84 research outputs found
Wissenschaftliche Arbeit mit digitalen Quellen: Transkribus und Voyant
No full textAnmerkung der Redaktion: Alexander Goebbels ist wissenschaftliche Hilfskraft am Lehrstuhl Prof. Gersmann und insbesondere interessiert an der Anwendung digitaler Tools für die wissenschaftliche Arbeit. Außerdem ist Alexander Goebbels eingebunden in die AG „Digitale Lehre“ am Historischen Institut. Verpackt in 341 Kisten erreichte 1805 die Sammlung und somit auch der Nachlass des Barons von Hüpsch die Hofbibliothek von Ludwig X. in Darmstadt. Während die private Sammlung des Barons mit ihr..
Semester digital: Kreative Lösungen gesucht
No full textAnmerkung der Redaktion: Am Kölner Historischen Institut wurde aus Anlass des digitalen Semesterstarts eine Arbeitsgruppe eingerichtet, die sich intensiv mit den Themen der digitalen Lehre befasst. Vielen Dank daher an Alexander Goebbels für die Teilnahme am bundesweiten Online-Hackathon zur digitalen Hochschulbildung und seine Eindrücke daraus! Herr Goebbels ist wissenschaftliche Hilfskraft am Kölner Lehrstuhl von Prof. Dr. Gudrun Gersmann und arbeitet mit in den Aufgabenfeldern zur digital..
Goebbels-Nachlass wird versteigert
No full textAlexander Auctions, ein auf NS-Memorabilien spezialisiertes US-Auktionshaus, lässt umfangreiche Unterlagen von Joseph Goebbels versteigern. http://auctions.alexautographs.com/asp/fullCatalogue.asp?salelot=48+++++++++1+&refno=+++73732 Via http://archivalia.tumblr.com/post/31658287356/the-pre-war-archives-of-joseph-goebbels-nazi Über das frühere Schicksal von Goebbels-Unterlagen findet man diverse Pressemeldungen: http://www.spiegel.de/spiegel/print/d-29191941.html (1951) http://www.zeit.de/195..
Joseph Goebbels at the ND
No full textThe segment from the 1940 Český zvukový týdeník Aktualita (Czech Aktualita Sound Newsreel) No. 47 reports on the visit of Reich Minister Joseph Goebbels to Prague on 5 November 1940. At the station, he is greeted by Secretary of State of the Reich Protectorate Karl Hermann Frank, Konrad Henlein, Curt Ludwig Ehrenreich Burgsdorf and Colonel Arthur von Briessen. After a parade of the SS guard of honour, Joseph Goebbels leaves by car for Prague Castle. After being greeted at the Matthias Gate (Matyášova brána), he visits the Czernin Palace (Černínský palác) in the company of Reich Protector Konstantin von Neurath and Karl Hermann Frank, and gives a speech to the gathered cultural workers. This is followed by a Nazi party celebration in the hall of the Industrial Palace at Výstaviště, a visit to the grounds of Prague Castle and other important sights in the capital. Following that is a meeting between Goebbels, Prague Mayor Alois Říha, his deputy Josef Pfitzner and the head of state Emil Hácha. Goebbels, accompanied by president Hácha, visits the National Theatre to see a newly put on production of Prodaná nevěsta (The Bartered Bride). At the theatre he meets Karel Herman Frank, conductor Václav Talich and the director of the National Theatre, Karel Neumann
The counterspaces of Heiner Goebbels' theatre
No full textAnna R. Burzyńska przedstawia biografię artystyczną Heinera Goebbelsa, od pierwszych muzyczno-politycznych happeningów, poprzez komponowanie dla innych twórców muzyki teatralnej, filmowej i baletowej, słuchowiska i tak zwane koncerty sceniczne, po aktualne projekty kompozytorskie, reżyserskie, naukowe i kuratorskie. Autorka opisuje proces powstawania spektakli Goebbelsa i skupia się na stosowanych przez niego strategiach służących dehierarchizacji i demokratyzacji dzieła teatralnego oraz emancypacji i aktywizacji widza.Anna R. Burzyńska presents the artistic biography of Heiner Goebbels, from the first musical-political happenings, through composing theatre, film and ballet music for other creators, audio plays and so-called stage concerts, to his present projects which he realises as a composer, director, scholar and curator. The author describes the process of creating Goebbels' performances and focuses on his strategies of dismantling hierarchies and working for the democratisation of the theatre work, as well as the emancipation and activation of the spectator
