30,019 research outputs found
ADAM SMITH'S OPTIMISTIC TELEOLOGICAL VIEW OF HISTORY
No full textAdam Smith's four-stage theory provides the framework for his writings on history. The fourth stage is the commercial epoch; the culmination of history in this stage is a key component in the conventional interpretation of Adam Smith as a prophet of commercialism. In two historical case studies Smith shows the capacity of commercial society to regenerate itself. This potent capacity suggests that commercial society is inevitable. At a certain point in time it also overcomes the major obstacles to its permanence. Smith's philosophy of history anticipates the end of history views of Kant and Hegel.Political Economy,
1955 and 1917 Draft Registration for John Adam Randolph
No full textText document 1955 Draft Registration card for John Adam Randolph and 1917 draft registration card for John Adam Randolp
Military Service Record of John Adam Randolph
No full textText document image Service Record for John Adam Randolp
Biographical notes on John Adam Randolph
No full textText document, biographical information for John Adam RandolphConverted from .docx to .pdf for Compatibilit
Engaging top management in information planning and development : a case study
No full text"July 1984."Bibliography: p. 32.John F. Rockart, Adam D. Crescenzi
THE THEOLOGICAL FOUNDATION OF ADAM SMITH'S WORK
No full textThe paper will discuss the theological foundation to Smith's writings. Teleology, final causes and divine design were initially seen as central to understanding Smith's writings. Over time, this view fell out of fashion. In the period after World War II, with the rise of positivism, commentators tended to overlook or downplay this interpretation. In the last decade, or so, teleology has started to be restored to its former position as an essential element in understanding Smith. After spelling out Smith's teleology and his view of final causes, divine design and the ends of nature, we try to explain the Panglossian nature of the 'new theistic view' of Smith. While our view differs somewhat, we agree with the essence of the 'new view' claim: a theological view exists in Smith which underpins his moral and economic theories.Political Economy,
JOHN LOCKE AFTER 300 YEARS
No full textJohn Locke was a seminal figure in political philosophy and political economy and this year marks the tercentenary of his death. The paper focuses on the classical liberal interpretation of Locke. In this view, Locke defends individualism, natural rights (especially to property) and minimal government. After sketching this interpretation, I will present some extensions and applications of that interpretation. With this background in mind, I then turn to the views of critics who have claimed that Locke's individualism has been exaggerated and that Lockean rights are not absolute (they must be balanced against duties). Then I address the view of those who see Locke as a defender not of minimal government but of a more muscular (albeit limited) government. I then provide a brief conclusion.Political Economy,
Adam und Eva in der byzantinischen und abendländischen Kunst des Mittelalters
No full textThe pictorial art of the Church, as a spiritual product of the Christian civilisation, has continually received great influences from its ecclesiastical tradition and it was defined by its formal aesthetical standards and its iconographic preferences. A more nuanced reading of the parallels can be attained by placing the images in their visual context, which would allow a better appreciation of the meanings within. The biblical story of Adam and Eve, which is the theme of the following thesis, reflects the differentiation between the Eastern and the Western understanding of the events of the history of the holy Oikonomia, a point, which is the major ground for the development of the relative pictorial motifs. The protoplasts are the protagonists from their creation and life in paradise, the fall and expulsion until their resurrection through Christ. Their story is visualised in a number of scenes and episodes, having thus their original sin and resurrection for specific reasons centralised. This doctoral thesis attempts to collect as many parallels of the scenes is possible, trying to collate the Eastern with the Western visual approach in a deductive way, in order to reach our constructive conclusions and make available the combination of the art, theology and liturgy in the scenes of Adam and Eve in Genesis and in Resurrection (Anastasis). The reading we tried to perform was based upon the specific iconographical elements, which were worth to be commented. Our aim was to detect the direct bond between the production of art and the relevant patristic and apocryphal writings or even the theological theories, by quoting texts from