8,940 research outputs found
Konare Ba (Adam) : Sonni Ali Ber
No full textBrasseur Paule. Konare Ba (Adam) : Sonni Ali Ber. In: Revue française d'histoire d'outre-mer, tome 66, n°242-243, 1er et 2e trimestres 1979. pp. 249-250
Konare Ba (Adam) : Sonni Ali Ber
No full textBrasseur Paule. Konare Ba (Adam) : Sonni Ali Ber. In: Revue française d'histoire d'outre-mer, tome 66, n°242-243, 1er et 2e trimestres 1979. pp. 249-250
O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina
No full textPietrzak Maciej, O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina [O-Bi, O-Ba: The End of Civilization – The Postliterate World of Piotr Szulkin]. „Przestrzenie Teorii” nr 32. Poznań 2019, Adam Mickiewicz University Press, pp. 273–284. ISSN 1644-6763. DOI 10.14746/pt.2019.32.14.
Piotr Szulkin made his mark in the history of cinema primarily as the author of disturbing visions of the future. His four films made between 1979 and 1985 comprised the science-fiction tetralogy, which is still one of the greatest artistic achievements of this genre in Polish cinema. The subject of the article is the third production of Szulkin’s series – the post-apocalyptic film O-Bi, O-Ba: The End of Civilization from 1984. In the film, the director creates a suggestive vision of a world destroyed as a result of nuclear conflict, in which the original functions of literature and the written word are forgotten. The author article analyzes the way in which forsaken literary artifacts are used in the post-literary reality of the film. An important element of his considerations is also the post-apocalyptic reception of the biblical text, on whose elements the mythology of the film’s world is based.Pietrzak Maciej, O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina [O-Bi, O-Ba: The End of Civilization – The Postliterate World of Piotr Szulkin]. „Przestrzenie Teorii” nr 32. Poznań 2019, Adam Mickiewicz University Press, pp. 273–284. ISSN 1644-6763. DOI 10.14746/pt.2019.32.14.
Piotr Szulkin made his mark in the history of cinema primarily as the author of disturbing visions of the future. His four films made between 1979 and 1985 comprised the science-fiction tetralogy, which is still one of the greatest artistic achievements of this genre in Polish cinema. The subject of the article is the third production of Szulkin’s series – the post-apocalyptic film O-Bi, O-Ba: The End of Civilization from 1984. In the film, the director creates a suggestive vision of a world destroyed as a result of nuclear conflict, in which the original functions of literature and the written word are forgotten. The author article analyzes the way in which forsaken literary artifacts are used in the post-literary reality of the film. An important element of his considerations is also the post-apocalyptic reception of the biblical text, on whose elements the mythology of the film’s world is based
Konaré (Alpha Oumar) et Ba (Adam) : Grandes dates du Mali
No full textBrasseur Gérard. Konaré (Alpha Oumar) et Ba (Adam) : Grandes dates du Mali. In: Revue française d'histoire d'outre-mer, tome 72, n°266, 1er trimestre 1985. pp. 106-107
Biography of Ceerno Ndiaye Ba
No full textThis manuscript is a biography of Ceerno Ndiaye Ba Bababe, in Mauritania. It is one of a series of biographies that the author has written about Islamic leaders in West Africa.Ce manuscrit est une biographie de Ceerno Ndiaye Ba Bababe, en Mauritanie. Elle fait partie d'une série de biographies que l'auteur a écrites sur les dirigeants islamiques en Afrique de l'Ouest
Poems of Sheikh Muhammad al-Ghaly Ba