Goebbels And Der Angriff
No full textThe Berlin newspaper Der Angriff (The Attack), founded by Joseph Goebbels in 1927, was a significant instrument for arousing support for Nazi ideas. Berlin was the center of the political life of the Weimar Republic, and Goebbels became an actor upon this frenetic stage in 1926, becoming Gauleiter of Berlin’s Nazis. Focusing on the period from 1927 to 1933, a time the Nazis later called “the blood years, Russel Lemmons examines how Der Angriff was used to promote support for Nazism. Some of the most important propaganda motifs of the Third Reich first appeared in the pages of this newspaper. Horst Wessel, murdered by the German Communist Party in 1930, became the archetypal Nazi hero; much of his legend began on the pages of Der Angriff. Other Nazi propaganda themes—the “Unknown SA man and the “myth of resurrection and return”—made their first appearances in this newspaper. How could the Germans, seemingly among the most cultured people in Europe, hand over their fate to the Nazis? As this book demonstrates, Der Angriff had much to do with the rise of National Socialism in Berlin and the cataclysmic results.
Russel Lemmons, professor of history at Jacksonville State University, is the author of Hitler\u27s Rival.
A thoughtful and highly informative book. —New York Review of Books
The best examination of the \u27fighting years\u27 of der Angriff available and provides valuable insight into the success of the NSDAP in Berlin during its rise to power. —The Historianhttps://uknowledge.uky.edu/upk_european_history/1008/thumbnail.jp
The propaganda system and media development in Nazi Germany in the light of “The Diaries of Joseph Goebbels”
No full textHistoria III Rzeszy posiada jeszcze wiele aspektów, które czekają na swoje wyjaśnienie bądź doprecyzowanie. Dotyczy to zwłaszcza aspektów społecznych i psychologicznych prowadzenia wojny. Jak to się mogło stać, że w obliczu pewnej klęski i beznadziejnej sytuacji na frontach zarówno armia niemiecka jak i naród nadal stawiali opór. Nowe światło rzucają na to „Dzienniki” jednego z najbliższych współpracowników Hitlera – J. Goebbelsa. Odnalezione na początku lat 90. XX w. w tajnych rosyjskich archiwach wojskowych doczekały się swojego krytycznego wydania kilka lat temu.
J. Goebbels jawi się w nich jako wirtuoz propagandy w służbie zła. To jego działania w dużej mierze tak skutecznie podsycały opór Niemców. J. Goebbels z jednej strony stał się autorem wielu, do dziś wykorzystywanych chwytów marketingu politycznego (np. sposób zarządzania sytuacją kryzysową po klęsce pod Stalingradem) czy promotorem wielu wynalazków w zakresie rozwoju mediów (m.in. wspierał prace nad taśmą ma-gnetyczną i stereofonią). Nie tylko wiedział co powiedzieć Niemcom, ale także jak do tego wykorzystać najnowocześniejsze w tamtym czasie środki społecznego przekazuThe history of the Third Reich still has many aspects that are waiting to be explained and clarified. This concerns in particular the social and psychological aspects of warfare. How could this happen that, facing a disaster and hopeless situation at the fronts, both German army and nation still resisted. A new light on this is shed by “The Diaries of Joseph Goebbels”, one of Hitler’s closest collaborators. The original text, found in secret Russian military archives in the early 1990s, saw its critical edition done a few years ago. J. Goebbels appears in them as a virtuoso of propaganda in the service of evil. This was his actions that, for the most part, fuelled so effectively the resistance of Germans. On the one hand, J. Goebbels was the author of many political marketing tricks, being still in use (e.g. the way in which the crisis situation after the defeat at Stalingrad was managed), or a promoter of many inventions in the field of media de-velopment (among others, supported the works on magnetic tape and stereophony). He not only knew what to tell Germans but also how to use the most modern at that time means of social communication for this purpos
