9,263 research outputs found
Bernard Brunhes
No full textAngot Alfred. Bernard Brunhes. In: Annales de Géographie, t. 19, n°106, 1910. p. 373
Johnson, B A T (Bernard Alfred), VX48350
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/395512Surname: JOHNSON. Given Name(s) or Initials: B A T (BERNARD ALFRED). Military Service Number or Last Known Location: VX48350. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 39333.229754
Item: [2016.0049.27805] "Johnson, B A T (Bernard Alfred), VX48350
Photo of Alfred E. Smith, Bernard Baruch and Sam Rayburn
No full textPhotograph of Alfred E. Smith, Bernard Baruch and Sam Rayburn. The group of men all wear dark, three piece suits, white button-down shirts and dark ties. They sit near a table, which is in the foreground. The table has several pieces of paper on it and several glass ashtrays. The back of the photo reads, "ALFRED E. SMITH - BERNARD BARUCH - SAM RARYBURN - IN CONFERENCE ON RAILROAD LEGISLATION.
Alfred Haverkamp, Herrschaftsformen der Fruhstaufer in Reichsitalien
No full textGuenée Bernard. Alfred Haverkamp, Herrschaftsformen der Fruhstaufer in Reichsitalien. In: Annales. Économies, Sociétés, Civilisations. 27ᵉ année, N. 3, 1972. pp. 691-693
The television work of Alfred Hitchcock
No full textThe thesis uses close textual analysis to study and evaluate the television work of Alfred Hitchcock. The corpus consists of the twenty shows personally directed by Hitchcock, including his appearances before and after those shows. In response to most previous writing, which tends to compare the programmes with Hitchcock’s films (often unfairly) the thesis emphasises them as products of television. Programmes are evaluated on the basis of their perceived success as television- if they harness conditions related to television production and integrate them with narrative themes or to create meaning. Hitchcock is considered to be the major creative force in each programme.
Chapter One provides a variety of important contexts including a brief history of US television of the 1950s, key literature on Hitchcock and analyses of contemporaneous programmes not directed by Hitchcock. The textual analysis chapters (2-8) consider aesthetic or thematic programme aspects. Chapter Two studies the various roles played by Hitchcock’s appearances as series host. Chapter Three considers the impact of censorship on programmes frequently dealing with murder, violence and insanity. Chapter Four analyses Hitchcock’s implementation of varieties of voice-over narration, a common device in short dramatic forms. Chapter Five studies Hitchcock’s use of point-of-view shots, particularly in relation to their role in the delivery of the narrative twist. Chapter Six considers the key Hitchcock theme of detachment from the world. Chapter Seven looks at moments from the programmes which demonstrate how aesthetic is influenced by television production conditions.
Hitchcock created a number of television masterpieces. His achievements in television are in many ways comparable in quality and consistency to his theatrical films. Even when considered in the context of other 1950s US anthology dramas, the Hitchcock-directed programmes are superior on many levels. Elements of his film style were highly suited to television production. Many of his greatest achievements embrace and harness television production conditions in their presentation strategies to create an integration of style and meaning
Alfred Minke. Entre Meuse, Rhin et Moselle,
No full textBernard Bruno. Alfred Minke. Entre Meuse, Rhin et Moselle, . In: Revue belge de philologie et d'histoire, tome 75, fasc. 2, 1997. Histoire medievale, moderne et contemporaine - Middeleeuwse, moderne en hedendaagse geschiedenis. pp. 529-534
Alfred Minke. Entre Meuse, Rhin et Moselle,
No full textBernard Bruno. Alfred Minke. Entre Meuse, Rhin et Moselle, . In: Revue belge de philologie et d'histoire, tome 75, fasc. 2, 1997. Histoire medievale, moderne et contemporaine - Middeleeuwse, moderne en hedendaagse geschiedenis. pp. 529-534
Alfred Sauvy, Mythologie de notre temps, Paris, 1965
No full textSchaller Bernard. Alfred Sauvy, Mythologie de notre temps, Paris, 1965. In: Sociologie du travail, 8ᵉ année n°4, Octobre-décembre 1966. p. 438
Bernard Michel — Introduction à une sociologie des doctrines économiques des physiocrates à Stuart Mill
No full textSauvy Alfred. Bernard Michel — Introduction à une sociologie des doctrines économiques des physiocrates à Stuart Mill. In: Population, 19ᵉ année, n°4, 1964. p. 770
Alfred Wallis - ACE034.2
No full textVOs over talking about Alfred Wallis over one of his paintings. Harmonium over harbour scenes at St Ives; Barnoon cemetery. Bernard Leach’s gravestone of…ALFRED WALLIS ARTIST & MARINER 1855 aug 18 aug 29 1942 INTO THY HANDS O LORD. Credits. Paintings including detail from Fishes and Lobster Pots. Photographs of St Ives around 1900, boats and scrap-metal merchant’s cart; St Ives street scenes. VOs talking about Wallis and his work. Photograph of Wallis. Bellows with painting (c.1933-1937); painted stone jar. Paintings including Sailing Ship and Lighthouse, Boats Under Saltash Bridge, Boats Before a Great Bridge (c.1935-1937), landscapes and views of St Ives, Two-Master and Green Fields, Penzance Harbour, Bellaventur of Brixham Labordoo Newfoundland; detail. Mount’s Bay – Five Ships. Film of Godrevy lighthouse. Paintings of ships and lighthouses; This Sain Fishery That Use To Be
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