severely on private family law cases, that is, divorce or civil partnership
dissolution, property and finance and arrangements for children. Since April 2014, legal
aid has only been available for a restricted range of private family law cases, primarily
for victims of domestic violence
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