97,070 research outputs found
The ways of the world for the non-elite [John Howard with two parrots, Alan Jones and David Flint] [picture] /
No full textTitle devised by cataloguer.; Inscriptions: "April; Howard, the parrot (radio star Alan Jones), head of ABA David Flint"--in ink on verso.; Condition: Good.; Published in the Sydney Morning Herald in 2004.; Part of the Moir collection of cartoons and drawings.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3542445; Donated through the Australian Government's Cultural Gifts Program by Alan Moir, 2005
Twilight of an elite [David Flint] [picture] /
No full textTitle devised by cataloguer.; Inscriptions: "April 2004; head of ABA Prof David Flint, monarchist, anti-ABC embroiled in radio stoush after writing flattering letters to radio star Alan Jones"--in ink on verso.; Condition: Good.; Published in the Sydney Morning Herald.; Part of the Moir collection of cartoons and drawings.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3542757; Donated through the Australian Government's Cultural Gifts Program by Alan Moir, 2005
Post-war British working-class fiction with special reference to the novels of John Braine, Alan Sillitoe, Stan Barstow, David Storey and Barry Hines
No full textThis study is about British working-class fiction in the post-war period.
It covers various authors such as Robert Tressell, George Orwell, Walter Greenwood, Lewis Grassic Gibbon and DH Lawrence from the early twentieth century; writers traditionally classified as 'Angry Young Men' like John Osborne, Arnold Wesker, Shelagh Delaney, John Wain and
Kingsley Amis; and working-class novelists like John Braine, Stan Barstow, David Storey, Alan Sillitoe and Barry Hines from the 1950s and 1960s.
Some of the main issues dealt with in the course of this study are language, form, community, self/identity/autobiography, sexuality and relationship with bourgeois art. The major argument centres on two questions: representation of working-class life, and the
relationship between working-class literary tradition and dominant ideologies.
We will be arguing that while working-class fiction succeeded in challenging and rupturing bourgeois literary tradition, on the level of language and linguistic medium of expression for example, it utterly failed to break away from dominant, bourgeois modes of literary production in relation to form, for instance.
Our argument is situated within Marxist approaches to literature, a political and aesthetic position from which we attempt an analysis and an evaluation of this working-class literary tradition. These critical approaches provide us also with the theoretical tool to define the political perspective of this tradition, and to judge whether it was confined to a descriptive mode of representation or
located in a radical, political outlook
Magnum la storia le immagini. David Alan Harvey
No full textNon esiste barriera che possa impedire a David Alan Harvey di scoprire il mondo, il suo mosaico di anime e culture. Una curiosità insaziabile muove questo fotografo, affascinato dall’universo ispano-americano
David Kennedy's MM Percussion Recital 2
No full textTchik by Nicolas Martynciow
Theif by Brian Nozny
Fantasy on Japanese Woodprings by Alan Hovhaness
Fiero by Aaron M. Thomas
Wind by Chin Cheng Lin
Rendezvous by Samuels/McCarthyRelated performance for this degree -- David Kennedy's MM Percussion Recital 1: http://hdl.handle.net/2346/63764Recital recordings are archival copies for educational purposes only. Members of the TTU community may request to listen/view them for educational purposes via the PDF link to the left
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The David W. Fentress Family Letters, 1856-1969
No full textTranscript of a letter by an unidentified author to David Fentress regarding sharing federal newspapers and the banning of federal newspapers in some areas. The author passes on the news of the war including the destruction of the Federal merchantmen by the Confederate fleet. He passes along world news: Russia preparing to go to War with Europe and how that could negatively affect the Confederacy. There is also speculation on the future of the war
"We're very concerned about the precedent" [Members of Parliament protesting against the jailing of Pauline Hanson and David Ettridge for electoral fraud] [picture] /
No full textTitle devised by cataloguer.; Inscriptions: "June 2003"--in ink on verso.; Condition: Good; perforations from spiral binding along left edge.; Published in the Sydney Morning Herald.; Part of the Moir collection of cartoons and drawings.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3536739; Donated through the Australian Government's Cultural Gifts Program by Alan Moir, 2005
The David W. Fentress Family Letters, 1856-1969
No full textTranscript of a letter by an unidentified author to David Fentress regarding sharing federal newspapers and the banning of federal newspapers in some areas. The author passes on the news of the war including the destruction of the Federal merchantmen by the Confederate fleet. He passes along world news: Russia preparing to go to War with Europe and how that could negatively affect the Confederacy. There is also speculation on the future of the war
"You're all very quiet this morning" [John Howard enters the Party room where Alexander Downer, Peter Costello, Peter Reith, David Kemp and Amanda Vanstone are reading newspapers about the resignation of New Zealand Prime Minister Jim Bolger] [picture] /
No full textTitle devised by cataloguer.; Inscriptions: "June 2000; Howard popularity down"--in ink on verso.; Published in 1997? (the year of Jim Bolger's resignation).; Published in the Sydney Morning Herald.; Part of the Moir collection of cartoons and drawings.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3535654; Donated through the Australian Government's Cultural Gifts Program by Alan Moir, 2005
David Fable Books No 1
No full textThere are five stories in this book. I ordered this one for the collection because of the title of the first: The Story of Anna, Buddy, and the Country Mouse. That story is utterly charming, together with its colored lithographs. The author frequently pauses to note to the reader elements of a picture that the reader might miss. There is a first visit to a town, complete with a visit to a restaurant for tea, but in this case the two dogs sit nicely at a table and order, while Homer the mouse gets on top of the table. The three then again travel by bus back to the country. The five stories are interspersed with illustrations for traditional rhymes, including Sing a Song of Sixpence. Indeed, it is the art that makes this book, along with the charm of whimsical local stories. Coppin was serving in the armed forces overseas during World War II and wrote these stories for his son David, to whom the book is dedicated. There is a picture of David facing the Publisher's Introduction at the book's beginning.This is a hardbound book (hard cover)Alan Middleton Coppi
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