27,358,447 research outputs found
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Author Peter FitzSimons speaking at the National Library of Australia, Canberra, 13 November 2012 /
No full textTitle from acquisitions documentation.; Part of the collection: Portraits of author Peter FitzSimons speaking at the National Library of Australia, Canberra, 13 November 2012.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
Portrait of author David Foster at the National Library of Australia, Canberra, 8 June 2011 /
No full textTitle from acquisitions documentation.; Part of the collection: Portraits of author David Foster at the National Library of Australia, Canberra, 8 June 2011.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
Author-reader relationship at the site of the work
No full textWithin the format of a critical exegesis and four original works of extended prose fiction, this thesis explores the interaction between the author and reader and argues that literary meaning is the outcome of shifts of power between these two entities. It concludes that because these shifts in power are orchestrated by the author, the author is relevant to understanding how meaning is produced
University of Tennessee at Chattanooga commencement program, 1985 December 18
No full textProgram detailing the order of events for a University of Tennessee at Chattanooga commencement ceremony
University of Tennessee at Chattanooga commencement program, 2011 December 17
No full textProgram detailing the order of events for a University of Tennessee at Chattanooga commencement ceremony
University of Tennessee at Chattanooga commencement program, 1987 August 17
No full textProgram detailing the order of events for a University of Tennessee at Chattanooga commencement ceremony
University of Tennessee at Chattanooga commencement program, 1983 August 15
No full textProgram detailing the order of events for a University of Tennessee at Chattanooga commencement ceremony
University of Tennessee at Chattanooga commencement program, 1988 May 1
No full textProgram detailing the order of events for a University of Tennessee at Chattanooga commencement ceremony
University of Tennessee at Chattanooga commencement program, 1999 May 9
No full textProgram detailing the order of events for a University of Tennessee at Chattanooga commencement ceremony
- …
