3,038 research outputs found

    Letter to Isaac Hayward from unkown author

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/318461"Friday morning. Mr Blair begs to inform Isaac Hayward on conference with Mr P."63415 Item: [2011.0031.00196] "Letter to Isaac Hayward from unkown author

    Letter Sarah (Beaven) to Mrs I J T Hayward

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/335354Sarah Beaven to her sister Elizabeth Hayward (nee Beaven), wife of Isaac Hayward (jnr) re offer of advice on farm selection and some family news. A phrase in the letter where the author refers to Eliza as "my old friend" suggests that this is may be from a friend and not her sister. Original not held at UMA. See digitised original at 2011.0031.018376049 Item: [2013.0056.00207] "Letter Sarah (Beaven) to Mrs I J T Hayward

    Letter being certificate of baptism from unknown author, certified by curate.

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/328431Baptism certificate for John Frederick Hayward. See transcript: 2013.0056.003276643 Item: [2013.0039.00001] "Letter being certificate of baptism from unknown author, certified by curate.

    Graduate recital, horn. Hayward, K. D. M., 1998

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    Recorded during a live performance at Dalton Center Recital Hall, Western Michigan University, Kalamazoo, Michigan, March 25, 1998, 8:00 p.m., as part of the School of Music's 1997-1998 season.Kent D.M. Hayward, horn ; Helen Lukan, piano.In partial fulfillment of the requirements of the Master of Music degree in horn performance, Western Michigan University, 1998.3rd work originally for clarinet and piano.Information from performance program.Concerto for horn and strings / Gordon Jacob -- Valse triste, op. 35, no. 7 ; Intermezzo, op. 35, no. 11 / Reinhold Glière -- Reverie, op. 24 / Alexander Glazunov -- Concerto no. 2 in D major for horn VIId, no. 4 / Franz Joseph Haydn -- Sonatina for horn and piano, op. 59/1 / Jan Koetsier

    Dress and fashion at Henry's court

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    In the reign of Henry VIII clothing was an increasingly important part of court life. Maria Hayward explains howimportant it was for the King to dress the part, through making contacts with merchants and spending lavishly on new, luxury textiles. To maintain his place at the forefront of society and style, Henry was supported by the King's tailor and the office of the Great Wardrobe. The author makes the point that Henry was eminently suited to leading fashion while he was young and fit but that this was harder when he became older and fatter. The fascinating relationship between Henry's clothing and armour is explored; both were essentail in creating an image of magnificence. Today much of his armour survives, but sadly his costume does not

    A geographic survey of silver concentrations in the gastropod, Tegula funebralis (A. Adams, 1855)

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    by Author Russell FlegalA thesis prsented to the faculty of Moss Landing Marine Laboratories.Thesis (M.S.) -- California State University, Hayward, 1976."A thesis presented to the faculty of Moss Landing Marine Laboratories.

    Susan Hayward and Jerome Cowan in DEADLINE AT DAWN, 1946

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    Susan Hayward and Jerome Cowan in a scene from DEADLINE AT DAWN, 1946. 8x10 b&w photographic print

    Australia's costly investment in Solomon Islands: the lessons of RAMSI

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    Summary In this Analysis Lowy Institute Melanesia Program Director, Jenny Hayward-Jones, argues that Australia’s massive expenditure of 2.6billionontheRegionalAssistanceMissiontoSolomonIslands(RAMSI)wasahighpricetopayforrestoringstabilityinasmallcountry.Shearguesthatalthoughthereweremanylaudableachievements,thekeylessonofRAMSIforAustraliaistheimportanceofknowinghowmuchtospendandwhentoleave.KeyfindingsAustralianexpenditureof2.6 billion on the Regional Assistance Mission to Solomon Islands (RAMSI) was a high price to pay for restoring stability in a small country. She argues that although there were many laudable achievements, the key lesson of RAMSI for Australia is the importance of knowing how much to spend and when to leave. Key findings Australian expenditure of 2.6 billion on the Regional Assistance Mission to Solomon Islands over ten years was a high price to pay for stability in a country of 500,000 people. The RAMSI experience showed the value of integrating Australia’s foreign, economic, aid and security policies and just as importantly of working with Pacific island partners in the region. Large-scale missions like RAMSI would benefit from clearly defined exit strategies and rigorous assessment of performance in order to control costs and maximise impact

    Paul Lukas, Susan Hayward, and Bill Williams in DEADLINE AT DAWN, 1946

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    From left: Paul Lukas, Susan Hayward, and Bill Williams in a scene from DEADLINE AT DAWN, 1946. 8x10 b&w photographic print
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