41,238 research outputs found
Alan Schoenberger in front of a Deer Valley resort map
Black and white photograph of Alan Schoenberger in front of a Deer Valley resort ma
Conclusion
This chapter contains section titled: \ud
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- Which is the Most Beautiful Beautiful Thing? \ud
- The Popular Aesthetic \ud
- I Like It. It Is Beautiful \ud
- Secret Masters of Fandom \ud
- The Fact that It Lacks Mass Appeal Makes It all the More Alluring \ud
- There's No Basis for Making a Meaningful Comparison \ud
- I Love This Boo
Introduction
This chapter contains section titled: \ud
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- Shit Books \ud
- It All Sounds the Same to Me \ud
- Whatever They're Given \ud
- Savvy and Discerning \ud
- Are We the Masses? \ud
- Guidelines For Their Choice
Alan L. Cohen papers, 1989, 1993
The collection contains photographs and video recordings taken by Kansas City, Missouri rabbi, Alan L. Cohen, during his trips to visit the Jewish Communities in the Former Soviet Union in 1989 and 1993. The collection contains 203 photographs taken by Rabbi Alan Cohen during his 1989 trip to Moscow, Leningrad, and Riga, including photographs of a protest demonstration that a group of Refuseniks organized in front of the Moscow Kremlin. Also included are three videocassettes recordings made by Rabbi Cohen during his trips to the Former Soviet Union in 1989 and 1993.Published citations should take the following form: Identification of item, date (if known); Alan L. Cohen Papers; *P-973 ; box number; folder number; American Jewish Historical Society, Boston, MA and New York, NY.Rabbi Alan L. Cohen,Alan Cohen's rabbinic career spanned nearly four decades of congregational work. For nineteen years, he was the Rabbi for Congregation Beth Shalom (Kansas City, Missouri) and also worked in the non-profit sector of Jewish communal service as the director of Interreligious Affairs of the Jewish Community Relations Bureau of the American Jewish Committee, a position in which he developed partnering opportunities with clergy of many faiths.Finding Aid available in Reading Room and on Internet.Rabbi Alan L. CohenRabbi Alan L. Cohenfar0315digitized2010021
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
The construction of Karen Karnak: The multi-author-function
This thesis is situated within the comparatively recent developments of Web 2.0 and the emergence of interactive WikiMedia, and explores the mode of authorship within a Read/Write culture compared to that of a Read/Only tradition. The hypothesis of this study is that the role of the audience has become merged with the author, and as such, represents new functions and attributes, distinct from a more conventional concept of authorship, in which the roles of audience and author are more separate. Read/Write and participatory culture, as defined by this study, is focused on collaboration, and includes the influences of D.I.Y. culture, Open-Source practices and the production of text by multiple authors. Multi-authorship presents a re-thinking of several concepts which support the notion of the individual author, since the focus of multi-authorship is not on attribution and ownership of a finished text, but on the continued malleability of a text. Modes of multi-authorship, demonstrated in the use of the pseudonyms Alan Smithee and Karen Eliot, represent declarative authors whose names signify multiple origins, whilst concurrently indicating a distinct body of work. The function of these names form an important context to this study, since primary research involves the construction of an experimental mode of multi-authorship utilising WikiMedia technology and the interaction of thirty nine participants, who are invited to create a body of work under the collective pseudonym Karen Karnak. The data generated by this experiment is analysed using aspects of Michel Foucault's author-function to identify and determine power structures inherent in the WikiMedia context. The interplay of power structures, including concepts such as identity, ownership and the body of work, affect the resulting mode of authorship and contribute to the construction of Karen Karnak, suggesting further areas of research into the emerging multi-author
Nyt harmissain ma alan laulella (9/8 ja 6/8 d)
Laulun sanat: Nyt harmissain ma alan laulella, kun ikävään' en taida salata, kun ystäväin se minut hylkäsi ja mielestänsä poies unhotti
Faithfulness and Reduplicative Identity
This paper proposes a revised view of faithfulness in Optimality Theory (Prince & Smolensky 1993), relating it to reduplicative identity (McCarthy & Prince 1993). Faithfulness and identity are unified in a theory of Correspondence relations between structures. The theory is investigated by way of a study of over- and underapplication effects in reduplicated structures.The definitive version of this paper was published in Papers in Optimality Theory (1995)McCarthy, J. J., & Prince, A. S. (1995). Faithfulness and reduplicative identity. In J. N. Beckman, L. W. Dickey, & S. Urbanczyk (Eds.) Papers in optimality theory (pp. 249-384). Amherst, MA: GLSA (Graduate Linguistic Student Association), Dept. of Linguistics, University of Massachusetts.This work was supported in part by grant SBR-9420424 from the National Science Foundation and by research funds from Rutgers, The State University of New Jersey, at New Brunswic
Surgery in Language Learning
A key problem in the learning of phonologies is contending with the interdependence of the mapping and the lexicon. This paper presents an learning algorithm combining an existing procedure for learning restrictive mappings (Biased Constraint Demotion) with inconsistency detection, and illustrates the algorithm using a system of both predictable and lexical stress grammars. The heart of the algorithm's strategy is to respond to the failure of a hypothesis by attempting to modify the mapping first, and only considering modifying the lexicon when altering the mapping proves inadequate. The construction of the mapping via Biased Constraint Demotion involves the accumulation of ranking arguments (winner/loser pairs) which make reference to hypothesized lexical entries. This creates a potential problem when the learner considers altering the lexical entries referred to by the ranking arguments. The proposed algorithm deals with this by altering the list of ranking arguments whenever the lexicon is changed, via a process termed "surgery", so that they accurately reflect the updated lexicon. This process allows the learner to more quickly determine if a proposed change to the lexicon will actually resolve the failure of the preceding hypothesis. Computer simulation results are provided to demonstrate the algorithm's efficiency.The definitive version of this paper was published in WCCFL 22: Proceedings of the 22nd West Coast Conference on Formal Linguistics (2003) and is available at http://www.cascadilla.com/wccfl22.htmlTesar, B., Alderete, J., Horwood, Mechant, N., Nishitani, K., & Prince, A. (2003). Surgery in Language Learning. In G. Garding and M.Tsujimura (Eds.), WCCFL 22: Proceedings of the 22nd West Coast Conference on Formal Linguistics (pp. 477-490). Somerville, MA: Cascadilla Press
RISD Research Perspectives | Bhen Alan
Bhen Alan, MFA PT 22 incorporates elements of painting, weaving, sculpture, and performance to address issues of identity across immigration, memory of place, queerness, and ecological responsibility. Born and raised in Tuguegarao City, he fuses painting, installation, costumery, and performance to investigate the intersections of design with traditional Filipino weaving and craftsmanship. Researching traditional Filipino rituals and sourcing local materials, Alan works on the peripheries of identity, memory, sustainability, and recycling to create immersive experiences in topics ranging from immigration and trauma to celebratory affirmations. The resulting work brings visibility to the complexities of global culture and personhood. Alan is the recipient of the Fulbright award 2022-2023, where he will travel to the Philippines to study indigenous mat weaving, technique, rituals, history, and indigenous storytelling. This series highlights the intersections of art, design, theory, social justice and research in interviewed conversations within the RISD community, its faculty and students.
Written | Directed | Filmed | Edited by Holly Gaboriault [MA Global Arts + Cultures \u2721] Original Music by Antonio Fortehttps://digitalcommons.risd.edu/researchstrategicpartnerships_researchperspectives/1000/thumbnail.jp
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