1,748 research outputs found
Sustaining Progress—Investing in Adolescent Girls Amidst Global Challenges: Learnings from a donor roundtable
No full textThe Coalition for Adolescent Girls (CAG), hosted by the Population Council, in collaboration with Akili Dada, convened a high-level donor roundtable on June 4, 2025. Against the backdrop of funding freezes, policy shifts, and widening global crises, this convening brought together funders, grassroots organizations, adolescent and youth leaders, and global experts, to reflect on emerging trends, lived experiences, and actions needed urgently to ensure adolescent girls remain at the center of global development priorities. This knowledge brief synthesizes key insights from the roundtable discussion. It underscores the critical need for long-term, flexible, and intersectional funding approaches that center adolescent girls as leaders and decision-makers, while offering practical recommendations for funders, implementers, policymakers, and partners to advance equitable, sustainable investments for adolescent girls
Dada Souleve Tout
No full textfull view, clockwise from top left: La Pensée by Aragon; Dada Soulève Tout by Tzara; transcription of Quelques Presidente et Presidentes by Tzara from Dada no. 6
Dada 2005
No full textIs Dada one modern moment among others, part of the alternation of the old and the modern (new) that has been Europe’s artistic rhythm since the early 15th century, or is it part of the historic avant-garde of the 20th century (or, roughly, its first quarter)? It’s a serious question, because the organisers of the big Dada exhibition at the Musée National d’Art Moderne aimed to show that Dada was the biggest, if not the only genuine avant-garde of the last century; and also, because an author..
Movimento Dada: O banal e o indizível
No full textNeste artigo a autora aponta a literalidade como a
característica predominante do Movimento Dada, tentando
também captar o lado indizível da sua poesia e
estética.In this paper the author points out literality as the
predominant characteristic of the Dada Movement,
trying also to catch the unspeakable side of its poetry
and aesthetic.info:eu-repo/semantics/publishedVersio
Dada à la fenêtre
No full textInternational audienceDada at the window. As a historical repertory, Dada theater is almost absent from the contemporary stages. Does it mean that it doesn’t have any descendants? No. And Tzara’s homeland is the country that gave it an assumed son. Matei Visniec was born in 1956 in Romania, which he leaves for France in 1987. He starts writing in French in 1992 and achieves his first success in France with the play Les chevaux à la fenêtre. He is nowadays the most performed author in his country of origin, massively translated and staged in most countries all around the world. Matei Visniec was the most represented author during the last Avignon festival with 5 of his plays running
[[alternative]]The Philosophy of Art on the Dada Movement in Zurich
No full text[[abstract]]以社會學方法來研究蘇黎世DADA運動的藝術哲學思想,在綜合學科的交互
研究下,本研究完成了下列各項結論:
一.本研究採用蘇黎世DADA運動出生地定義DADA.(第二章)
二.蘇黎世DADA運動是基於反戰理由而誕生,所以採用和第一次大戰一樣的暴力方式,
促使人們對所有事物產生質疑,省視第一次大戰的愚蠢,重新建立一套新的道德觀
(第三章)
三.蘇黎世DADA主義者,希望藉著DADA運動這把利器,摧毀西方理性文化,重新建立一套
符合人性發展的新文化.不過其運動結果,並未摧毀西方固有文化,反而因融合東方
思想而開拓出一條千變萬化的現代新藝術之路.(三.四.五章)
四.蘇黎世DADA運動能成為20世紀一個不朽的運動,其原因不在於Ball或Tzara個人領導,
而在於蘇黎世DADA團體的共同努力.(第四章)
五.蘇黎世DADA運動的藝術哲學思想以生命存在意義統合其運動過程,在追求生命存在意
義的思想下,衍生而出下列三項特質(第五章):
1.抽象表現的藝術哲學思想.
2.機緣創作法則的藝術哲學思想.
3.反抗精神的藝術哲學思想.
六.上述第三項"反抗藝術哲學思想",又可分成兩股不同的反抗思想:
1.Ball和Arp代表DADA後衛派,此派未提出反藝術理論,以融合東西方精神的抽象派為
其主要藝術精神.
2.Tzara代表蘇黎世DADA運動前衛派,以反藝術的藝術,反哲學的哲學等反文化手段,
企圖摧毀西方傳統藝術哲學思想.
