20 research outputs found
Heat transfer at high rates to water boiling outside cylinders
No full textThesis (Sc.D.) Massachusetts Institute of Technology. Dept. of Chemical Engineering, 1948.Vita.Bibliography: leaves 431-437.by James Neal Addoms.Sc.D
Roald Dahl: the Author for Two Audiences. A comparison of His Writings for Children and Adults
No full textKatedra anglistiky a amerikanistikyDokončená práce s úspěšnou obhajobo
'So many sparks of fire': Dorothy Cottrell, modernism and mobility
No full textThe broad brush strokes of Dorothy Cottrell's paintings in the National Library of Australia mark her as a modernist artist, although not one who painted the burgeoning Sydney Harbour Bridge or bright still-life paintings of Australian flora. Rather, she captured the dun surrounds of Ularunda Station, the remote Queensland property to which she moved in 1920 after attending art school in Sydney. At Ularunda, Cottrell eloped with the bookkeeper to Dunk Island, where they stayed with nature writer E.J. Banfield, then relocated to Sydney. In 1924 they returned to Ularunda and Cottrell swapped her paintbrush for a pen, writing The Singing Gold. After advice from Mary Gilmore, whom her mother accosted in a pub, Cottrell send it to the Ladies Home Journal in America. It was snapped up immediately, optioned for a film and found a publisher in England, who described it as 'a great Australian book, and a world book'. Gilmore added, 'As an advertisement for Australia, it will go far - the Ladies Home Journal is read all over the world'. Cottrell herself also went far, emigrating to America, where she wrote The Silent Reefs, set in the Caribbean. Cottrell's creative, intellectual and physical peregrinations - all undertaken in a wheelchair after she contracted polio at age five - show how the local references the international, and vice versa. Through an analysis of the life and writing of this now little-known Queensland author, this essay reflects the regional and transnational elements of modernism as outlined in Neal Alexander and James Moran's Regional Modernisms, illuminating how a crack-shot with a rifle once took Queensland to the world
The view from the backbench : Irish Nationalist MPs and their work, 1910-1914
No full textAvailable from British Library Document Supply Centre- DSC:DXN065144 / BLDSC - British Library Document Supply CentreSIGLEGBUnited Kingdo
"Disney is the Tiffany’s and I am the Woolworth's of the business": A critical re-analysis of the business philosophies, production values and studio practices of animator-producer Paul Houlton Terry
No full textThis thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University.Animator-producer Paul Houlton Terry has been portrayed as having little passion for the animation he produced and being more concerned with making a profit than producing entertaining cartoons with high production values. The purpose of the dissertation is to re-evaluate Terry‘s legacy to animated cartooning by analyzing his business philosophies, production values, and studio practices.
Application of four psychodynamic factors to the early life and career of Terry, 1887-1929, found that his economic decision making was characterized by: an external locus of control, risk-averse financial behaviour, extreme saving behaviour through precaution, and shrewd money management practices. Based on Terry‘s historical responses to twelve major economic, technological, or institutional forces of change for the period 1929-1955, the psychodynamic factors were found to provide accurate explanations for his studio practices and production decisions.
There was no evidence to support the conclusion that three early career disappointments undermined Terry‘s intrinsic motivation to create animated cartoons. Rather, Terry‘s lack of risk taking, external locus of control, tight studio production schedule, desire to compete with neighbour studio Fleischer, difficulty in separating financial rewards from creative processes in animation, and practice of undertaking surveillance measures on staff may have undermined his and his studio‘s creativity. Archival research found Terry to possess strong passions for and to have made significant creative contributions to the field of animation.
Biographical research found that Terry retained a stable nucleus of highly talented artists who dedicated a significant portion of their working careers to the studio. An analysis of the cel aesthetics of a random sample of animated cartoons produced during the years 1930-1955 found that Terry created animated cartoons with above average cel aesthetics when compared to the other studios thereby supporting an inference that Terry was motivated to producing quality crafted animation. Further research is suggested into the role psychodynamic factors and economic decision-making play in the film production process and a clarification of Terry‘s legacy to the field of animated cartoons
Iowa History and Culture : A Bibliography of Materials Published Between 1952 and 1986, 1989
No full textThis bibliography was compiled by two reference librarians, Patricia Dawson and David Hudson with the goal of making it easier of tracking down material on Iowa history and culture. This supplements the Iowa History Reference Guide published in 1952 by William Petersen
'One equal music’: The royal college of music, its inception and the legacy of Sir George Grove 1883-1895
No full textThe establishment of the Royal College of Music (RCM) in 1883 represents the denouement of an eighteenth-century movement to found a conservatoire with a national remit in Britain. Whether motivated by the desire to rival Continental conservatoires to generate and develop an environment in which a worthy successor to Purcell could be nurtured or to create an indigenous musical workforce to obtain direct control of market forces, the RCM was seen as a panacea in the light of the demise of the experimental National Training School for Music (1876-1882) and the ineffectual Royal Academy of Music founded in 1822. The NTSM's financial concerns led Sir Henry Cole to approach the Royal Commission of 1851 for aid. In return for a meagre grant, the Commission insisted the NTSM remodel its management and constitution on pain of eviction from buildings on the Kensington Estate. Cole's approach to 1851 Commissionets precipitated the involvement of the Prince of Wales and other senior members of the Court that led directly to the establishment of the RCM in 1878.Attempts to institute the RCM as a quango to regulate the music profession alongside music education both at elementary school and university level were intended to provide ideal circumstances for inducing comprehensive treasury assistance where the NTSM failed. When this proved elusive, a contingency was provided by George Grove (first RCM Director from 1882) who, at the request of the Prince of Wales, imtiated a capital fund. The introduction of fee-paying students alongside scholars provided financial security that distanced the College & insolvency. Substantial growth in numbers during the first few years forced Grove and the Council to address the issue of a new building. Grove's appointment of an unrivalled professorial staff and the development of a rigorous curriculum, whose inspiration was to be found within the Continental traditions in France and Germany, had paid dividends. By 1894, the results of RCM's pedagogical