161 research outputs found
The Evidential Power of a Private Deed Legalized by a Notary in Court
Get PDFThe evidentiary power of a private deed as evidence in a court proceeding that is connected to the notary's authority in legalization. This study aims to determine the strength of a private deed as evidence in a court proceeding, to determine whether or not the legalization function of a deed made privately can provide additional evidentiary power in a court hearing. Based on the results of the study, it can be seen that: 1) The practice of legalization by a Notary is that legalization is an acknowledgment of the date of the agreement, so that a private deed that has been legalized provides certainty for the judge regarding the date, identity, and signature of the parties concerned and related to the agreement. In addition, as long as they still have the authority to carry out their duties as a Notary; 3) The legal consequences in evidence in court in the event that there is a private deed that is legalized by a notary are that it does not have perfect evidentiary power because it lies in the signatures of the parties which, if recognized, are perfect evidence like an authentic deed. In contrast to authentic deeds which have definite evidentiary power, for private deeds the evidentiary power lies in the hands of the judge to consider them (Article 1881 paragraph (2) of the Civil Code)
Reader as Author in \u3cem\u3eTristram Shandy\u3c/em\u3e
Get PDFIn a letter dated June 1764, Laurence Sterne wrote to Elizabeth Montagu, I am going down to write a world of Nonsense (467). He was referring, of course, to Tristram Shandy, a popular sensation from the time the first two volumes appeared four years earlier. Despite Samuel Johnson\u27s prediction that nothing odd will do long (qtd. in Sterne 484), Sterne\u27s masterpiece has maintained its prominence, appearing in our own time as the most modem of the eighteenth-century novels. In this essay, I am concerned with Sterne\u27s use of asterisks and blank pages-literary devices leaving gaps in the text-to engage the reader of the novel. Just as Kate Chopin\u27s The Awakening cannot reasonably be isolated from the feminist viewpoint, the reader\u27s thoughts and responses cannot be left out of Tristram Shandy. Several examples of how Sterne requires the reader to interact with the text will illuminate my point
The Life And Opinions Of Tristram Shandy, Gentleman
No full textVerfasser ermittelt nach ESTCMit Frontispiz (Kupferstich), unterzeichnet: "W. Hogarth invt." und "J. Collyer sculpt." und einer Darstellung eines schwarzen Rechtecks auf den Seiten 67-68 (Holzschnitt)Enthält Widmung an: "To The Right Honourable Mr. Pitt", unterzeichnet: "... The Author."Vorlageform der Veröffentlichungsangabe: London: Printed for W. Strahan, J. Dodsley, G. Robinson, T. Cadell, T. Lowndes, and J. Murray. MDCCLXXXII
The life and opinions of Tristram Shandy : gentleman & A sentimental journey through France and Italy /
No full textHalf-title; Works of ... with life of the author.1. The life and opinions of Tristram Shandy.--II. The life and opinions of Tristram Shandy [cont'd.] A sentimental journey through France and Italy. A political romance. A fragment in the manner of Rabelais. Memoirs of the life and family of the late Rev. Mr. Laurence Sterne.Mode of access: Internet
The Life And Opinions Of Tristram Shandy, Gentleman
No full textVerfasser ermittelt nach ESTCDie Rückseite des Titelblatts ist unbedrucktDas Frontispiz ist ein Kupferstich, unterzeichnet: "Published as the Act directs. Jany. 14th. 1780. by W. Strahan, T. Cadell, J. Dodsley, G. Robinson & J. Murray. &c."Enthält Widmungen an: "... To A Great Man", unterzeichnet: "... The Author" und "To The Right Honourable John Lord Viscount Spencer ...", unterzeichnet: "... Laur. Sterne."Vorlageform der Veröffentlichungsangabe: London: Printed for W. Strahan, J. Dodsley, G. Robinson, T. Cadell, T. Lowndes, and J. Murray. MDCCLXXXII
A Central Consciousness at Work Beneath the Surface Artlessness: Narrative Strategies in “Tristram Shandy”
Get PDF‘The Life and Opinions of Tristram Shandy, Gentleman’ (hereafter shortened to “Tristram Shandy”) is a unique novel written by British author Laurence Sterne in the eighteenth century. While Sterne’s contemporary readers may have conflicting viewpoints about the artistic value of “Tristram Shandy” because of its surface artlessness and chaos, readers today in the contexts of such twentieth-century critical theories as postmodernism, existentialism, and deconstruction, find it congenial and more intriguing. I argue that despite the apparent chaos of this novel, the author-narrator Tristram is a central consciousness that holds the whole work together. And I believe Sterne narrates his story in such a peculiar way in conformity to his own perception of the outside world. Specifically, this paper aims to explore the inventive narrative strategies employed in Sterne’s “Tristram Shandy” in the three aspects of narrative structure, time-shifting technique and self-conscious narrator. Amazingly, “Tristram Shandy” presents a wholly new notion of creative writing, one that goes beyond its time, and has unbreakable connection with twentieth-century literature.</jats:p