七.本研究認為蘇黎世DADA運動的最大貢獻在於它是一個追求生命存在意義的運動,它提醒
人們發現"藝術是證明人類存在"的最佳方法.雖然生命存在意義和藝術的關聯性,目前還
是一門尚待開發的新美學課題,不過20世紀現代藝術在蘇黎世DADA精神影響下,紛紛以藝
術簡單化,生活化,大眾化為最高境界,在藝術應追求絕對創作自由的口號下,衍生出"為
藝術而藝術"的隱憂.
八.生命,一個原本無任何意義的個體,卻因偶然間被扔入這個世界,不得不努力爭取生命意
義來;生命存在意義不能脫離大我(社會)而獨自彰顯出來,所以,人們應如何和諧相處於
小我的自由與大我的生命意義中,可能是一個大問題.本研究建議國人,以保留態度和開
放心靈來正視藝術與生命存在現象,人們才能藉著藝術活出有意義的生命來.
Dada à Paris : un catalyseur politique (1920-1923)
No full textDada : a political catalyst (1920-1923)
Although the contempt for politics shown by Parisian Dadaists has been widely studied by historians, it appears that the reception of Dadaism itself in political circles has been neglected. In this article, the author examines Parisian Dada by studying a particular part of its audience, that is, men involved in French political life in the period immediately following World War I. Sorting through the political press from 1920 to 1923 gives us a greater understanding of the way in which Dada was perceived by these men ; although Dadaists seemed to ignore politicians, journalists from various political parties wrote on this movement that disturbed the artistic community. At a moment when French society was going through major changes, it appears politicians’ perceptions of Dada reveal their own fears and hopes. At the beginning of the 1920s, Dada, serving as a catalyst, crystallised political and social concerns.Si le mépris du politique affiché par les membres du mouvement Dada à Paris a été largement étudié par les historiens de cette avant-garde, il apparaît que sa réception dans les milieux politiques a été délaissée. Cet article entend ainsi étudier le mouvement Dada à travers une partie de son public : les hommes engagés dans la vie politique française au lendemain de la Première Guerre mondiale. Le dépouillement de la presse d’opinion des années 1920 à 1923 permet de comprendre comment Dada est reçu par ces derniers ; si les dadaïstes semblent ignorer les hommes politiques, les journalistes appartenant à ces différents partis écrivent sur ce mouvement qui affole la scène artistique. A ce moment de bouleversement de la société française, il apparaît que les hommes politiques transposent sur le mouvement Dada leurs peurs et leurs espoirs. Véritable catalyseur, Dada cristallise autour de lui les préoccupations politiques et sociales du début des années 1920.Marre Orianne. Dada à Paris : un catalyseur politique (1920-1923). In: Histoire de l'art, N°68, 2011. Les enjeux de la restauration. pp. 91-99
Dada à la fenêtre: In memoriam Michel Corvin
No full textDada at the window. As a historical repertory, Dada theater is almost absent from the contemporary stages. Does it mean that it doesn’t have any descendants? No. And Tzara’s homeland is the country that gave it an assumed son. Matei Visniec was born in 1956 in Romania, which he leaves for France in 1987. He starts writing in French in 1992 and achieves his first success in France with the play Les chevaux à la fenêtre. He is nowadays the most performed author in his country of origin, massively translated and staged in most countries all around the world. Matei Visniec was the most represented author during the last Avignon festival with 5 of his plays running
Donor Roundtable—Sustaining Progress: Investing in adolescent girls amidst global challenges
No full textThe Coalition for Adolescent Girls (CAG) in collaboration with Akili Dada convened a virtual donor roundtable on Sustaining Progress: Investing in adolescent girls amidst global challenges, on June 4, 2025.
The purpose of the roundtable was to assess the impact of recent funding freezes and policy shifts, explore sustainable financing solutions, and reaffirm a shared commitment to the rights and well-being of adolescent girls. The event brought together funders, CAG members, and partners for a strategic dialogue on sustaining and strengthening existing investments. We anticipate that this convening will lead to renewed stakeholder commitments to sustained, impactful support for adolescent girls’ programs and policies
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Classical Inspiration and Modern Expression: Greek Art Turned Fauve, Constructivist, Dada, and Pop
No full textSenior colloquium written by a student in the UNT Honors College discussing Greek sculpture and architecture as filtered through the Fauve, Constructivist, Dada, and Pop artistic movements. The author takes examples of Grecian sculpture, recreates them in each of the other styles, and discusses the results
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