3,903 research outputs found
Sean Rubin: Cook Prize 2025, Silver Medal Acceptance Speech
Author and illustrator Sean Rubin gives an acceptance speech for The Iguanodon’s Horn (Clarion/HarperCollins)https://educate.bankstreet.edu/cook/1015/thumbnail.jp
Appropriations of Irish drama by modern Korean nationalist theatre : a focus on the influence of Sean O’Casey in a colonial context
My thesis explores how a translated author on the periphery of the host culture’s
translated repertoire can be at once subversive and innovative on the colonial scene,
using as an example the case of Sean O’Casey in colonial Korea. It explores the
importation of Irish drama in modern Korean theatre during the colonial period and
examines the appropriations of O’Casey’s plays by a central Korean playwright, Yu
Chi-jin, in creating his own plays. Under Japanese colonial rule in the early twentieth
century, intellectuals perceived the supreme task for the Korean people to be the
recovery of national sovereignty and independence. The modern Korean theatre
movement which rose among Korean intellectuals and dramatists during the colonial
period was to play a major part in this task. The ultimate goal of this movement was
to establish a modern national theatre promoting Korean culture and educating the
people, thereby recovering national independence. As their modernised dramatic
polysystem was still "young", Korean intellectuals and dramatists who were
involved in the theatre movement had to borrow dramatic models from other
countries. One of the models they chose was Irish playwrights, especially those who
were involved in the Irish dramatic movement. They published or staged the works
of W.B. Yeats, Lord Dunsany [Edward John Moreton Drax Plunkett], Augusta
Gregory, J.M. Synge, St. J. Ervine, T.C. Murray and Sean O'Casey. Although
O'Casey was considered an important dramatist in the Irish dramatic movement, he
was a playwright on the periphery in the list of translated Irish dramatists in Korea
due to the colonisers’ censorship. However, he remained as a subversive and
innovative playwright on the colonial scene by virtue of being appropriated by Yu
Chi-jin who used O’Casey’s plays as models when creating his own works. In
discussing the subject matter of my thesis, I use Even Zohar’s polysystems theory as
a starting point in looking at ideological issues surrounding translation and extend
the discussion to offer a postcolonial perspective. While most translation in a
colonial context was considered as "an expression of the cultural power of the
colonisers," my thesis shifts the focus to translation as an expression of the cultural
power of the colonised. I explore how the colonised uses another colonised culture to
subvert the colonisers’ power
Interview with Canadian teacher and author Dr. Sean Steel
Rozhovor Dr. Zuzany Svobodové s kanadským učitelem a publicistou Dr. Seanem Steelem.Interview with Canadian teacher and author Dr. Sean Steel
Comparative Visualization Using Cross-Mesh Field Evaluations and Derived Quantities
We present a data-level comparative visualization system that utilizes two key pieces of technology: (1) cross-mesh field evaluation - algorithms to evaluate a field from one mesh onto another - and (2) a highly flexible system for creating new derived quantities. In contrast to previous comparative visualization efforts, which focused on "A-B" comparisons, our system is able to compare many related simulations in a single analysis. Types of possible novel comparisons include comparisons of ensembles of data generated through parameter studies, or comparisons of time-varying data. All portions of the system have been parallelized and our results are applicable to petascale data sets
Recall this Book 60: Sean Hill on Bodies in Space and Time
Elizabeth is joined by Elizabeth Bradfield, poet, naturalist and professor of poetry at Brandeis, in a conversation with the poet Sean Hill, author of Blood Ties and Brown Liquor (2008) and Dangerous Goods (2014). Sean read his Musica Universalis in Fairbanks, (it appeared in the Alaska Quarterly Review) and then, like someone seated in an archive turning over the pages of aged and delicate documents, unfolded his ideas about birds, borders, houses and who was here before me
Sean of the South
Recording of the radio show The North Avenue Lounge broadcast May 6, 2019 on WREK Atlanta, 91.1FMShannon speaks with prolific author, storyteller, blogger, and musician, Sean Dietrich, aka Sean of the South. Sean speaks about growing up as an underestimated kid, his early influencers, how community college change his life, and talks about writing process. In the final segments, Sean reads from his daily blog and we sample his podcast performances
An Interview with Cass R. Sunstein: Author of The World According to Star Wars
The guest editors of special issue 12, Jason W. Ellis and Sean Scanlan, interview Cass R. Sunstein, the Robert Walmsley University Professor at Harvard, where he is founder and director of the Program on Behavioral Economics and Public Policy. He is the author of many books, including the bestseller Nudge: Improving Decisions about Health, Wealth, and Happiness (with Richard H. Thaler). His 2016 book The World According to Star Wars attempts to understand the Star Wars universe in ten chapters through the lenses of Sunstein’s academic interests, namely: culture, sociology, psychology, behavioral science, and political science. The book is both personal and theoretical, practical and academic. It takes accurate measure of the genesis of the movies, the movies themselves, and briefly, but trenchantly, it examines concepts such as reputational cascades and speculates on what Star Wars can teach viewers about constitutional disputes
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