the ecclesiastical literature, as well as the liturgical praxis.Die kirchliche Kunst hat als geistiges Produkt der christlichen Kultur stets unter dem Einfluss der kirchlichen Tradition gestanden und wurde durch ihre formalen ästhetischen Standards und ihre ikonographische Auswahl bestimmt. Eine genauere Bestimmung der Parallelen kann erreicht werden, indem man die Bilder in ihren visuellen Kontext stellt, was zu einem besserem Verständnis ihrer Inhalte führt. Die biblische Geschichte von Adam und Eva, welche das Thema unserer Arbeit ist, reflektiert das differenzierte Verständnis der Heilsgeschichte (Oikonomia) in Ost und West, welche die Hauptursache für die Entwicklung der entsprechenden Bildmotive ist. Die Stammeltern sind die Protagonisten dieser Geschichte seit der Schöpfung und dem Leben im Paradies, sowie Sündenfall und Vertreibung, bis zu ihrer Auferweckung durch Christus. Ihre Geschichte wird in einer Reihe von Szenen und Episoden visualisiert, wobei die Ursünde und die Auferstehung aus besonderen Gründen im Mittelpunkt stehen. Diese Dissertation versucht, so viele wie mögliche Gemeinsamkeiten der Darstellung herauszuarbeiten, um so in deduktiver Weise den visuellen Zugang des Ostens und des Westens in Beziehung zu setzen, um zu konstruktiven Ergebnissen zu kommen und eine Verbindung von Kunst, Theologie und Liturgie in den Darstellungen von Adam und Eva in der Genesis und der Anastasis, am Anfang und am Ende also, herzustellen. Unsere Untersuchung basiert auf den spezifischen ikonographischen Elementen, die wir kommentieren. Unser Ziel war es, die unmittelbare Verbindung zwischen der künstlerischen Darstellung und den entsprechenden patristischen oder apokryphen Schriften oder sogar den theologischen Theorien zu ermitteln, indem wir Texte aus der kirchlichen Literatur, aber auch aus der liturgischen Praxis heranzogen. Wir versuchten die Beteiligung der Stammeltern Adam und Eva im Genesis-Zyklus und der Anastasis-Szene in Beziehung zu setzen, deren Darstellungsnormen zur Gänze auf der Heilsverheissung Gottes basieren. So besteht unsere Dissertation aus zwei Teilen: Genesis und Anastasis (Abstieg in den Hades), sowie einem Anhang, welcher die Überschrift „Die Bildsprache der Geschichte der Stammeltern“ trägt, der Bibliographie und einer Liste der verwendeten Abbildungen
Trade justice and individual consumption choices : Adam Smith's spectator theory and the moral constitution of the Fair Trade consumer
No full textA consistent theme of the existing literature is that fair trade consumption practices represent acts of justice. In this article I investigate such an equation from the perspective of the moral theory of Adam Smith. Smith explains the development of moral sensibilities via an imaginative act he calls `sympathy'. For Smith, justice prevails in interpersonal relationships in which the potential for one person to do harm to another is ruled out because their respective imaginations are in perfect accord, thus creating a situation of mutual sympathy. I advance two main conclusions. First, I argue that fair trade consumption is undoubtedly a moral act in the manner described by Smith, as it involves consumers responding to fair trade campaigns in order to trigger their moral sensibilities through exercising their imaginative faculties. Second, though, I argue that fair trade consumption is not specifically a moral act of justice in the manner described by Smith. The structure of fair trade invites the First World consumer to display sympathy for the Third World producer, but it provides no means for that sympathy to be reciprocated. As such, instances of genuine mutual sympathy do not arise. From a Smithian perspective, fair trade consumption practices are an act of beneficence rather than an act of justice. They thereby reside in the realm of private virtue rather than the realm of public duty, with significant implications for the way in which trade justice is conceptualized and studied in IPE
XYZ coordinates of structures related to the mechanism of chromophore hydrolysis in photoactivated rhodopsin
No full textThis compressed file contains structures in XYZ format organized in four directories, one per hydrolysis path studied in the manuscript (Figure 7): "Chromophore Hydrolysis and Release from Photoactivated Rhodopsin in Native Membranes and Formation of Retinylidene-Phosphatidylethanolamines" by John D. Hong, David Salom, Michał Andrzej Kochman, Adam Kubas, Philip Kiser, Krzysztof Palczewski (to be submitted).Path I is for high pH, Meta-I/III proteins, protonated Schiff base, Glu113 & Glu181 deprotonated.Path II is for low pH, Meta-II protein, deprotonated Schiff base, Glu113 protonated, Glu181 deprotonated.Structures were obtained in QM1-QM2 hybrid calculations (r2SCAN QM1, GFN2-XTB QM2).</p
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