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KINERJA PENYULUH PERTANIAN LAPANGAN TANAMAN PANGAN DI WILAYAH KERJA UPT KECAMATAN JATI AGUNG KABUPATEN LAMPUNG SELATAN
Get PDFThe purposes of this study are to analyze level of Agricultural Extension Workers (AEWs)’s performance in Technical Implementation and factors related to the level of the performance in working area of Jati Agung Subdistrict of Lampung Selatan District,. This research was conducted in Jati Agung Subdistrict of Lampung Selatan District in September-October 2017. Respondents were 76 randomly selected rice farmers in the area. Data analysis uses descriptive analysis and Rank Spearman correlation test. The results indicated that the level of performance of AEWs in Technical Implementation is included ina medium category. Reward system is significantly related to the level of AEWs’ performance, while motivation level, income level, education level, number of farmers, and distance of residency are not significantly related to the level of AEWs’ performance in Technical Implementation Unit Jati Agung Subdistrict.Key words: AEW, performance, Technical implementation uni
Not toeing the line: How to read Tristram Shandy
No full textOn the 250th anniversary of the publication of its final volume, the author of this article explores what makes Laurence Sterne's Tristram Shandy such a landmark in the history of the novel as a form, and advises on how you might read this comic masterpiece
Structure of Laurence Sterne's Tristram Shandy.
No full textBasically, a study of the structure of Laurence Sterne's Tristram Shandy involves an analysis of the point of view of both the author and the narrator, and hence of variations on the first-person narration that are found in this novel. Tristram Shandy is related wholly in the authorial and historical present, and the reader as well as the fictional characters is included in the narrator's discourses of Tristram's own world. Hence, one must apply a considerable degree of critical objectivity when examining the narrator's role in the novel.
A second problem is the importance of the fictional world that Tristram is ostensibly concerned with – that is, his birth and upbringing within the social environment of Shandy Hall, because the process of Tristram's narration proceeds to usurp most of the novel, shouldering out events at Shandy Hall, which are left half-introduced, or unfinished, or barely hinted at, and we are left with a fairly complete portrait of Tristram Shandy, but not of his life at Shandy Hall.
A third problem is that of the inherent structure of the novel, which necessarily is centered around the dominant, controlling voice of the narrator. Although this structures has been dismissed as chaotic or irregular or formless, it does possess definite patterns which allow for the addition of further units. As Tristram Shandy is basically an open-ended novel allowing for infinite expansion, its chronology and subject matter are designed to cohere only in terms of Tristram's entire life; thus we find the events and characters are remembered in the authorial present. The novel moves back and forth on different levels of the historical present, and besides setting out an accumulative amount of remembered biographical detail, presents a projected picture of the mind of an individual in the process of remembering and narrating. A close study of the associational links between chapters clearly reveals the above points, for significantly, these links are all easy to follow and accumulative in effect.
The purpose of this thesis is to demonstrate how the structure of the novel proceeds from the dominant single point of view that Tristram represents, how the ostensible autobiographical subject matter is eventually subjugated to this personality in operation, and how the structure of the novel functions efficiently towards this end. Chapter I examines the Tristram persona and Chapter II the Yorick persona, in order to determine how they function in this first-persom narration, and to what combined effect. Chapter III on Shandy Hall examines the characters of the novel, exclusive of Tristram, with a view to motivational factors that may proceed from them and that impinge on his story. And Chapter IV examines the associational and chronological structure of the novel in terms of the actual patterns and linkages Sterne provided his segmentalized novel with, and draws a general conclusion from this study.Arts, Faculty ofEnglish, Department ofGraduat
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