No full textThis volume contains seven poems handwritten by Muhammad al-Ghāli Ba. According to the author's son, Mountaga Ba, the poems were probably composed in the mid-1970s a time when the author lived in Mauritania, while working at the country's national radio station and serving as a special counsel to then president Moktar Ould Daddah (1924–2003). The poems adress various issues. The first is a call to action addressed to the Mauritianian youth, urging them to join in the collective work for the development of the country. The second poem is a hagiography on Ceerno Ahmad Nene Ba of Kaedi (Mauritania). The poem eulogizes the virtues of the patron. The third describes the event of Sharif Muhammad al-Habib's visit to the region of Fuuta region (Senegal), namely the village of Pate Galo. The fourth poem contains greetings and expresions of love addressed to the author's friends in the town of Kaedi. The fifth poem is a remembrance about good times. The author reminisces and praises the qualities of a woman named Jaari.The sixth poem describes one afternoon journey of the author. The seventh poem is a mournful praisesong in which the author laments the loss of a cherished person.Ce volume contient sept poèmes manuscrits de Muhammad al-Ghāli Ba. Selon le fils de l'auteur, Mountaga Ba, les poèmes ont probablement été composés au milieu des années 1970, à une époque où l'auteur vivait en Mauritanie, alors qu'il travaillait à la radio nationale du pays et était conseiller spécial du président de l'époque, Moktar Ould Daddah (1924). –2003). Les poèmes abordent diverses questions. Le premier est un appel à l'action adressé aux jeunes mauriciens, les exhortant à s'associer au travail collectif pour le développement du pays. Le deuxième poème est une hagiographie sur Ceerno Ahmad Nene Ba de Kaedi (Mauritanie). Le poème fait l'éloge des vertus du mécène. Le troisième décrit l'événement de la visite de Sharif Muhammad al-Habib dans la région de la région de Fuuta (Sénégal), à savoir le village de Pate Galo. Le quatrième poème contient des salutations et des expressions d'amour adressées aux amis de l'auteur dans la ville de Kaedi. Le cinquième poème est un souvenir des bons moments. L'auteur rappelle et loue les qualités d'une femme nommée Jaari. Le sixième poème décrit un après-midi de voyage de l'auteur. Le septième poème est une louange mélancolique dans laquelle l'auteur déplore la perte d'une personne chérie
A Byzantine Adam: Explicating the Suda's Encomiastic Entry on Adam
No full textIn the tenth-century Byzantine lexicon known as the Suda there exists one particularly lengthy entry on the Biblical figure Adam. In this entry, Adam appears not as a figure to be scorned, but as a hero. Through analyzing the rhetoric of this entry as well as the perception of Adam in Byzantine culture, it is possible to make sense of this entry and discover the what the role of Adam was in Byzantine culture.Classical StudiesBachelors of Arts (BA
Cloning, purification and characterisation of human and mouse ADAM 8 sheddase activity
No full textAl-Riyami H. Cloning, purification and characterisation of human and mouse ADAM 8 sheddase activity. Bielefeld (Germany): Bielefeld University; 2006
Sanarwar Kasashen Duniya Game da Hakkiin Yan-Adam
No full textGabatarwa Ganin cewa yanci da adalci da zaman lafiya ba za su girku a duniya ba, sai in an yi imani da cewa dukkan yan-adam suna da mutunci, kuma suna da hakkoki na kowa daidai da na kowa, wadanda suka kasance ba abin a kwace musu ba, Ganin cewa ba abin da ya sa aka aikata abubuwa irin na lokacin jahiliyya wadanda suka tada hankalin duniya gaba-daya, illa rashin sanin hakkokin dan-adam da rena su. Ganin kuma cewa an bayyana cewá muhimmin gurin da yan-adam suka sa gaba shi ne, bayan sun kubuta..
Sanarwar Kasashen Duniya Game da Hakkiin Yan-Adam
No full textGabatarwa Ganin cewa yanci da adalci da zaman lafiya ba za su girku a duniya ba, sai in an yi imani da cewa dukkan yan-adam suna da mutunci, kuma suna da hakkoki na kowa daidai da na kowa, wadanda suka kasance ba abin a kwace musu ba, Ganin cewa ba abin da ya sa aka aikata abubuwa irin na lokacin jahiliyya wadanda suka tada hankalin duniya gaba-daya, illa rashin sanin hakkokin dan-adam da rena su. Ganin kuma cewa an bayyana cewá muhimmin gurin da yan-adam suka sa gaba shi ne, bayan sun kubuta..
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