358 research outputs found
ahaim5357/10.17605-osf.io-zcbjx: ASSISTments: XPRIZE Digital Learning Challenge
No full textRelease of the dataset and code used to analyze the data collected for Toward Improving Effectiveness of Crowdsourced, On-Demand Assistance From Authors in Online Learning Platforms. This is a project for the ASSISTments X team submitted to the XPRIZE Digital Learning Challenge.
Citation
@misc{Haim_Cheng_Prihar_Heffernan_Heffernan_2022,
title={Toward Improving Effectiveness of Crowdsourced, On-Demand Assistance From Authors in Online Learning Platforms},
url={osf.io/zcbjx},
DOI={10.17605/OSF.IO/ZCBJX},
publisher={OSF},
author={Haim, Aaron and Cheng, Li and Prihar, Ethan and Heffernan, Neil T, III and Heffernan, Cristina},
year={2022},
month={Aug}
}We would like to thank the NSF (e.g., 2118725, 2118904, 1950683, 1917808, 1931523, 1940236, 1917713, 1903304, 1822830, 1759229, 1724889, 1636782, & 1535428), IES (e.g., R305N210049, R305D210031, R305A170137, R305A170243, R305A180401, & R305A120125), GAANN (e.g., P200A180088 & P200A150306), EIR (U411B190024 & S411B210024), ONR (N00014-18-1-2768), and Schmidt Futures. None of the opinions expressed here are that of the funders. We are funded under an NHI grant (R44GM146483) with Teachly as a SBIR
Contribution of Haim Weizmann in the creation of the State of Israel
No full textСтатья посвящена изучению вклада Хаима Вейцмана в создание и развитие Государства Израиль. Автор пытается систематизировать историческую и мемуарную информацию, связанную с вкладом в этот процесс выходца из белорусских земель. Автор раскрывает задачи и виды деятельности уроженца белорусских земель. Статья подводит некоторые итоги изучения данной проблемы за последние годы. Автор обращает внимание на отсутствие комплексных исследований данной проблемы как в белорусской, так и в израильской историографии. Данная проблема мало изучена и требует дальнейших исследований. = The article is devoted to the research of a contribution of Haim Weizmann to formation and development of the State of Israel. The author tries to systematize the historical and memorial information connected with a contribution of a native of Belarusian lands to this process. The author talks about tasks and kinds of activity of Haim Weizmann. The article sums up some results of studying of this problem within recent years. The author points out the lack of complex and comprehensive investigations of this problem both in Belarusian, and in Israeli historiography. This problem is studied not enough and demands further researches
Contribution of Haim Weizmann in the creation of the State of Israel
No full textСтатья посвящена изучению вклада Хаима Вейцмана в создание и развитие Государства Израиль. Автор пытается систематизировать историческую и мемуарную информацию, связанную с вкладом в этот процесс выходца из белорусских земель. Автор раскрывает задачи и виды деятельности уроженца белорусских земель. Статья подводит некоторые итоги изучения данной проблемы за последние годы. Автор обращает внимание на отсутствие комплексных исследований данной проблемы как в белорусской, так и в израильской историографии. Данная проблема мало изучена и требует дальнейших исследований. = The article is devoted to the research of a contribution of Haim Weizmann to formation and development of the State of Israel. The author tries to systematize the historical and memorial information connected with a contribution of a native of Belarusian lands to this process. The author talks about tasks and kinds of activity of Haim Weizmann. The article sums up some results of studying of this problem within recent years. The author points out the lack of complex and comprehensive investigations of this problem both in Belarusian, and in Israeli historiography. This problem is studied not enough and demands further researches
How to Open Science: A Reproducibility Author Survey of the Artificial Intelligence in Education Conference
No full textA peer review with author input analyzing the open science principles and reproducibility of full papers, short papers, and posters sent to the 22nd and 23rd Artificial Intelligence in Education conference
On the Influence of Rabbi ‘Haim Joseph David Azulai (‘Hida)’s Shem Ha-Guedolim on the Hebraic Bio-bibliography
No full textBefore entering into the subject of the history of this book and its offspring, the author, the ‘Hida, must be presented briefly. Moritz Steinschneider says of him: “’Haim Joseph David Azulai of Jerusalem (1724-1806) wrote a book about the biographies of the sages of Israel and their works. The content of the book was collected by him throughout his travels.” The ‘Hida, like his father Isaac Zera’hia before him, had been appointed as a rabbinic envoy (shalia’h) to collect the funds necessary ..
