538 research outputs found
Great River Reading Series: Michael Kleber-Diggs
No full textOn Oct. 19, poet Michael Kleber-Diggs will read from of his work at Winona State University. Kleber-Diggs will give a public reading at 5pm in Science Laboratory Center 120; he will also give a reading at 7pm in the K.E.A.P. Center space in Kryszko 162. Both events are free and open to the public. These events are sponsored by WSU’s John S. Lucas Great River Reading Series and by the Office of Equity and Inclusive Excellence.
Kleber-Diggs is the author of Worldly Things, which was awarded the 2020 Max Ritvo Poetry Prize. His work is described as combining moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—with moments of wrenching grief: a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. With uncompromising candor, Kleber-Diggs documents the many ways America systemically fails those who call it home while also calling upon our collective potential for something better. “Let’s create folklore side-by-side,” he urges, asking us to aspire to a form of nurturing defined by tenderness, to a kind of community devoted to mutual prosperity. “All of us want,” after all, “our share of light, and just enough rainfall.”
Kleber-Diggs was born and raised in Kansas and now lives in St. Paul, Minnesota. His work has appeared in Lit Hub, the Rumpus, Rain Taxi, McSweeney’s Internet Tendency, Water~Stone Review, Midway Review, North Dakota Quarterly and a few anthologies. He teaches poetry and creative non-fiction through the Minnesota Prison Writers Workshop
The cranium of a yellow morphotype specimen of <i>P. cristiceps</i>.
No full text<p>A–dorsal view, B–palatal view, C–lateral view. Author: Kleber Vieira.</p
The cranium of a common morphotype specimen of <i>P. cristiceps</i>.
No full text<p>A-dorsal view, B-palatal view, C-lateral view. 1-alary process, 2-nasal, 3-maxilla, 4-frontoparietal, 5-orbital branch of squamosal, 6-occipital condyle, 7-vomer and 8-palatine. Author: Kleber Vieira.</p
Da Dança Armorial ao corpo motriz: em busca do corpo brincante
No full textThis research seeks to discuss the procedures of scenic reinterpretation on popular traditions in dance and theater, through the study of some artwork of the Grial Dance Group and researcher Kleber Lourenço. Through these works, we will discuss concepts related to the creative process in contemporary art, such as the systematization of the interpreter's body of training and his role as a creative mind in the piece. The trajectory of a trip is used as a metaphor for unwinding the research aims, the pursuit of the brincante's (player's or joker's) body. The brincante's body is a concept idealized by the author to present the corporeality of artists, transiting in between the languages of theater, dance and popular culture. This concept relies on the balance between cultural sources and driving forces, to develop a reflection on corporeality in the scene's recreation processA presente pesquisa busca refletir sobre os procedimentos de releitura cênica das tradições populares na dança e no teatro, através do estudo de alguns trabalhos artísticos do Grupo Grial de Dança e do pesquisador Kleber Lourenço. Por meio destes trabalhos, procura-se discutir conceitos ligados ao processo criativo em arte contemporânea, tais como a sistematização do treinamento corporal do intérprete e o seu papel como sujeito criador na obra. A trajetória de uma viagem é utilizada como metáfora para desenrolar a pesquisa que tem como objetivo a busca do corpo brincante. O corpo brincante é um conceito idealizado pelo autor para apresentar a corporalidade dos artistas que trabalham no trânsito das linguagens do teatro, da dança e da cultura popular. Tal conceito apoia-se no confronto entre matrizes e motrizes culturais, para desenvolver um raciocínio sobre corporeidades nos processos de recriação da cen
Da Dança Armorial ao corpo motriz: em busca do corpo brincante
No full textThis research seeks to discuss the procedures of scenic reinterpretation on popular traditions in dance and theater, through the study of some artwork of the Grial Dance Group and researcher Kleber Lourenço. Through these works, we will discuss concepts related to the creative process in contemporary art, such as the systematization of the interpreter's body of training and his role as a creative mind in the piece. The trajectory of a trip is used as a metaphor for unwinding the research aims, the pursuit of the brincante's (player's or joker's) body. The brincante's body is a concept idealized by the author to present the corporeality of artists, transiting in between the languages of theater, dance and popular culture. This concept relies on the balance between cultural sources and driving forces, to develop a reflection on corporeality in the scene's recreation processA presente pesquisa busca refletir sobre os procedimentos de releitura cênica das tradições populares na dança e no teatro, através do estudo de alguns trabalhos artísticos do Grupo Grial de Dança e do pesquisador Kleber Lourenço. Por meio destes trabalhos, procura-se discutir conceitos ligados ao processo criativo em arte contemporânea, tais como a sistematização do treinamento corporal do intérprete e o seu papel como sujeito criador na obra. A trajetória de uma viagem é utilizada como metáfora para desenrolar a pesquisa que tem como objetivo a busca do corpo brincante. O corpo brincante é um conceito idealizado pelo autor para apresentar a corporalidade dos artistas que trabalham no trânsito das linguagens do teatro, da dança e da cultura popular. Tal conceito apoia-se no confronto entre matrizes e motrizes culturais, para desenvolver um raciocínio sobre corporeidades nos processos de recriação da cen
1984-10-04 Focus on the Region - Presidential Elections, Part 1