Author response
No full textMyelination of axons facilitates rapid impulse propagation in the nervous system. The axon/myelin-unit becomes impaired in myelin-related disorders and upon normal aging. However, the molecular cause of many pathological features, including the frequently observed myelin outfoldings, remained unknown. Using label-free quantitative proteomics, we find that the presence of myelin outfoldings correlates with a loss of cytoskeletal septins in myelin. Regulated by phosphatidylinositol-(4,5)-bisphosphate (PI(4,5)P2)-levels, myelin septins (SEPT2/SEPT4/SEPT7/SEPT8) and the PI(4,5)P2-adaptor anillin form previously unrecognized filaments that extend longitudinally along myelinated axons. By confocal microscopy and immunogold-electron microscopy, these filaments are localized to the non-compacted adaxonal myelin compartment. Genetic disruption of these filaments in Sept8-mutant mice causes myelin outfoldings as a very specific neuropathology. Septin filaments thus serve an important function in scaffolding the axon/myelin-unit, evidently a late stage of myelin maturation. We propose that pathological or aging-associated diminishment of the septin/anillin-scaffold causes myelin outfoldings that impair the normal nerve conduction velocity
"Too closely identified with Dr. Goebbels": Die Massenerschießungen von Katyn in der Geschichte des Zweiten Weltkriegs und des Kalten Kriegs
No full textDer Aufsatz setzt die Massenerschießungen von Katyn, bei denen der NKWD 1940 Tausende polnischer Kriegsgefangener tötete, in den Kontext einer deutsch-sowjetischen Verflechtungsgeschichte, um die abstrakten Gewalthierarchien früherer Diktaturvergleiche zu überwinden. Dass Goebbels’ sonst wenig glaubwürdige Propaganda 1943 die wirklichen Täter nannte, prägte die langfristigen Kommunikationsmuster ebenso wie Stalins Versuch, Zweifler an der angeblichen deutschen Täterschaft als Kollaborateure des „Dritten Reichs“ zu diskreditieren. In den Deutungen von Katyn während des Kalten Kriegs wirkten die konträren Sichtweisen aus der Zeit des Zweiten Weltkriegs folgenreich nach. Analysiert werden das Beschweigen, die Verrätselung und die Boulevardisierung Katyns vor allem in der westlichen Rezeption; so trägt der Aufsatz dazu bei, die Geschichtskultur des Kalten Kriegs zu historisieren. Katyn ist ein Lehrstück über die Selektivität historischer Narrationen, das bis in aktuelle Debatten um eine europäische Weltkriegserinnerung hineinreicht.This article places the mass shootings at Katyn, in which the NKVD (People’s Commissariat of Internal Affairs) killed thousands of Polish prisoners of war in 1940, in the context of a German-Soviet entangled history which strives to go beyond the abstract power hierarchies underpinning previous comparative studies of dictatorships. The fact that Goebbels’ otherwise implausible propaganda mentioned the actual persecutors of Katyn in 1943 made a long lasting impression on patterns of interpretation. The same may be said of Stalin’s attempt to discredit those who doubted the alleged German responsibility for this event as collaborators of the ‘Third Reich’. Contradictory positions which dated from the Second World War continued to effect the interpretations of Katyn during the Cold War to considerable effect. The author addresses the silence surrounding this event, its mystification and the pandering to popular taste which were particularly prevalent in western understandings of this event. The article therefore contributes towards the historicisation of the historical culture of the Cold War. Katyn amounts to a didactic play about the selectivity of historical narratives which continues to pervade contemporary debates about the European memory of the world wars
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