methods were respected across Europe. The appointment of Grove's neighbour, Alexander Mackenzie, as Principal of the RAM heralded an environment for mutual co-operation between two rival institutions. The institution of local examinations under the Associated Board of the Royal Academy of Music and the Royal College of Music from 1889 marked the conclusion of further attempts to amalgamate the two institutions. The foundation of both the Associated Board was intended to provide a remedy to the shortage of suitably-qualified candidates entering for scholarships and to improve music tuition among school children as set out in the RCM's 1883 charter. The coalition created formidable opposition to Halle's proposal to establish a chartered Royal College of Music in Manchester (RMCM) in 1893 and Parliament's attempts to include music within the provision of the bill for the regulation and registration of teachers. The foundation of the Associated Board allowed Grove to begin implementing the RCM's remit to lead the music profession on both a national and imperial scale. The RCM's national and European reputation established by Grove was consolidated under the directorate of his successor, c. Hubert H. Parry, who confirmed the RCM's global reputation to which other, fledgling institutions, such as New York's Juilliard School of Music, came to aspke. Grove's initiatives, which began the process of emancipating composer and performer alike, went on to transform Britain's international musical reputation within a generation, the ramifications of which continue to affect us more than a century later
The British environmental movement: The development of an environmental consciousness and environmental activism, 1945-1975
No full textThis work investigates the development of an environmental consciousness and environmental activism in Britain, 1945-1975. The 1970s have been described as ‘the decade of the environment’ and was the period when the modern environmental movement emerged. In this thesis, the environmental movement is considered to be a broad network of individuals and pressure groups engaging in collective action with shared environmental beliefs. Much of the work on the movement has ignored or played down the importance of the post-war period on its development. This project challenges that, dealing less with the movement itself and more with the developments which led to its emergence: through analysing events like the great London smog of 1952 and the Torrey Canyon oil spill of 1967, as well as through television programmes, this thesis traces the post-war influences of the movement and the growth of environmental awareness.
Environmental pressure groups form part of the movement and a number of them are studied here, such as the Newcastle-based group Save Our City from Environmental Mess and the London-based group Commitment, WWF, Friends of the Earth and the National Smoke Abatement Society. From analysing the resources of these groups and the political processes within which they appear (resource mobilisation theory and political process theory) a better understanding is made about their successes, failures and how they fed into a growing environmental awareness. Television programmes from the 1950s, 1960s and 1970s – notably natural history programmes such as Look, Zoo Quest, Doctor Who and Doomwatch – also helped an environmental consciousness develop. In marrying together these different issues, this work provides an original contribution to knowledge, and assesses some of the influences which led to the environmental movement emerging in 1970s Britain
Communism in the professions : the organisation of the British Communist Party among professional workers, 1933-1956
No full textThis thesis is a historical study of middle-class members of the Communist
Party of Great Britain. Although it is principally concerned with the
period from 1933 to 1956 some attention is given to the Party's first
decade and the years immediately after the great upheaval of 1956. The
thesis examines the reasons why middle-class people were attracted to the
Communist Party; the various cultural and political initiatives they were
involved in and their changing role in the CP. The work describes the way
middle-class Communists drew upon their professional and technical skills
to contribute to the life of the Party and its political campaigns.
Attention is also given to the relationship of middle-class Communists
both to their working-class fellow members and to the Party leadership and
how these relationships developed and changed over time. The thesis
revises various previously accepted characterisations of middle-class
Communists which have emphasised the superficial nature of their
commitment to the CP in the late 1930s or concentrated attention on those
who became entangled in the world of spying. The most important aspect of
the study, however, is the examination of the way in which Communists in
the professions related their Communism to their work and how in turn
their professional concerns and attitudes influenced their politics. To
this end detailed studies have been made of the political and occupational
activities of Communists in three professional groups - architects,
psychologists and school teachers
Making vision into power : Britain's acquisition of the world's first radar-based integrated air defence system 1935 - 1941
No full textThis thesis represents the first application of a current conceptual model of defence acquisition to analyse the historical process, the 1935 - 1941 British acquisition of an integrated air defence system pivoted upon the innovative technology of radar. For successful acquisition of a military capability, the model posits that balanced attention must be focused acoss eight 'lines of developmen' - not only equipment, but also doctrine and concepts, logistics, structures, personnel, organisation, training and information with an overarching requirement for interoperability. This thesis contrasts what turned out to be a successful acquisition, of radar to achive air interception capability by day in the Battle of Britain, with less successful acquisition, or radar to achieve the same capability at night, where an effective system arrived too late to ward off the Blitz. The results establish the validity of the model and its attendant lines of development concepts, and furnish new insights into acquisition processes and military history. Acquisition lessons are derived for the capability-based involvement of industry, for the experience and personality necessary for key managers at different 'life stages' of an acquisition and for the avoidance of over-rapid 'dysfunctional diffusion' of innovative technologies. Historical insights for the Battle of Britain include the sub-optimal performance, for trivial reasons, of key South Coast radars, and the critical importance of the human elements of the radar-based air defence system. For the Blitz, airborne radar hardware has previously been identified as a key problem, whereas research here exposes the greater need for accurate ground control radar, the sound selection and training of pilots and operators in new tactics, and provision of equipment maintainers and test gear. New evidence illustrates that pursuit of an alternative to radar significantly delayed the optimal solution, and throws fresh light both on personalities and on development process management