How To Open Science: A Principle Author Survey and Reproducibility Development of the Educational Data Mining Conference
No full textA peer review with author input analyzing the open science principles and developing reproducibility metrics of full papers, short papers, and posters sent to the 14th and 15th Educational Data Mining conference
How To Open Science: A Principle and Reproducibility Author Survey of the Artificial Intelligence in Education Conference
No full textA peer review with author input analyzing the open science principles and reproducibility of full papers, short papers, and posters sent to the 22nd and 23rd Artificial Intelligence in Education conference
How To Open Science: A Principle Author Survey, Reproducibility Development, and Statement Compliance Analysis of the Learning @ Scale Conference
No full textA peer review with author input analyzing the open science principles, developing reproducibility metrics, and reviewing the open science statement compliance of full papers, short papers, and posters sent to the 8th and 9th Learning @ Scale conference
Hebrew and Yiddish in Works by Haim Maor, an Israeli Artist of the Second Generation
No full textAn Israeli artist of the Second Generation or the postgeneration, Haim Maor uses in his art various means of expression, such as painting, installation, photography, or performance, and creates biographical art. In numerous works, he uses words or texts in Hebrew, Yiddish, English, German, Polish, and Arabic. In this article, the author focuses mainly on these works of art in which Haim Maor – in a way close to conceptualism, postconceptualism, and concrete poetry – uses words, especially those in Hebrew and Yiddish. The author refers to the presence of tension in this art between the official language of the young and proud country of Israel (Hebrew) and the language of diaspora, despised by Israeli elites (Yiddish). Works by Maor evoke the Shoah mainly by means of references to familial stories. In the article, the author tackles the motif of memory found in this art, putting it in the context of post-Holocaust art and the notion of postmemory (Marianne Hirsch), and showing the way in which the attitude towards the tragedy of the Shoah transformed in Israel. Maor’s art criticises the myths functioning in Israeli society, such as the myth of “beautiful” death. Using not only the research of Israeli Zionist historians (Anita Shapira) and so-called new historians (Shlomo Sand, Tom Segev, Ilan Pappé, Idith Zertal) but also the texts of left-wing publicists and writers (David Grossman, Amos Oz, Ari Shavit), the author attempts to depict the way in which art works through the same problems which historians, writers, and journalists face. Haim Maor to izraelski artysta drugiego pokolenia czy też postpokolenia, posługujący się w swej twórczości różnymi środkami wyrazu, jak np. malarstwo, instalacja, fotografia, performance, i uprawiający sztukę biograficzną. W wielu pracach posługuje się słowem lub tekstem w językach: hebrajskim, jidysz, angielskim, niemieckim, polskim oraz arabskim. W niniejszym artykule autor koncentruje uwagę głównie na tych pracach, w których Haim Maor – w sposób bliski konceptualizmowi, postkonceptualizmowi oraz poezji konkretnej – posługuje się słowem (głównie w językach hebrajskim oraz jidysz). Odnosi się do obecnego w sztuce tego artysty napięcia pomiędzy oficjalnym językiem młodego i dumnego państwa Izrael – hebrajskim, a pogardzanym przez izraelskie elity językiem diaspory – jidysz. Prace Maora przywołują Zagładę głównie poprzez odniesienia do rodzinnych historii. W artykule autor podejmuje wątek pamięci obecny w sztuce tego artysty, sytuując jego twórczość w kontekście „sztuki po Zagładzie” oraz pojęcia postpamięci (Marianne Hirsch), pokazując, w jaki sposób zmieniał się stosunek do tragedii Szoa w Państwie Izrael. Sztuka Maora poddaje krytyce mitologie funkcjonujące w izraelskim społeczeństwie, np. mit „pięknej” śmierci. Sięgając zarówno do badań izraelskich historyków syjonistycznych (Anita Shapira) oraz tzw. nowych historyków (Shlomo Sand, Tom Segev, Ilan Pappé oraz Idith Zertal), a także do tekstów lewicowych publicystów i pisarzy (Dawid Grosman, Amos Oz, Ari Shavit), autor próbuje unaocznić czytelnikowi, w jaki sposób przepracowywano na gruncie sztuk wizualnych te same problemy, z którymi mierzą się historycy, literaci oraz dziennikarze
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