No full textOn this episode of Focus on the Region William Rusher, Conservative Author and Columnist, and Toby Moffitt, former Representative from Connecticut and Liberal Democrat, debate the key issues of the 1984 Presidential Election and moderated by John Kleber, Professor of History at Morehead State University. The debate was the first event of the 1984-1985 Concert and Lecture Series at Morehead State University on October 4, 1984
1984-10-04 Focus on the Region - Presidential Elections, Part 2
No full textOn this episode of Focus on the Region William Rusher, Conservative Author and Columnist, and Toby Moffitt, former Representative from Connecticut and Liberal Democrat, debate the key issues of the 1984 Presidential Election moderated by John Kleber, Professor of History at Morehead State University. The debate was the first event of the 1984-1985 Concert and Lecture Series at Morehead State University on October 4, 1984
Da Dança Armorial ao corpo motriz: em busca do corpo brincante
No full textThis research seeks to discuss the procedures of scenic reinterpretation on popular traditions in dance and theater, through the study of some artwork of the Grial Dance Group and researcher Kleber Lourenço. Through these works, we will discuss concepts related to the creative process in contemporary art, such as the systematization of the interpreter's body of training and his role as a creative mind in the piece. The trajectory of a trip is used as a metaphor for unwinding the research aims, the pursuit of the brincante's (player's or joker's) body. The brincante's body is a concept idealized by the author to present the corporeality of artists, transiting in between the languages of theater, dance and popular culture. This concept relies on the balance between cultural sources and driving forces, to develop a reflection on corporeality in the scene's recreation processA presente pesquisa busca refletir sobre os procedimentos de releitura cênica das tradições populares na dança e no teatro, através do estudo de alguns trabalhos artísticos do Grupo Grial de Dança e do pesquisador Kleber Lourenço. Por meio destes trabalhos, procura-se discutir conceitos ligados ao processo criativo em arte contemporânea, tais como a sistematização do treinamento corporal do intérprete e o seu papel como sujeito criador na obra. A trajetória de uma viagem é utilizada como metáfora para desenrolar a pesquisa que tem como objetivo a busca do corpo brincante. O corpo brincante é um conceito idealizado pelo autor para apresentar a corporalidade dos artistas que trabalham no trânsito das linguagens do teatro, da dança e da cultura popular. Tal conceito apoia-se no confronto entre matrizes e motrizes culturais, para desenvolver um raciocínio sobre corporeidades nos processos de recriação da cen
FIGURE 2 in Cranial morphology and karyotypic analysis of Ceratophrys joazeirensis (Anura: Ceratophryidae, Ceratophrynae): taxonomic considerations
No full textFIGURE 2. Skull of Ceratophrys joazeirensis (UFPB 4303) collected at Parque Estadual Pedra da Boca. A: dorsal view; B: palatal view; C: lateral view and D: pectoral girdle. 1—pars facialis; 2— absence of preorbital depression; 3—absence of depression in orbital arch of squamosal; 4— rounded extremity of the caudal portion (lamella alaris) of the squamosal; 5—prooticum; 6— convex dorsal posterior portion of the frontoparietals; 7—rounded extremity of the processus posterior in frontoparietals; 8—large and elliptical torus terminalis of the prooticexoccipitals in dorsal view; 9—delimited pterygoids in the ramus maxillaries and ramus interior; 10—palatine teeth; 11—depression dividing the vomers in the margo medialis; 12—parasphenoid; 13—prémaxillae; 14—maxillae; 15—quadratojugal; 16—pterygoid; 17—short caudal projection of the squamosal, shorter than quadratojugal in length; 18—clavicle; 19—epicoracoid; 20—coracoid; 21—sternum. Except for the premaxillae, the clear areas in A and C, inferior portions of the maxillae and quadratojugal concern to dorsal bone shields. Author Kleber da S. Vieira.Published as part of <i>Vieira, Kleber Da Silva, Zampieri Silva, Ana P. & Arzabe, Cristina, 2006, Cranial morphology and karyotypic analysis of Ceratophrys joazeirensis (Anura: Ceratophryidae, Ceratophrynae): taxonomic considerations, pp. 57-68 in Zootaxa 1320 (1)</i> on page 61, DOI: 10.11646/zootaxa.1320.1.6, <a href="http://zenodo.org/record/10087549">http://zenodo.org/record/10087549</a>
FIGURE 3 in Cranial morphology and karyotypic analysis of Ceratophrys joazeirensis (Anura: Ceratophryidae, Ceratophrynae): taxonomic considerations
No full textFIGURE 3. Skull of Ceratophrys aurita (UFPB 4308). A: dorsal view; B; palatal view and C: lateral view. 1—Except for the premaxillae, the clear areas in A and C, inferior portions of the maxillae and quadratojugal concern to dorsal bone shields; 2—nonrounded caudal projection of the squamosal (lamella alaris); 3—concave extremity of the processus posterior in frontoparietals; 4—narrow torus terminalis; 5 and 6—depressions in the orbital arch of the squamosal; 7—preorbital depression; 8—palatine teeth; 9—pterygoid; 10—quadratojugal; 11—parasphenoid; 12— absent depression between the vomers; 13—long caudal projection of the squamosal, slightly shorter than quadratojugal in length. Author Kleber da S. Vieira.Published as part of <i>Vieira, Kleber Da Silva, Zampieri Silva, Ana P. & Arzabe, Cristina, 2006, Cranial morphology and karyotypic analysis of Ceratophrys joazeirensis (Anura: Ceratophryidae, Ceratophrynae): taxonomic considerations, pp. 57-68 in Zootaxa 1320 (1)</i> on page 62, DOI: 10.11646/zootaxa.1320.1.6, <a href="http://zenodo.org/record/10087549">http://zenodo.org/record/10087549</a>
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